The Indian Drum. MacHarg William
grew still greater; and in the morning she called his house up on the telephone, but the call was unanswered. An hour later, she called again; still getting no result, she called her father at his office, and told him of her anxiety about Uncle Benny, but without repeating what Uncle Benny had said to her or the promise she had made to him. Her father made light of her fears; Uncle Benny, he reminded her, often acted queerly in bad weather. Only partly reassured, she called Uncle Benny's house several more times during the morning, but still got no reply; and after luncheon she called her father again, to tell him that she had resolved to get some one to go over to the house with her.
Her father, to her surprise, forbade this rather sharply; his voice, she realized, was agitated and excited, and she asked him the reason; but instead of answering her, he made her repeat to him her conversation of the afternoon before with Uncle Benny, and now he questioned her closely about it. But when she, in her turn, tried to question him, he merely put her off and told her not to worry. Later, when she called him again, resolved to make him tell her what was the matter, he had left the office.
In the late afternoon, as dusk was drawing into dark, she stood at the window, watching the storm, which still continued, with one of those delusive hopes which come during anxiety that, because it was the time of day at which she had seen Uncle Benny walking by the lake the day before, she might see him there again, when she saw her father's motor approaching. It was coming from the north, not from the south as it would have been if he was coming from his office or his club, and it had turned into the drive from the west. She knew, therefore, that he was coming from Uncle Benny's house, and, as the car swerved and wheeled in, she ran out into the hall to meet him.
He came in without taking off hat or coat; she could see that he was perturbed, greatly agitated.
"What is it, father?" she demanded. "What has happened?"
"I do not know, my dear."
"It is something—something that has happened to Uncle Benny?"
"I am afraid so, dear—yes. But I do not know what it is that has happened, or I would tell you."
He put his arm about her and drew her into a room opening off the hall—his study. He made her repeat again to him the conversation she had had with Uncle Benny and tell him how he had acted; but she saw that what she told him did not help him. He seemed to consider it carefully, but in the end to discard or disregard it.
Then he drew her toward him.
"Tell me, little daughter. You have been a great deal with Uncle Benny and have talked with him; I want you to think carefully. Did you ever hear him speak of any one called Alan Conrad?"
She thought. "No, father."
"No reference ever made by him at all to either name—Alan or Conrad?"
"No, father."
"No reference either to any one living in Kansas, or to a town there called Blue Rapids?"
"No, father. Who is Alan Conrad?"
"I do not know, dear. I never heard the name until to-day, and Henry Spearman had never heard it. But it appears to be intimately connected in some way with what was troubling Uncle Benny yesterday. He wrote a letter yesterday to Alan Conrad in Blue Rapids and mailed it himself; and afterward he tried to get it back, but it already had been taken up and was on its way. I have not been able to learn anything more about the letter than that. He seems to have been excited and troubled all day; he talked queerly to you, and he quarreled with Henry, but apparently not about anything of importance. And to-day that name, Alan Conrad, came to me in quite another way, in a way which makes it certain that it is closely connected with whatever has happened to Uncle Benny. You are quite sure you never heard him mention it, dear?"
"Quite sure, father."
He released her and, still in his hat and coat, went swiftly up the stairs. She ran after him and found him standing before a highboy in his dressing room. He unlocked a drawer in the highboy, and from within the drawer he took a key. Then, still disregarding her, he hurried back down-stairs.
As she followed him, she caught up a wrap and pulled it around her. He had told the motor, she realized now, to wait; but as he reached the door, he turned and stopped her.
"I would rather you did not come with me, little daughter. I do not know at all what it is that has happened—I will let you know as soon as I find out."
The finality in his tone stopped her from argument. As the house door and then the door of the limousine closed after him, she went back toward the window, slowly taking off the wrap. She saw the motor shoot swiftly out upon the drive, turn northward in the way that it had come, and then turn again, and disappear. She could only stand and watch for it to come back and listen for the 'phone; for the moment she found it difficult to think. Something had happened to Uncle Benny, something terrible, dreadful for those who loved him; that was plain, though only the fact and not its nature was known to her or to her father; and that something was connected—intimately connected, her father had said—with a name which no one who knew Uncle Benny, ever had heard before, with the name of Alan Conrad of Blue Rapids, Kansas. Who was this Alan Conrad, and what could his connection be with Uncle Benny so to precipitate disaster upon him?
CHAPTER II
WHO IS ALAN CONRAD?
The recipient of the letter which Benjamin Corvet had written and later so excitedly attempted to recover, was asking himself a question which was almost the same as the question which Constance Sherrill had asked. He was, the second morning later, waiting for the first of the two daily eastbound trains which stopped at the little Kansas town of Blue Rapids which he called home. As long as he could look back into his life, the question, who is this person they call Alan Conrad, and what am I to the man who writes from Chicago, had been the paramount enigma of existence for him. Since he was now twenty-three, as nearly as he had been able to approximate it, and as distinct recollection of isolated, extraordinary events went back to the time when he was five, it was quite eighteen years since he had first noticed the question put to the people who had him in charge: "So this is little Alan Conrad. Who is he?"
Undoubtedly the question had been asked in his presence before; certainly it was asked many times afterwards; but it was since that day when, on his noticing the absence of a birthday of his own, they had told him he was five, that he connected the evasion of the answer with the difference between himself and the other children he saw, and particularly between himself and the boy and girl in the same house with him. When visitors came from somewhere far off, no one of them ever looked surprised at seeing the other children or asked about them. Always, when some one came, it was, "So this is little Jim!" and "This is Betty; she's more of a Welton every day!" Then, each time with that change in the voice and in the look of the eyes and in the feel of the arms about him—for though Alan could not feel how the arms hugged Jim and Betty, he knew that for him it was quite different—"So this is Alan Conrad," or, "So this is the child!" or, "This, I suppose, is the boy I've heard about!"
However, there was a quite definite, if puzzling, advantage at times in being Alan Conrad. Following the arrival of certain letters, which were distinguished from most others arriving at the house by having no ink writing on the envelope but just a sort of purple or black printing like newspapers, Alan invariably received a dollar to spend just as he liked. To be sure, unless "papa" took him to town, there was nothing for him to spend it upon; so, likely enough, it went into the square iron bank, of which the key was lost; but quite often he did spend it according to plans agreed upon among all his friends and, in memory of these occasions and in anticipation of the next, "Alan's dollar" became a community institution among the children.
But exhilarating and wonderful as it was to be able of one's self to take three friends to the circus, or to be the purveyor of twenty whole packages—not sticks—of gum, yet the dollar really made only more plain