Ayala's Angel. Anthony Trollope
as he had been taught to live, without drawing upon his father. Then his father threw his failure in his teeth, not refusing him money indeed, but making the receipt of it unpleasant to him.
At no house had Isadore Hamel been made so welcome as at Dormer's. There was a sympathy between them both on that great question of art, whether to an artist his art should be a matter to him of more importance than all the world besides. So said Dormer,—who simply died because his wife died, who could not have touched his brush if one of his girls had been suffering, who, with all his genius, was but a faineant workman. His art more than all the world to him! No, not to him. Perhaps here and again to some enthusiast, and him hardly removed from madness! Where is the painter who shall paint a picture after his soul's longing though he shall get not a penny for it,—though he shall starve as he put his last touch to it, when he knows that by drawing some duchess of the day he shall in a fortnight earn a ducal price? Shall a wife and child be less dear to him than to a lawyer,—or to a shoemaker; or the very craving of his hunger less obdurate? A man's self, and what he has within him and his belongings, with his outlook for this and other worlds,—let that be the first, and the work, noble or otherwise, be the second. To be honest is greater than to have painted the San Sisto, or to have chiselled the Apollo; to have assisted in making others honest,—infinitely greater. All of which were discussed at great length at the bijou, and the bijouites always sided with the master of the house. To an artist, said Dormer, let his art be everything,—above wife and children, above money, above health, above even character. Then he would put out his hand with his jewelled finger, and stretch forth his velvet-clad arm, and soon after lead his friend away to the little dinner at which no luxury had been spared. But young Hamel agreed with the sermons, and not the less because Lucy Dormer had sat by and listened to them with rapt attention.
Not a word of love had been spoken to her by the sculptor when her mother died, but there had been glances and little feelings of which each was half conscious. It is so hard for a young man to speak of love, if there be real love,—so impossible that a girl should do so! Not a word had been spoken, but each had thought that the other must have known. To Lucy a word had been spoken by her mother,—"Do not think too much of him till you know," the mother had said,—not quite prudently. "Oh, no! I will think of him not at all," Lucy had replied. And she had thought of him day and night. "I wonder why Mr. Hamel is so different with you?" Ayala had said to her sister. "I am sure he is not different with me," Lucy had replied. Then Ayala had shaken her full locks and smiled.
Things came quickly after that. Mrs. Dormer had sickened and died. There was no time then for thinking of that handsome brow, of that short jet black hair, of those eyes so full of fire and thoughtfulness, of that perfect mouth, and the deep but yet soft voice. Still even in her sorrow this new god of her idolatry was not altogether forgotten. It was told to her that he had been summoned off to Rome by his father, and she wondered whether he was to find his home at Rome for ever. Then her father was ill, and in his illness Hamel came to say one word of farewell before he started.
"You find me crushed to the ground," the painter said. Something the young man whispered as to the consolation which time would bring. "Not to me," said Dormer. "It is as though one had lost his eyes. One cannot see without his eyes." It was true of him. His light had been put out.
Then, on the landing at the top of the stairs, there had been one word between Lucy and the sculptor. "I ought not to have intruded on you perhaps," he said; "but after so much kindness I could hardly go without a word."
"I am sure he will be glad that you have come."
"And you?"
"I am glad too,—so that I may say good-bye." Then she put out her hand, and he held it for a moment as he looked into her eyes. There was not a word more, but it seemed to Lucy as though there had been so many words.
Things went on quickly. Egbert Dormer died, and Lucy was taken away to Kingsbury Crescent. When once Ayala had spoken about Mr. Hamel, Lucy had silenced her. Any allusion to the idea of love wounded her, as though it was too impossible for dreams, too holy for words. How should there be words about a lover when father and mother were both dead? He had gone to his old and natural home. He had gone, and of course he would not return. To Ayala, when she came up to London early in November, to Ayala, who was going to Rome, where Isadore Hamel now was, Isadore Hamel's name was not mentioned. But through the long mornings of her life, through the long evenings, through the long nights, she still thought of him,—she could not keep herself from thinking. To a girl whose life is full of delights her lover need not be so very much,—need not, at least, be everything. Though he be a lover to be loved at all points, her friends will be something, her dancing, her horse, her theatre-going, her brothers and sisters, even her father and mother. But Lucy had nothing. The vision of Isadore Hamel had passed across her life, and had left with her the only possession that she had. It need hardly be said that she never alluded to that possession at Kingsbury Crescent. It was not a possession from which any enjoyment could come except that of thinking of it. He had passed away from her, and there was no point of life at which he could come across her again. There was no longer that half-joint studio. If it had been her lot to be as was Ayala, she then would have been taken to Rome. Then again he would have looked into her eyes and taken her hand in his. Then perhaps—. But now, even though he were to come back to London, he would know nothing of her haunts. Even in that case nothing would bring them together. As the idea was crossing her mind,—as it did cross it so frequently,—she saw him turning from the path on which she was walking, making his way towards the steps of the Memorial.
Though she saw no more than his back she was sure that it was Isadore Hamel. For a moment there was an impulse on her to run after him and to call his name. It was then early in January, and she was taking her daily walk through Kensington Gardens. She had walked there daily now for the last two months and had never spoken a word or been addressed,—had never seen a face that she had recognised. It had seemed to her that she had not an acquaintance in the world except Uncle Reg and Aunt Dosett. And now, almost within reach of her hand, was the one being in all the world whom she most longed to see. She did stand, and the word was formed within her lips; but she could not speak it. Then came the thought that she would run after him, but the thought was expelled quickly. Though she might lose him again and for ever she could not do that. She stood almost gasping till he was out of sight, and then she passed on upon her usual round.
She never omitted her walks after that, and always paused a moment as the path turned away to the Memorial. It was not that she thought that she might meet him there,—there rather than elsewhere,—but there is present to us often an idea that when some object has passed from us that we have desired then it may be seen again. Day after day, and week after week, she did not see him. During this time there came letters from Ayala, saying that their return to England was postponed till the first week in February,—that she would certainly see Lucy in February,—that she was not going to be hurried through London in half-an-hour because her aunt wished it; and that she would do as she pleased as to visiting her sister. Then there was a word or two about Tom,—"Oh, Tom—that idiot Tom!" And another word or two about Augusta. "Augusta is worse than ever. We have not spoken to each other for the last day or two." This came but a day or two before the intended return of the Tringles.
No actual day had been fixed. But on the day before that on which Lucy thought it probable that the Tringles might return to town she was again walking in the Gardens. Having put two and two together, as people do, she felt sure that the travellers could not be away more than a day or two longer. Her mind was much intent upon Ayala, feeling that the imprudent girl was subjecting herself to great danger, knowing that it was wrong that she and Augusta should be together in the house without speaking,—thinking of her sister's perils,—when, of a sudden, Hamel was close before her! There was no question of calling to him now,—no question of an attempt to see him face to face. She had been wandering along the path with eyes fixed upon the ground, when her name was sharply called, and they two were close to each other. Hamel had a friend with him, and it seemed to Lucy at once, that she could only bow to him, only mutter something, and then pass on. How can a girl stand and speak to a gentleman in public, especially when that gentleman has a friend with him? She tried to look pleasant, bowed, smiled, muttered something, and was passing on. But he was not minded to lose