The Complete Peanuts Family Album. Andrew Farago

The Complete Peanuts Family Album - Andrew Farago


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New York City,

      1999, and the Golden The-

      atre, New York City, 1971

      – CMSM

      | opposite:

      Original Schulz mockup

      of You’re a Good Man,

      Charlie Brown theater

      production, c. 1990 –

      CMSM

      V

      alentine’s Day is a bittersweet holiday for most

      of the gang. Charlie Brown can’t work up the

      nerve to give a valentine to the Little Red-Haired

      Girl, Lucy never receives a valentine from Schroeder,

      Peppermint Patty and Marcie don’t receive valentines

      from Charlie Brown, and Sally never gets a card

      from her “Sweet Babboo,” Linus. As Charlie Brown

      observes each year, “Nothing echoes like an empty

      mailbox.” Snoopy, however, always seems to receive

      more valentines than he can handle and spends

      the holiday enjoying a steady stream of cards

      from his many admirers.

       Valentine’s Day is, in many ways, one of the

      saddest days of the year in

      Peanuts

      . Charles

      Schulz noted many times that the cruelty of

      children is one of the strip’s most poignant recurring

      themes. “Nothing in life ends with a pow! And

      aren’t all kids egotists? And brutal? Children

      are caricatures of adults. We grown-ups don’t

      change so much, except on the surface,

      because we get along better that way.

      Maybe I have the cruelest strip going.”

      VALENTINE’S DAY

      1–8: Style Guide art – CSCA; 9: Waiting for

      Valentines, Parts One and Two, Peanuts

      Digital Edition – CSCA; 10: Be My Valen-

      tine, Charlie Brown; Artist: Jayson Weidel;

      Limited Edition Print; Courtesy: Dark Hall

      Mansion; 11: Snoopy Love; Artist: Laurent

      Durieux; Limited Edition Print; Courtesy:

      Dark Hall Mansion

      8

      first OBserved

      02/14/1952

      2

      4

      1

      5

      3

      7

      6

      9

      10

      11

      44

      THE COMPLETE PEANUTS FAMILY ALBUM

      above: Patty model sheet, 2010 – CSCA | below: Style Guide art – CSCA

      45PATTY

      PATTY

      p

      atty grew up in the same neighborhood as Charlie

      Brown and Shermy, and the trio—plus Snoopy—

      were inseparable in their early childhood days. Like many

      girls in the neighborhood, she has a complex relationship

      with Charlie Brown, happily playing house with him one

      day, mercilessly teasing him the next.

      When another girl finally moves to their block, Patty

      is thrilled, and Violet joins their circle of friends. The two

      have many mutual interests, from dolls and records to

      taunting Charlie Brown, and become best friends right

      away. As more kids move to their part of town, Patty and

      Violet spend less and less time alone with Charlie Brown,

      but they all remain friends and continue to play outfield

      on his baseball team.

      Patty’s presence in the strip was in decline by the

      mid-1960s, but the introduction of Peppermint Patty

      cemented Patty’s status as a background character.

      Schulz narrowed the core cast of the strip over the

      years, and there just wasn’t room for two different

      girls named “Patty.”

      above: Patty model sheet – CSCA

      first aPPearanCe

      10/02/1950

      46

      THE COMPLETE PEANUTS FAMILY ALBUM

      O

      ne of Charlie Brown’s oldest friends, Shermy is

      always ready to jump in and join a game of

      catch, go to the movies, or enjoy a nice stroll around

      the block. His even temper and affability make him

      one of the most reliable kids in the neighborhood, and

      you can always count on him to join your baseball

      team or lend a hand.

      Because of Shermy’s reserved demeanor, however,

      he seems to fade into the background when new kids

      like Lucy and Linus move into the neighborhood. As

      Charles Schulz noted, Shermy’s role diminished over

      time, and he soon appeared only when the cartoonist

      “needed a character with very little personality.”

      Shermy’s last official appearance was on June 15,

      1969, and his expression and single word of dialogue

      (“Really?”) seemed to indicate that he knew his time

      was up. Lest it be forgotten, though, Shermy was

      there from the beginning and was the only character

      to speak in the very first strip, on October 2, 1950.

      His introduction of the strip’s star set the tone for

      everything that followed: “Good ol’ Charlie Brown . . .

      How I hate him!”

      SHERMY

      first aPPearanCe

      10/02/1950

      47SHERMY

      opposite, left: Design by Cameron + Co | opposite, right: Spot art from

      strip – Charles M. Schulz

      | above: Shermy model sheet – CSCA | right: Spot art

      from


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