The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories. Honore de Balzac
the admirable la Fontaine.
Francis I.'s château at that time ended at an enormous tower, only begun, but intended to mark the vast angle the palace would have formed in turning a flank; Gaston subsequently demolished part of its walls to attach his palace to the tower; but he never finished the work, and the tower remains a ruin. This royal keep was used as a prison, or, according to popular tradition, as oubliettes. What poet would not feel deep regret or weep for France as he wanders now through the hall of this magnificent château, and sees the exquisite arabesques of Catherine de' Medici's room, whitewashed and almost smothered by order of the governor of the barracks at the time of the cholera—for this royal residence is now a barrack.
The paneling of Catherine de' Medici's closet, of which more particular mention will presently be made, is the last relic of the rich furnishing collected by five artistic kings.
As we make our way through this labyrinth of rooms, halls, staircases, and turrets, we can say with horrible certainty, "Here Mary Stuart cajoled her husband in favor of the Guises. There those Guises insulted Catherine. Later, on this very spot, the younger Balafré fell under the swords of the avengers of the Crown. A century earlier Louis XII. signaled from that window to invite the advance of his friend the Cardinal d'Amboise. From this balcony d'Épernon, Ravaillac's accomplice, welcomed Queen Marie de' Medici, who, it is said, knew of the intended regicide and left things to take their course!"
In the chapel where Henri IV. and Marguerite de Valois were betrothed—the last remnant of the old château of the Counts of Blois—the regimental boots are made. This wonderful structure, where so many styles are combined, where such great events have been accomplished, is in a state of ruin which is a disgrace to France. How grievous it is to those who love the memorial buildings of old France, to feel that ere long these eloquent stones will have gone the way of the house at the corner of the Rue de la Vieille-Pelleterie: they will survive, perhaps, only in these pages.
It is necessary to observe that, in order to keep a keener eye on the Court, the Guises, though they had a mansion in the town, which is still to be seen, had obtained permission to reside above the rooms of Louis XII. in the apartments since used by the Duchesse de Nemours, in the upper story on the second floor.
Francis II. and his young Queen, Mary Stuart, in love like two children of sixteen, as they were, had been suddenly transferred, one cold winter's day, from Saint-Germain, which the Duc de Guise thought too open to surprise, to the stronghold, as it then was, of Blois, isolated on three sides by precipitous slopes, while its gates were strictly guarded. The Guises, the Queen's uncles, had the strongest reasons for not living in Paris, and for detaining the Court in a place which could be easily guarded and defended.
A struggle for the throne was being carried on, which was not ended till twenty-eight years later, in 1588, when, in this same château of Blois, Henri III., bitterly humiliated by the House of Lorraine, under his mother's very eyes, planned the death of the boldest of the Guises, the second Balafré (or scarred), son of the first Balafré, by whom Catherine de' Medici was tricked, imprisoned, spied on, and threatened.
Indeed, the fine Château of Blois was to Catherine the strictest prison. On the death of her husband, who had always kept her in leading-strings, she had hoped to rule; but, on the contrary, she found herself a slave to strangers, whose politeness was infinitely more cruel than the brutality of jailers. She could do nothing that was not known. Those of her ladies who were attached to her either had lovers devoted to the Guises, or Argus eyes watching over them. Indeed, at that time the conflict of passions had the capricious vagaries which they always derive from the powerful antagonism of two hostile interests in the State. Love-making, which served Catherine well, was also an instrument in the hands of the Guises. Thus the Prince de Condé, the leader of the Reformed party, was attached to the Maréchale de Saint-André, whose husband was the Grand Master's tool. The Cardinal, who had learned from the affair of the Vidame de Chartres that Catherine was unconquered rather than unconquerable, was paying court to her. Thus the play of passions brought strange complications into that of politics, making a double game of chess, as it were, in which it was necessary to read both the heart and brain of a man, and to judge, on occasion, whether one would not belie the other.
Though she lived constantly under the eye of the Cardinal de Lorraine or of his brother, the Duc François de Guise, who both distrusted her, Catherine's most immediate and shrewdest enemy was her daughter-in-law, Queen Mary, a little fair girl as mischievous as a waiting-maid, as proud as a Stuart might be who wore three crowns, as learned as an ancient scholar, as tricky as a school-girl, as much in love with her husband as a courtesan of her lover, devoted to her uncles, whom she admired, and delighted to find that King Francis, by her persuasion, shared her high opinion of them. A mother-in-law is always a person disliked by her daughter-in-law, especially when she has won the crown and would like to keep it—as Catherine had imprudently too plainly shown. Her former position, when Diane de Poitiers ruled King Henri II., had been more endurable; at least she had enjoyed the homage due to a Queen, and the respect of the Court; whereas, now, the Duke and the Cardinal, having none about them but their own creatures, seemed to take pleasure in humiliating her. Catherine, a prisoner among courtiers, was the object, not every day, but every hour, of blows offensive to her dignity; for the Guises persisted in carrying on the same system as the late King had employed to thwart her.
The six-and-thirty years of disaster which devastated France may be said to have begun with the scene in which the most perilous part had been allotted to the son of the Queen's furrier—a part which makes him the leading figure in this narrative. The danger into which this zealous reformer was falling became evident in the course of the morning when he set out from the river-port of Beaugency, carrying precious documents which compromised the loftiest heads of the nobility, and embarked for Blois in company with a crafty partisan, the indefatigable la Renaudie, who had arrived on the quay before him.
While the barque conveying Christophe was being wafted down the Loire before a light easterly breeze, the famous Cardinal de Lorraine, and the second Duc de Guise, one of the greatest war captains of the time, were considering their position, like two eagles on a rocky peak, and looking cautiously round before striking the first great blow by which they tried to kill the Reformation in France. This was to be struck at Amboise, and it was repeated in Paris twelve years later, on the 24th August 1572.
In the course of the previous night, three gentlemen, who played an important part in the twelve years' drama that arose from this double plot by the Guises on one hand and the Reformers on the other, had arrived at the château at a furious gallop, leaving their horses half dead at the postern gate, held by captains and men who were wholly devoted to the Duc de Guise, the idol of the soldiery.
A word must be said as to this great man, and first of all a word to explain his present position.
His mother was Antoinette de Bourbon, great-aunt of Henri IV. But of what account are alliances! At this moment he aimed at nothing less than his cousin de Condé's head. Mary Stuart was his niece. His wife was Anne, daughter of the Duke of Ferrara. The Grand Connétable Anne de Montmorency addressed the Duc de Guise as "Monseigneur," as he wrote to the King, and signed himself "Your very humble servant." Guise, the Grand Master of the King's household, wrote, in reply, "Monsieur le Connétable," and signed, as in writing to the Parlement, "Your faithful friend."
As for the Cardinal, nicknamed the Transalpine Pope, and spoken of by Estienne as "His Holiness," the whole Monastic Church of France was on his side, and he treated with the Pope as his equal. He was vain of his eloquence, and one of the ablest theologians of his time, while he kept watch over France and Italy by the instrumentality of three religious Orders entirely devoted to him, who were on foot for him day and night, serving him as spies and reporters.
These few words are enough to show to what a height of power the Cardinal and the Duke had risen. In spite of their wealth and the revenues of their officers, they were so entirely disinterested, or so much carried away by the tide of politics, and so generous too, that both were in debt—no doubt after the manner of Cæsar. Hence, when Henri III. had seen his threatening foe murdered, the second Balafré, the House of Guise was inevitably ruined. Their vast outlay for above a century, in hope of seizing the Crown, accounts for the decay of this great House under Louis