The Crimson Gardenia and Other Tales of Adventure. Rex Beach

The Crimson Gardenia and Other Tales of Adventure - Rex Beach


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      A round moon flooded the thickets with gold and inky shadows. The night was hot, poisonous with the scent of blossoms and of rotting tropic vegetation. It was that breathless, overpowering period between the seasons when the trades were fitful, before the rains had come. From the Caribbean rose the whisper of a dying surf, slower and fainter than the respirations of a sick man; in the north the bearded, wrinkled Haytian hills lifted their scowling faces. They were trackless, mysterious, darker even than the history of the island.

      Beneath a thatched roof set upon four posts was a table, spread with food, and on it a candle burned steadily. No wind came out of the hot darkness; the flame rose straight and unwavering. Under a similar thatched shed, a short distance away, a group of soldiers were busy around a smoldering cook-fire. There were other huts inside the jungle clearing, through the dilapidated walls of which issued rays of light and men's voices.

      Petithomme Laguerre, colonel of tirailleurs, in the army of the Republic, wiped the fat of a roasted pig from his lips with the back of his hand. Using his thumb-nail as a knife-blade, he loosened a splinter from the edge of the rickety wooden table, fashioned it into a toothpick, then laid himself back in a grass hammock. He had expected to find rum in the house of Julien Rameau, but either there had been none or his brave soldiers had happened upon it; at any rate, supper had been a dry meal—only one of several disappointments of the day. The sack of the village had not been at all satisfactory to the colonel; one yellow woman dead, a few prisoners, and some smoldering ruins—surely there was no profit in such business.

      Reclining at ease, he allowed himself to admire his uniform, a splendid creation of blue and gold which had put him to much pains and expense. It had arrived from Port au Prince barely in time to be of service in the campaign. As for the shoes, they were not so satisfactory. Shoes of any sort, in fact, cramped Colonel Petithomme Laguerre's feet, and were refinements of fashion to which he had never fully accustomed himself. He wore them religiously, in public, for a colonel who would be a general must observe the niceties of military deportment, even in the Haytian army, but now he kicked them off and exposed his naked yellow soles gratefully.

      On three sides of the clearing were thickets of guava and coffee trees, long since gone wild. A ruined wall along the beach road, a pair of bleaching gate-posts, a moldering house foundation, showed that this had once been the site of a considerable estate.

      These mute testimonials to the glories of the French occupation are common in Hayti, but since the blacks rose under Toussaint l'Ouverture they have been steadily disappearing; the greedy fingers of the jungle have destroyed them bit by bit; what were once farms and gardens are now thickets and groves; in place of stately houses there are now nothing but miserable hovels. Cities of brick and stone have been replaced by squalid villages of board and corrugated iron, peopled by a shrill-voiced, quarreling race over which, in grim mockery, floats the banner of the Black Republic inscribed with the motto, "Liberty, Equality, Fraternity."

      Once Hayti was called the "Jewel of the Antilles" and boasted its "Little Paris of the West," but when the black men rose to power it became a place of evil reputation, a land behind a veil, where all things are possible and most things come to pass. In place of monastery bells there sounds the midnight mutter of voodoo drums; the priest has been succeeded by the "papaloi," the worship of the Virgin has changed to that of the serpent. Instead of the sacramental bread and wine men drink the blood of the white cock, and, so it is whispered, eat the flesh of "the goat without horns."

      As he picked his teeth, Colonel Petithomme Laguerre turned his eyes to the right, peering idly into the shadows of a tamarind-tree, the branches of which overtopped the hut. Suspended from one of these was an inert shape, mottled with yellow patches where the moonbeams filtered through the leaves. It stirred, swayed, turned slowly, resolving itself into the figure of an old man. He was hanging by the wrists to a rawhide rope; his toes were lightly touching the earth.

      "So! Now that Monsieur Rameau has had time to think, perhaps he will speak," said the colonel.

      A sigh, it was scarcely a groan, answered.

      "Miser that you are!" impatiently exclaimed the colonel. "Your money can do you no good now. Is it not better to part with it easily than to rot in a government prison? You understand, the jails are full; many mulattoes like you will be shot to make room."

      "There is no—money," faintly came the voice of the prisoner. "My neighbors will tell you that I am poor."

      Both men spoke in the creole patois of the island.

      "Not much, perhaps, but a little, eh? Just a little, let us say."

      "Why should I lie? There is none."

      "Bah! It seems you are stubborn. Congo, bring the boy!" Laguerre spoke gruffly.

      A man emerged from the shadows at the base of the tree and slouched forward. He was a negro soldier, and, with musket and machete, shuffled past the corner of the hut in the direction of the other houses, pausing as the colonel said:

      "But wait! There is a girl, too, I believe."

      "Yes, monsieur. The wife of Floréal."

      "Good! Bring them both."

      Some moments later imploring voices rose, a shrill entreaty in a woman's tones, then Congo and another tirailleur appeared; driving ahead of them a youth and a girl. The prisoners' arms were bound behind them, and although the girl was weeping, the boy said little. He stepped forward into the candle-light and stared defiantly at the blue-and-gold officer.

      Floréal Rameau was a slim mulatto, perhaps twenty years old; his lips were thin and sensitive, his nose prominent, his eyes brilliant and fearless. They gleamed now with all the vindictiveness of a serpent, until that hanging figure in the shadows just outside turned slowly and a straying moonbeam lit the face of his father; then a new expression leaped into them. Floréal's chin fell, he swayed uncertainly upon his legs.

      "Monsieur—what is this?" he said, faintly.

      The girl cowered at his back.

      "Your father persists in lying," explained Laguerre.

      "What do you—wish him to say?"

      "A little thing. His money can be of no further use to him."

      "Money?" Floréal voiced the word vacantly. He turned to his wife, saying, "Monsieur le Colonel asks for money. We have none."

      The girl nodded, her lips moved, but no sound issued; she also was staring, horror-stricken, into the shadows of the tamarind-tree. Her arms, bound as they were, threw the outlines of her ripe young bosom into prominent relief and showed her to be round and supple; she was lighter in color even than Floréal. A little scar just below her left eye stood out, dull brown, upon her yellow cheek.

      Laguerre now saw her plainly for the first time, and shook off his indolence. He swung his legs from the hammock and sat up. Something in the intensity of his regard brought her gaze away from the figure of Papa Rameau. She saw a large, thick-necked, full-bodied black, of bold and brutal feature, whose determined eyes had become bloodshot from staring through dust and sun. He wore a mustache, and a little pointed woolly patch beneath his lower lip. Involuntarily the girl recoiled.

      "Um-m! So!" The barefoot colonel rose and, stepping forward, took her face in his harsh palm, turning it up for scrutiny. His roving glance appraised her fully. "Your name is—"

      "Pierrine!"

      "To be sure. Well then, my little Pierrine, you will tell me about this, eh?"

      "I know nothing," she stammered. "Floréal speaks the truth, monsieur. What does it mean—all this? We are good people; we harm nobody. Every one here was happy until the—blacks rose. Then there was fighting and—this morning you came. It was terrible! Mamma Cleomélie is dead—the soldiers shot her. Why do you hang Papa Julien?"

      Floréal broke in, hysterically: "Yes,


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