Old Celtic Romances. Anonymous
example. This superstition prevailed in Ireland and the Scottish Highlands as far back as either history or tradition reaches; it flourished in full vigour within my own memory; and it is scarcely quite extinct—in Ireland at least—at the present day.[VI.] In connection with the antiquity of this superstition, it must be borne in mind that the present story was transcribed into "The Book of the Dun Cow" in or about the year 1100, from some older book; and that it relates to the time of Conn the Hundred-fighter, king of Ireland, who reigned in the second century of the Christian era.
THE VOYAGE OF MAILDUN.
Of this tale (which is now given to the public for the first time) the oldest copy is in "The Book of the Dun Cow" (about the year 1100); but it is imperfect at both beginning and end—a portion having been torn away when the book was mutilated at some former time. There is a perfect copy in the Yellow Book of Lecan, in Trinity College, Dublin, and another in the British Museum (MS. Harl. 5280).
After I had made a rough translation of the greater part of this piece, I discovered a good literal translation in manuscript in the Royal Irish Academy, made by the late J. O'Beirne Crowe, which was of great use to me, as it helped to explain some strange terms, and to clear up some obscure passages.
This voyage would appear from internal evidence to have been made in the beginning of the eighth century (O'Curry says about the year 700); for I think it likely that Maildun did actually go on a voyage, which was afterwards made the framework of the story. On my translation of this tale, Lord Tennyson founded his poem "The Voyage of Maeldune."
Of the Imrama or voluntary sea expeditions (to which the present story belongs) there are, according to O'Curry (Lect. MS. Mat. 289), only four remaining, all very ancient. Of these the best known is the "Voyage of St. Brendan," undertaken in the sixth century, which was at one time celebrated all over Europe, and which has been lately made the theme of a fine poem by Denis Florence McCarthy.
Another of these Imrama is the "Voyage of the Sons of O'Corra," which has been described at some length by Professor O'Curry (Lect. MS. Mat. 289). Of this I have a copy which I made from the MS. 23. M. 50, Royal Irish Academy (and which I afterwards carefully compared with another copy lent me by my friend, Mr. W. M. Hennessy). I made a translation of this story, intending to print it in the present volume; but as there is a much older and better copy in the ancient "Book of Fermoy," which I had not time to consult in detail, I have thought it better to hold back for the present the strange adventures of the sons of O'Corra. A beautiful poetical translation of the whole tale has been made by Mr. T.D. Sullivan of Dublin, and published in his volume of Poems.
THE FAIRY PALACE OF THE QUICKEN TREES.
The "Bruighean Caerthainn," or "The Fairy Palace of the Quicken Trees," which is now translated for the first time, is one of the most popular of the Gaelic romances. I had three of the Royal Irish Academy MSS. before me when translating it—viz., 23. C. 30, transcribed in 1733, by the Irish writer and lexicographer, Andrew Mac Curtin of the county Clare; 24. B. 15, written in 1841; and 23. L. 24, copied in 1766, by Dermot O'Mulqueen of the county Clare.
This is one of a type of stories very common in Gaelic romantic literature:—One or more of the heroes are entrapped by some enchanter and held under a spell in a castle, or a cave, or a dungeon; till, after a series of adventures, they are released by the bravery or mother-wit of some of their companions. "The Chase of Slieve Fuad" and "The Chase of Slieve Cullinn" are two other examples of this class of Gaelic tales.
THE PURSUIT OF THE GILLA DACKER AND HIS HORSE.
This is a humorous story of a trick—a very serious practical joke—played by Avarta, a Dedannan enchanter, on sixteen of the Fena, whom he carried off to "The Land of Promise;" and of the adventures of Finn, Dermat O'Dyna, and the others, in their pursuit of Avarta (who had taken the shape of the Gilla Dacker) to recover their companions. It may be regarded as belonging to the same class as the last story.
O'Curry described the opening of this tale in his Lectures (MS. Mat. 316); and he was the first, so far as I know, to draw attention to it. I think it strange that such a story should not have been noticed before by writers on Gaelic literature; for as a work of imagination, it seems to me a marvellous and very beautiful creation.
The battles fought by the king of Sorca, aided by Finn and his Fena, against the King of the World, are described at much length in the original; but I have cut them down to a very short compass; and I have omitted altogether a long episode towards the end, which travels away from the main story.
This tale has never been translated till now. I translated it chiefly from the Royal Irish Academy MS., 24. B. 28, a well-written manuscript, which was copied out by Edmond Terry, in 1728: but I kept another good copy beside me for comparison, viz., that contained in the Royal Irish Academy MS., 23. G. 21, written in 1795, by Michael Oge O'Longan of Cork, father of Mr. Joseph O'Longan, now the Irish scribe in the Royal Irish Academy, and the transcriber in fac-simile of "Leabhar na h-Uidhre," "Leabhar Breac," and "Leabhar Laighneach."
THE PURSUIT OF DERMAT AND GRANIA.
This tale is one of those mentioned in the list contained in the Book of Leinster, which was written about a.d. 1130 (see note, page iv.); but though this proves the tale to be an ancient one, I have never come across a copy older than the last century.
"The Pursuit of Dermat and Grania" has been published, with text and a very racy idiomatic literal translation, by Mr. Standish Hayes O'Grady, in the Transactions of the Ossianic Society for 1855, from a comparison of two manuscripts, one of 1780 and the other of 1842. In addition to Mr. O'Grady's published text, I made use of another good copy (MS. Royal Irish Academy, 23. G. 21) written in 1795, by Michael Oge O'Longan, already spoken of.
I cannot help believing that this fine story originally ended with the death of Dermat; though in all the current versions (including Mr. O'Grady's printed text) there is an additional part recounting the further proceedings of Grania and her sons, after the death of the hero. But this part is in every respect inferior to the rest—in language, in feeling, and in play of imagination. It seems to me very clear that it was patched on to the original story by some unskilful hand; and I have accordingly omitted it, and ended the story with the death of Dermat. I have also omitted two short episodes—that of the cnumh or reptile of Corca Divna, as a mere excrescence; and Finn's expedition to Scotland for aid against Dermat. And, for the sake of clearness, I have slightly changed the place of that part of the tale which recounts the origin of the Fairy Quicken Tree of Dooros. There are one or two other trifling but very necessary modifications, which need not be mentioned here.
THE CHASE OF SLIEVE CULLINN: THE CHASE OF SLIEVE FUAD: OISIN IN TIRNANOGE.
In the original Gaelic these are three poetical tales. All three have been printed, with Gaelic text and literal translation, in the Transactions of the Ossianic Society: the two first by the late John O'Daly, and "Oisin in Tirnanoge" by Professor O'Looney. There are many good copies of these tales in the manuscripts of the Royal Irish Academy; though of not one of them have I seen a copy older than the last century.
"The Chase of Slieve Cullinn" (commonly known as "The Poem of the Chase") has been translated into English verse by Miss Brooke; and there is another metrical translation in the Irish Penny Journal (page 93). And of "Oisin in Tirnanoge," Mr. T.D. Sullivan has given a graceful poetical rendering in his volume of Poems, already mentioned.
PREFACE TO THE THIRD EDITION.
In this edition there is an additional tale, "The Fate of the Sons of Usna," a notice of which will be found at page x, above.
Lyre-na-Grena, Leinster Road, Rathmines, 1907.
THE FATE OF THE CHILDREN OF LIR;
OR,
THE FOUR WHITE SWANS.