The Blood of the Arena. Vicente Blasco Ibanez

The Blood of the Arena - Vicente Blasco Ibanez


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by incidents that disturbed the people on some of the tiers of seats. Suddenly those in one section moved; the spectators rose to their feet, turning their backs to the ring; arms and canes whirled above their heads. The rest of the crowd ceased looking at the arena, directing their attention to the seat of trouble and to the large numbers, painted on the inner wall, that marked the different sections of the amphitheatre.

      "Fight in the third!" they yelled joyfully. "Now there's a row in the fifth!"

      Following the contagious impulse of the crowd, all became excited and rose to their feet to see over their neighbors' heads but were unable to distinguish anything except the slow ascent of the police who, opening a passage from step to step, reached the group where the dispute had begun.

      "Sit down!" exclaimed the more prudent, deprived of their view of the ring where the bull-fighters continued the game.

      Little by little the waves of the multitude calmed, the rows of heads assumed their former regularity on the circular lines of the benches, and the bull-fight went on. But the nerves of the audience were shaken and their state of mind manifested itself in unjust animosity toward certain fighters or by profound silence.

      The public, exhausted by the recent intense emotion, found all the events tame. They sought to allay their ennui by eating and drinking. The venders in the plaza went about between barreras, throwing with marvellous skill the articles bought. Oranges flew like red balls to the highest row, going from the hand of the seller to those of the buyer in a straight line, as if pulled by a thread. Bottles of carbonated drinks were uncorked. The liquid gold of Andalusian wines shone in little glasses.

      A movement of curiosity circulated along the benches. Fuentes was about to fix the banderillas in his bull and every one expected some extraordinary show of skill and grace. He advanced alone to the centre of the plaza with the banderillas in one hand, serene, tranquil, walking slowly, as though he were to begin a game. The bull followed his movements with curious eyes, amazed to see the man alone before him after the former hurly-burly of fluttering and extended capes, of cruel barbs thrust into his neck, of horses that came and stood within reach of his horns, as if offering themselves to his attack.

      The man hypnotized the beast. He drew near until he could touch his poll with the point of the banderillas, then he ran slowly away, with short steps, the bull after him, as though persuaded into obedience and drawn against his will to the extreme opposite side of the plaza. The animal seemed to be mastered by the bull-fighter; he obeyed him in all his movements until the man, calling the game ended, extended his arms with a banderilla in each hand, raised his small, slender body upon his toes, advanced toward the bull with majestic ease, and thrust the gayly colored darts into its neck.

      Three times he performed the same feat, applauded by the public. Those who considered themselves connoisseurs retaliated now for the explosion of enthusiasm provoked by Gallardo. This was a bull-fighter! This was pure art.

      Gallardo, standing near the barrier, wiped the sweat off his face with a towel which Garabato handed him. Then he turned his back on the ring to avoid seeing the prowess of his companion. Outside of the plaza he esteemed his rivals with that feeling of fraternity established by danger; but as soon as they stepped into the arena all were enemies and their triumphs pained him as if they were offences. Now the enthusiasm of the public seemed to him a robbery that diminished his own great triumph.

      When the fifth bull came out, it was for him, and he sprang into the arena anxious to again startle the public by his daring.

      When a picador fell he threw his cape and enticed the bull to the other side of the ring, confusing him with a series of movements until the beast became stupefied and stood motionless. Then Gallardo touched his nose with one foot, and took his cap and put it between the horns. Again, he took advantage of the animal's stupefaction and thrust his body forward as an audacious challenge, and knelt at a short distance, all but lying down under the brute's nose.

      The old aficionados protested loudly. Monkey-shines! Clown-tricks, that would not have been tolerated in olden days! But they had to subside, wearied by the tumult of the public.

      When the signal for the banderillas was given the people were thrown into suspense by seeing that Gallardo took the darts from Nacional and walked towards the beast with them. There was an exclamation of protest. He to throw the banderillas! All knew his inexperience in that direction. This ought to be left to those who had risen in their career step by step, for those who had been banderilleros many years at the side of their maestros before becoming bull-fighters; and Gallardo had begun at the top, killing bulls ever since he stepped into the plaza.

      "No! No!" clamored the multitude.

      Doctor Ruiz shouted and gesticulated from the contrabarrera.

      "Leave off that, boy! Thou knowest but the great act—to kill!"

      But Gallardo scorned the public and was deaf to its protests when he felt the impulse of audacity. Amidst the outcries he went directly towards the bull, which never moved and, zas! he stuck in the banderillas. The pair lodged out of place, and only skin deep, and one of the sticks fell at the beast's movement of surprise. But this mattered not. With that lenity the multitude ever feels for its idols, excusing and justifying their defects, the entire public commended this piece of daring by smiling. He, growing more rash, took other banderillas and lodged them, heedless of the protests of the people who feared for his life. Then he repeated the act a third time, each time doing it crudely but with such fearlessness that what in another would have provoked hisses was received with great explosions of admiration. What a man! How luck aided this daring youth!

      The bull stood with only four of the banderillas in his neck, and those so lightly embedded that he did not seem to feel them.

      "He is perfectly sound," yelled the devotees on the rows of seats, alluding to the bull, while Gallardo, grasping sword and muleta, marched up to him, with his cap on, arrogant and calm, trusting in his lucky star.

      "Aside, all!" he shouted again.

      Divining that some one was near him giving no heed to his orders he turned his head. Fuentes was a few steps away. He had followed him, his cape over his arm, feigning inattention but ready to come to his aid as though he felt a premonition of an accident.

      "Leave me alone, Antonio," said Gallardo, with an expression that was at once angry and respectful, as though he were talking to an elder brother, at which Fuentes shrugged his shoulders as if he thus threw off all responsibility, and turned his back and walked away slowly, but feeling certain of being needed at any moment.

      Gallardo waved his flag in the beast's very face and the latter attacked. "A pass! Hurrah!" the enthusiasts roared. But the animal suddenly returned, falling upon the matador again and giving him such a violent blow with his head that the muleta was knocked from his hands. Finding himself unarmed and hard-pressed he had to make for the barrera, but at the same instant Fuentes' cape distracted the animal. Gallardo, who divined during his flight the beast's sudden halt, did not jump over the barrera; he sat on the vaulting wall an instant, contemplating his enemy a few paces away. The rout ended in applause for this show of serenity.

      Gallardo recovered the muleta and sword, carefully arranged the red flag, and again stood in front of the beast's head, less calmly, but dominated instead by a murderous fury, by a desire to kill instantly the animal that had made him run in sight of thousands of admirers.

      He had scarcely made a pass with the flag when he thought the decisive moment had arrived and he squared himself, the muleta held low, the hilt of the sword raised close to his eyes.

      The public protested again, fearing for his life.

      "He'll throw thee! No! Aaay!"

      It was an exclamation of horror that moved the whole plaza; a spasm that caused the multitude to rise to its feet with eyes staring while the women covered their faces or grasped the nearest arm in terror.

      At the bull-fighter's thrust the sword struck


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