The Mirror and the Light. Hilary Mantel
are well, sir?’
‘Never better,’ he says flatly.
It was Richard himself who, a few days back, had walked Thomas Wyatt to the Tower, without display of force, without armed men: taking him into custody as easily as if they were taking a riverside stroll. He had requested the prisoner be shown every courtesy, and be kept in a pleasant gatehouse chamber: to which the gaoler Martin now leads the way.
‘How is this prisoner?’ he asks.
As if this prisoner were just anyone, instead of what Wyatt is – as dear to him as any person now living.
Martin says, ‘It seems to me, sir, he is in much disquiet of mind about those five gentlemen who lost their heads the other day.’
The gaoler makes it sound incidental, like losing a hat. ‘I dare say Master Wyatt wonders why he was not among them. And so he paces, sir. Then he sits, a paper before him. He looks as if he will write, but not a word goes down. He doesn’t sleep. Up in the dead hour, calling for lights. Pulls up his stool to the table, sharpens his pen; six o’clock, broad day, you fetch in his bread and ale and there’s his paper blank and the candle still burning. Wasteful, that.’
‘Let him have lights. I will pay for what he needs.’
‘Though I say this – he is a very gentleman. Not proud like those we had over the other side. Henry Norris – “Gentle Norris”, they called him, but he spoke to us as if we were dogs. That’s how you can tell a true gentleman – when he is in peril of his life, he still speaks you fair.’
‘I’ll remember, Martin,’ he says gravely. ‘How’s my god-daughter?’
‘Rising two – can you believe it?’
The week Martin’s daughter was born he had been at the Tower to visit Thomas More. It was early days in their contest; he still hoped More would concede a point to the king and save his life. ‘You’ll stand godfather?’ Martin had asked him. He chose the name Grace: after his youngest daughter, dead some years now.
Martin says, ‘We cannot watch a prisoner every minute. I am afraid Mr Wyatt might destroy himself.’
Richard laughs merrily. ‘What, Martin, have you never had a poet in your prison? One who sighs heavy and sleeps short hours, and when he prays he prays in verse? A poet may be melancholy but I tell you, he will look after himself as well as the next man. He must have food and drink to tempt his appetite, and if he has an ache or a twinge you will hear about it.’
‘He writes a sonnet if he stubs a toe,’ he says.
‘Poets prosper,’ Richard says. ‘It is their friends who sustain the hurt.’
Martin announces them with a discreet tap, as if they were in a lord’s private suite. ‘Visitors, Mr Wyatt?’
The room is full of dancing light, and the young man sits at a table in full sun. ‘Move, Wyatt,’ Richard says. ‘The rays illuminate your scalp.’
He forgets how ruthless the young are. When the king says, ‘Am I going bald, Crumb?’ he says, ‘The shape of your Majesty’s head would please any artist.’
Wyatt runs his palm across his fine fair hair. ‘It’s going fast, Rich. By the time I am forty no woman will look at me except to try to crack my skull with an egg spoon.’
Wyatt could as easily laugh as cry this morning, and it would mean nothing either way. Still alive when five other men are dead, still alive and astonished to be so, he is poised on the edge of devastating pain – like a man who is teetering on a spike, a toehold his only support. It is a sort of interrogation method he has heard of, though never had need to perform. You rope the prisoner to a beam, his arms crossed behind his back: his body hangs in space, supported by this one exquisite inch. If he moves, or you jerk his foot away, his whole weight drops onto his arms and his shoulders are dislocated. That part of the procedure should be unnecessary. You don’t want to disable him; you just want to keep him there, balanced, till he has satisfied you with answers.
‘We have had our breakfast, anyway,’ he says. ‘Constable Kingston is such a blunderer that we expected mouldy bread.’
‘It is a novelty for him,’ Wyatt says. ‘A queen of England to behead, and five of her lovers. A man does not do it every week.’
He is swaying, he is swaying, on the spike: soon he will slip and cry out. ‘So it’s done, I suppose? Or you would not be here with me.’
Richard crosses the room. He stands over Wyatt and looks down at the nape of his bent neck; he rubs his shoulder, friendly and firm like a man with his favourite dog. Wyatt is unmoving, his face in his hands. Richard glances up: are you going to tell it, sir?
He inclines his head to his nephew: you tell it.
‘She made a brave end,’ Richard says. ‘She spoke short and to the point, asking forgiveness, praising the king’s mercy, and offering no extenuation.’
Wyatt looks up. His face is dazed. ‘She accused no one?’
‘It was not for her to accuse,’ Richard says gently.
‘But you know Anne’s spirit. And she was kept here long enough, she had time to think and plan. She must have thought,’ his blue eyes flick sideways, ‘here I lie a prisoner, and where is the evidence against me? She must have prayed for the five men who went out to die, and she must have wondered, why is Wyatt not one of them?’
‘Surely,’ he says, ‘she would not have wanted to see your head in the street? I know all love was lost between you, and I know she was a creature of supreme malice, but surely she would not have wished to add to the number of men she has ruined?’
‘I did not assume that,’ Wyatt says. ‘She might have thought it was justice.’
He wants Richard to lean forward, and place his hand firmly over Wyatt’s mouth.
‘Tom Wyatt,’ he says, ‘let us have an end of this. You may think confession would ease your mind, and if that is what you think, send for a priest, say what you must, get your absolution and pay him for silence. But do not for God’s sake confess to me.’ He adds, softly, ‘You have come so far. You have done the difficult thing. You spoke when you should speak. Now speak no more.’
‘You must not indulge yourself,’ Richard says. ‘It would be at our expense. My uncle has walked a knife-edge for you. The king’s suspicion of you was such that no one but my uncle could have dispelled it, for the king would not have listened, but killed you with the rest. Besides …’ He looks up. ‘Sir, may I tell him? The court did not need the evidence you gave us. Your name did not arise. The lady’s brother convicted himself out of his own mouth, sniggering at the king in the very face of the court, and saying that despite the valour he claims, Henry lacks all skill and vertu to do the deed with a woman.’
‘Yes,’ he says, to Wyatt’s incredulous face, ‘this is the fool George Boleyn was, and I had to deal with him for years.’
‘And George’s wife,’ Richard says, ‘made a written deposition against him, testifying she had seen him kiss his sister with his tongue in her mouth. Describing the hours they were alone together, behind a closed door.’
Wyatt has edged his stool back from the table. He raises his face to the sun and the light washes away all expression.
‘And Anne’s women,’ Richard says, ‘gave statements against her. All the comings and goings in the dark. So it was enough, without your help. They have witnessed her tricks these two years and more.’
Oh, Jesus, he thinks, let’s stop this now. He takes a wad of folded papers out of his jacket and drops them on the table. ‘Here is your testimony. Do you want to destroy it yourself, or shall I do it?’
‘I will,’ Wyatt says.
He thinks, Wyatt doesn’t trust me: still, even now.