Modern Leaders: Being a Series of Biographical Sketches. McCarthy Justin Huntly
of religious bigotry. The greatest woman her native country ever produced, Isabella of Castile, became with all her virtues and genius a curse to Spain, because of her bigotry and her power; and there was a time when it seemed as if the Empress Eugénie was likely to make for herself an odious fame as the chief patroness of a conspiracy against the religious and political liberties of the south of Europe. Let us hope that in her future career she may be saved from any such temptation, and that she may be kept as much as possible out of all political complications where religion interferes; and if she be thus graced by fortune, it is all but certain that whatever her future years may bring, she will deserve and receive a genial record in the history of France.
THE PRINCE OF WALES.
"It is now sixteen or seventeen years," says Edmund Burke, in that famous passage to which one is almost ashamed to allude any more, so hackneyed has it been, "since first I saw the Queen of France, then the Dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision." That glowing, impassioned apostrophe did more to make partisans and admirers for poor Marie Antoinette among all English-speaking peoples, probably for all time, than any charms, or virtues, or misfortunes of the Queen and the woman could have done. I can never of late read or recall to mind the burning words of Burke, without thinking of a certain day in March some seven years ago, when I stood on a platform in Trafalgar Square, London, and saw a bright, beautiful young face smiling and bending to a vast enthusiastic crowd on either side, and I, like everybody else, was literally stricken with admiration of the beauty, the sweetness, and the grace of the Princess Alexandra of Denmark. In truth, I am not in general an enthusiast about princes or princesses; I do not believe that the king's face usually gives grace. In this instance the beauty of the Princess Alexandra had been so noisily trumpeted by literary lacqueys already, that one's natural instinct was to feel disappointed, and to say so, when the Princess herself came in sight. But it was impossible to feel disappointment, or anything but admiration, at the sight of that bright, fair face, so transparent in the clearness of its complexion, so delicate and refined in its outlines, so sweet and gracious in its expression. I think something like the old-fashioned, chivalric, chimerical feeling of personal loyalty must have flamed up for the moment that day in the hearts of many men, who perhaps would have been ashamed to confess that their first experience of such an emotion was due to a passing glimpse of the face of a pretty, tremulous girl.
If ours were days of augury, men might have shuddered at the omens which accompanied the wedding ceremonies of the Prince and Princess of Wales. When Goethe, then a youth, surveyed the preparations for the reception of Marie Antoinette at Strasbourg, on her way to Paris, he observed significantly on the inauspicious fact that in the grand chamber adorned for her coming, the tapestry represented the wedding of Jason and Medea. The civil authorities of London certainly did not greet the fair stranger with any such grisly and ghastly emblazonings; but there were other and even more inauspicious omens offered by chance and the hour. The sky darkened, a dreary wind whistled; presently the rain came down in drenching streams that would not abate. There was a mourning-garb at the wedding—the black dress of the Queen, who would not lay aside her widow's-weeds even for that hour; and the night of the wedding, when the streets of London were illuminated, the crowd was so great that, as on a memorable occasion in the early married life of Marie Antoinette, people were crushed and trampled to death amid the universal jubilation.
Well, we defy augury, with Hamlet. But I think some at least in the crowd who welcomed Alexandra felt a kind of doubt and pity as to her future, which needed no inspiration from omens and superstition. No foreign princess has ever been so popular in England as Alexandra; and assuredly some at least of the affection felt for her springs from a pity which, whether called for or not, is genuine and universal. The last time I saw the Princess of Wales was within a very few days of my leaving England to visit the United States. It was in Drury Lane Theatre, then fitted up as an opera house in consequence of the recent burning of Her Majesty's Theatre. The Prince of Wales, his wife, and one of his sisters were in their box. I had not seen the Princess for some time, and I was painfully impressed with the change which had come over her. Remembering, as it was easy to do, the brightness of her beauty during the early days of her marriage, there was something almost shocking in the altered appearance of her face. It looked wasted and haggard; the complexion, which used to be so dazzlingly fair, had grown dull, and, if I may say so, discolored; and I must be ungracious enough to declare bluntly that, to my eyes at least, there seemed little trace indeed of the beauty of a few years before left in that dimmed and worn countenance. "Only the eyes remained—they would not go." Of course, it must be remembered that the Princess was then only just recovering from a long, painful, and exhausting illness; and she may have—I truly hope she has—since then regained all her brightness and beauty. In any case, it would be unjust indeed to assume that the wasted look of the Princess was to be attributed to domestic unhappiness. But even a very matter-of-fact and unsentimental person, looking at her then, and remembering what she so lately was, might be excused if he fancied that some of the unpropitious omens which surrounded the Princess's marriage had already begun to justify themselves in practical fulfilment.
For even at the time of the marriage of the Prince and Princess there were not wanting prophets of evil who predicted that this royal union would not prove much happier than state-made marriages commonly are. Even then there were stories and reports afloat which ascribed to the Prince habits and tendencies not likely to promote the domestic happiness of a delicate and refined young wife, hardly more than a mere child in years. Indeed, there was already considerable doubt in the public mind as to the personal character of the Prince of Wales. He certainly did not look a very intellectual or refined sort of person even then, and some at least were inclined to think him, as Steerforth says of little Em'ly's lover, "rather a chuckle-headed kind of fellow," to get such a girl. There was, certainly, a breath of serious distrust abroad. On the Prince's coming of age, and again, I think, on the announcement of his approaching marriage, the London daily papers had set themselves to preaching sermons at him; and a very foolish chorus of sermons that was which broke out from all those tongues together. The only marked effect of this outburst of lay-preaching was, I fancy, to impress the public mind with the idea that the Prince was really a very much more dreadful young man than there was any good reason to believe him. People naturally imagined that the writers who poured forth such eloquent, wise, and suggestive admonitions must know a great deal more than they felt disposed to hint at; whereas, I venture to think that, in truth, the majority of the writers were disposed to hint at a great deal more than they knew. For, indeed, almost all that is generally and substantially known of the Prince of Wales has been learned and observed since his marriage.
Still, even before, and long before the marriage, there were ominous rumors. Those that I mention I give simply as rumors—not, indeed, the mere babble of the streets, but as the kind of thing which people told you who professed to know—the talk of the House of Commons, and the clubs, and the fashionable drawing-rooms and smoking-rooms. People told you that the Prince and his father had had many quarrels arising out of the extravagance, dissipation, and wrong-headedness of the former; and there was even a painful and cruel report thus whispered about that the death of Prince Albert was the result of a cold he had taken from walking incautiously in a heavy rain during excitement caused by a quarrel with his son. Stories were told of this and that amour and liaison in Ireland when the Prince of Wales was with the camp on the Curragh of Kildare; of his excesses when he was a student at the University; of his escapades at many other times and places. Certain actresses of a low class, and other women of a still lower class, were pointed out in London as special favorites of the Prince of Wales. Of course every man of sense knew, first, that stories of this kind must be taken with a large amount of allowance for exaggeration; and, next, that the public must not expect all the virtues of a saint to belong to the early years of a prince of the family of Guelph. In England public opinion, although it has grown much more exacting of late years on the score of decorum than it used to be, is still disposed to look over without censure a good deal of extravagance and dissipation in young and unmarried men, especially if they be men of rank. Therefore, if the rumors which attended the early career of the Prince of Wales