Free Joe and Other Georgian Sketches. Joel Chandler Harris

Free Joe and Other Georgian Sketches - Joel Chandler Harris


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fun, but in neither case would they willingly take what they considered a mean advantage of a man.

      By degrees they warmed to Little Compton. His gentleness won upon them; his patient good-humor attracted them. Without taking account of the matter, the most of them became his friends. This was demonstrated one day when one of the Pulliam boys from Jasper County made some slurring remark about "the little Yankee." As Pulliam was somewhat in his cups, no attention was paid to his remark; whereupon he followed it up with others of a more seriously abusive character. Little Compton was waiting on a customer; but Pulliam was standing in front of his door, and he could not fail to hear the abuse. Young Jack Walthall was sitting in a chair near the door, whittling a piece of white pine. He put his knife in his pocket, and, whistling softly, looked at Little Compton curiously. Then he walked to where Pulliam was standing.

      "If I were you, Pulliam," he said, "and wanted to abuse anybody, I'd pick out a bigger man than that."

      "I don't see anybody," said Pulliam.

      "Well, d—— you!" exclaimed Walthall, "if you are that blind, I'll open your eyes for you!"

      Whereupon he knocked Pulliam down. At this Little Compton ran out excitedly, and it was the impression of the spectators that he intended to attack the man who had been abusing him; but, instead of that, he knelt over the prostrate bully, wiped the blood from his eyes, and finally succeeded in getting him to his feet. Then Little Compton assisted him into the store, placed him in a chair, and proceeded to bandage his wounded eye. Walthall, looking on with an air of supreme indifference, uttered an exclamation of astonishment, and sauntered carelessly away.

      Sauntering back an hour or so afterward, he found that Pulliam was still in Little Compton's store. He would have passed on, but Little Compton called to him. He went in prepared to be attacked, for he knew Pulliam to be one of the most dangerous men in that region, and the most revengeful; but, instead of making an attack, Pulliam offered his hand.

      "Let's call it square, Jack. Your mother and my father are blood cousins, and I don't want any bad feelings to grow out of this racket. I've apologized to Mr. Compton here, and now I'm ready to apologize to you."

      Walthall looked at Pulliam and at his proffered hand, and then looked at Little Compton. The latter was smiling pleasantly. This appeared to be satisfactory, and Walthall seized his kinsman's hand, and exclaimed:

      "Well, by George, Miles Pulliam! if you've apologized to Little Compton, then it's my turn to apologize to you. Maybe I was too quick with my hands, but that chap there is such a d—— clever little rascal that it works me up to see anybody pester him."

      "Why, Jack," said Compton, his little eyes glistening, "I'm not such a scrap as you make out. It's just your temper, Jack. Your temper runs clean away with your judgment."

      "My temper! Why, good Lord, man! don't I just sit right down, and let folks run over me whenever they want to? Would I have done anything if Miles Pulliam had abused me?"

      "Why, the gilded Queen of Sheba!" exclaimed Miles Pulliam, laughing loudly, in spite of his bruises; "only last sale day you mighty nigh jolted the life out of Bill-Tom Saunders, with the big end of a hickory stick."

      "That's so," said Walthall reflectively; "but did I follow him up to do it? Wasn't he dogging after me all day, and strutting around bragging about what he was going to do? Didn't I play the little stray lamb till he rubbed his fist in my face?"

      The others laughed. They knew that Jack Walthall wasn't at all lamblike in his disposition. He was tall and strong and handsome, with pale classic features, jet-black curling hair, and beautiful white hands that never knew what labor was. He was something of a dandy in Hillsborough, but in a large, manly, generous way. With his perfect manners, stately and stiff, or genial and engaging, as occasion might demand, Mr. Walthall was just such a romantic figure as one reads about in books, or as one expects to see step from behind the wings of the stage with a guitar or a long dagger. Indeed, he was the veritable original of Cyrille Brandon, the hero of Miss Amelia Baxter's elegant novel entitled "The Haunted Manor; or, Souvenirs of the Sunny Southland." If those who are fortunate enough to possess a copy of this graphic book, which was printed in Charleston for the author, will turn to the description of Cyrille Brandon, they will get a much better idea of Mr. Walthall than they can hope to get in this brief and imperfect chronicle. It is true, the picture there drawn is somewhat exaggerated to suit the purposes of fictive art, but it shows perfectly the serious impression Mr. Walthall made on the ladies who were his contemporaries.

      It is only fair to say, however, that the real Mr. Walthall was altogether different from the ideal Cyrille Brandon of Miss Baxter's powerfully written book. He was by no means ignorant of the impression he made on the fair sex, and he was somewhat proud of it; but he had no romantic ideas of his own. He was, in fact, a very practical young man. When the Walthall estate, composed of thousands of acres of land and several hundred healthy, well-fed negroes, was divided up, he chose to take his portion in money; and this he loaned out at a fair interest to those who were in need of ready cash. This gave him large leisure; and, as was the custom among the young men of leisure, he gambled a little when the humor was on him, having the judgment and the nerve to make the game of poker exceedingly interesting to those who sat with him at table.

      No one could ever explain why the handsome and gallant Jack Walthall should go so far as to stand between his own cousin and Little Compton; indeed, no one tried to explain it. The fact was accepted for what it was worth, and it was a great deal to Little Compton in a social and business way. After the row which has just been described, Mr. Walthall was usually to be found at Compton's store—in the summer sitting in front of the door under the grateful shade of the China trees, and in the winter sitting by the comfortable fire that Compton kept burning in his back room. As Mr. Walthall was the recognized leader of the young men, Little Compton's store soon became the headquarters for all of them. They met there, and they made themselves at home there, introducing their affable host to many queer antics and capers peculiar to the youth of that day and time, and to the social organism of which that youth was the outcome.

      That Little Compton enjoyed their company is certain; but it is doubtful if he entered heartily into the plans of their escapades, which they freely discussed around his hearth. Perhaps it was because he had outlived the folly of youth. Though his face was smooth and round, and his eye bright, Little Compton bore the marks of maturity and experience. He used to laugh, and say that he was born in New Jersey, and died there when he was young. What significance this statement possessed no one ever knew; probably no one in Hillsborough cared to know. The people of that town had their own notions and their own opinions. They were not unduly inquisitive, save when their inquisitiveness seemed to take a political shape; and then it was somewhat aggressive.

      There were a great many things in Hillsborough likely to puzzle a stranger. Little Compton observed that the young men, no matter how young they might be, were absorbed in politics. They had the political history of the country at their tongues' ends, and the discussions they carried on were interminable. This interest extended to all classes: the planters discussed politics with their overseers; and lawyers, merchants, tradesmen, and gentlemen of elegant leisure discussed politics with each other. Schoolboys knew all about the Missouri Compromise, the fugitive slave law, and States rights. Sometimes the arguments used were more substantial than mere words, but this was only when some old feud was back of the discussion. There was one question, as Little Compton discovered, in regard to which there was no discussion. That question was slavery. It loomed up everywhere and in everything, and was the basis of all the arguments, and yet it was not discussed: there was no room for discussion. There was but one idea, and that was that slavery must be defended at all hazards, and against all enemies. That was the temper of the time, and Little Compton was not long in discovering that of all dangerous issues slavery was the most dangerous.

      The young men, in their free-and-easy way, told him the story of a wayfarer who once came through that region preaching abolitionism to the negroes. The negroes themselves betrayed him, and he was promptly taken in charge. His body was found afterward hanging in the woods, and he was buried at the expense of the county. Even his name had been forgotten, and his grave was all but obliterated. All these things made an impression on Little


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