Rodman the Keeper: Southern Sketches. Constance Fenimore Woolson
French romanza, full of little quavers, and falls, and turns, which the boy involuntarily slurred into something like naturalness, or gave staccato as the mocking-bird throws out his shower of short, round notes. But Miss Elisabetha allowed no such license: had she not learned that very romanza from Monsieur Vocard himself forty years before? and had he not carefully taught her every one of those little turns and quavers? Taking the guitar from Theodore's hand, she executed all the flourishes slowly and precisely, making him follow her, note for note. Then he must sing it all over again while she beat the time with her long, slender foot, incased in a black-silk slipper of her own making. The ladies of the Daarg family always wore slippers—the heavy-sounding modern boot they considered a structure suitable only for persons of plebeian origin. A lady should not even step perceptibly; she should glide.
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