The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories. Honore de Balzac
death. The Queen-mother made every effort to control her son's passions. History preserves the tradition of a supper to nude women given in the banqueting-hall at Chenonceaux on his return from Poland, but it did not cure Henri III. of his bad habits.
This great Queen's last words summed up her policy, which was indeed so governed by good sense that we see the Cabinets of every country putting it into practice in similar circumstances.
"Well cut, my son," said she, when Henri III. came to her, on her deathbed, to announce that the enemy of the throne had been put to death. "Now you must sew up again."
She thus expressed her opinion that the sovereign must make friends with the House of Lorraine, and make it useful, as the only way to hinder the effects of the Guises' hatred, by giving them a hope of circumventing the King. But this indefatigable cunning of the Italian and the woman was incompatible with Henri III.'s life of debauchery. When once the Great Mother was dead, the Mother of Armies (Mater castrorum), the policy of the Valois died too.
Before attempting to write this picture of manners in action, the author patiently and minutely studied the principal reigns of French history, the quarrels of the Burgundians and the Armagnacs, and those of the Guises and the Valois, each in the forefront of a century. His purpose was to write a picturesque history of France. Isabella of Bavaria, Catherine and Marie de' Medici, each fills a conspicuous place, dominating from the fourteenth to the seventeenth centuries, and leading up to Louis XIV.
Of these three queens, Catherine was the most interesting and the most beautiful. Hers was a manly rule, not disgraced by the terrible amours of Isabella, nor those, even more terrible though less known, of Marie de' Medici. Isabella brought the English into France to oppose her son, was in love with her brother-in-law, the Duc d'Orléans, and with Boisbourdon. Marie de' Medici's account is still heavier. Neither of them had any political genius.
In the course of these studies and comparisons, the author became convinced of Catherine's greatness; by initiating himself into the peculiar difficulties of her position, he discerned how unjust historians, biased by Protestantism, had been to this queen; and the outcome was the three sketches here presented, in which some erroneous opinions of her, of those who were about her, and of the aspect of the times, are combated.
The work is placed among my Philosophical Studies, because it illustrates the spirit of a period, and plainly shows the influence of opinions.
But before depicting the political arena on which Catherine comes into collision with the two great obstacles in her career, it is necessary to give a short account of her previous life from the point of view of an impartial critic, so that the reader may form a general idea of this large and royal life up to the time when the first part of this narrative opens.
Never at any period, in any country, or in any ruling family was there more contempt felt for legitimacy than by the famous race of the Medici (in French commonly written and pronounced Medicis). They held the same opinion of monarchy as is now professed in Russia: The ruler on whom the crown devolves is the real and legitimate monarch. Mirabeau was justified in saying, "There has been but one mésalliance in my family—that with the Medici;" for, notwithstanding the exertions of well-paid genealogists, it is certain that the Medici, till the time of Avérardo de' Medici, gonfaloniere of Florence in 1314, were no more than Florentine merchants of great wealth. The first personage of the family who filled a conspicuous place in the history of the great Tuscan Republic was Salvestro de' Medici, gonfaloniere in 1378. This Salvestro had two sons—Cosmo and Lorenzo de' Medici.
From Cosmo descended Lorenzo the Magnificent, the Duc de Nemours, the Duke of Urbino, Catherine's father, Pope Leo X., Pope Clement VII., and Alessandro, not indeed Duke of Florence, as he is sometimes called, but Duke della città di Penna, a title created by Pope Clement VII. as a step towards that of Grand Duke of Tuscany.
Lorenzo's descendants were Lorenzino—the Brutus of Florence—who killed Duke Alessandro; Cosmo, the first Grand Duke, and all the rulers of Florence till 1737, when the family became extinct.
But neither of the two branches—that of Cosmo or that of Lorenzo—succeeded in a direct line, till the time when Marie de' Medici's father subjugated Tuscany, and the Grand Dukes inherited in regular succession. Thus Alessandro de' Medici, who assumed the title of Duke della città di Penna, and whom Lorenzino assassinated, was the son of the Duke of Urbino, Catherine's father, by a Moorish slave. Hence Lorenzino, the legitimate son of Lorenzo, had a double right to kill Alessandro, both as a usurper in the family and as an oppressor of the city. Some historians have indeed supposed that Alessandro was the son of Clement VII. The event that led to the recognition of this bastard as head of the Republic was his marriage with Margaret of Austria, the natural daughter of Charles V.
Francesco de' Medici, the husband of Bianca Capello, recognized as his son a child of low birth bought by that notorious Venetian lady; and, strange to say, Fernando, succeeding Francesco, upheld the hypothetical rights of this boy. Indeed, this youth, known as Don Antonio de' Medici, was recognized by the family during four ducal reigns; he won the affection of all, did them important service, and was universally regretted.
Almost all the early Medici had natural children, whose lot was in every case splendid. The Cardinal Giulio de' Medici, Pope Clement VII., was the illegitimate son of Giuliano I. Cardinal Ippolito de' Medici was also a bastard, and he was within an ace of being Pope and head of the family.
Certain inventors of anecdote have a story that the Duke of Urbino, Catherine's father, told her: "A figlia d'inganno non manca mai figliuolanza" (A clever woman can always have children, à propos to some natural defect in Henri, the second son of François I., to whom she was betrothed). This Lorenzo de' Medici, Catherine's father, had married, for the second time, in 1518, Madeleine de la Tour d'Auvergne, and died in 1519, a few days after his wife, who died in giving birth to Catherine. Catherine was thus fatherless and motherless as soon as she saw the light. Hence the strange events of her childhood, chequered by the violent struggles of the Florentines, in the attempt to recover their liberty, against the Medici who were determined to govern Florence, but who were so circumspect in their policy that Catherine's father took the title of Duke of Urbino.
At his death, the legitimate head of the House of the Medici was Pope Leo X., who appointed Giuliano's illegitimate son, Giulio de' Medici, then Cardinal, Governor of Florence. Leo X. was Catherine's grand-uncle, and this Cardinal Giulio, afterwards Clement VII., was her left-handed uncle only. This it was which made Brantôme so wittily speak of that Pope as an "uncle in Our Lady."
During the siege by the Medici to regain possession of Florence, the Republican party, not satisfied with having shut up Catherine, then nine years old, in a convent, after stripping her of all her possessions, proposed to expose her to the fire of the artillery, between two battlements—the suggestion of a certain Battista Cei. Bernardo Castiglione went even further in a council held to determine on some conclusion to the business; he advised that, rather than surrender Catherine to the Pope who demanded it, she should be handed over to the tender mercies of the soldiers. All revolutions of the populace are alike. Catherine's policy, always in favor of royal authority, may have been fostered by such scenes, which an Italian girl of nine could not fail to understand.
Alessandro's promotion, to which Clement VII., himself a bastard, largely contributed, was no doubt owing partly to the fact of his being illegitimate, and to Charles V.'s affection for his famous natural daughter Margaret. Thus the Pope and the Emperor were moved by similar feelings. At this period Venice was mistress of the commerce of the world; Rome governed its morals; Italy was still supreme, by the poets, the generals, and the statesmen who were her sons. At no other time has any one country had so curious or so various a multitude of men of genius. There were so many, that the smallest princelings were superior men. Italy was overflowing with talent, daring, science, poetry, wealth, and gallantry, though rent by constant internal wars, and at all times the arena on which conquerors met to fight for her fairest provinces.
When men are so great, they are not afraid to confess their weakness; hence, no doubt, this golden age for bastards. And it is but justice to declare that these illegitimate sons of the Medici were ardent for the glory and the advancement of the family,