The Hand of Ethelberta. Thomas Hardy
of her dress looped up with convolvulus flowers—the one with her hair fastened in a sort of Venus knot behind; she has just been dancing with that perfumed piece of a man they call Mr. Ladywell—it is he with the high eyebrows arched like a girl’s.’ He added, with a wrinkled smile, ‘I cannot for my life see anybody answering to the character of husband to her, for every man takes notice of her.’
They were interrupted by another dance being called for, and then, his fingers tapping about upon the keys as mechanically as fowls pecking at barleycorns, Christopher gave himself up with a curious and far from unalloyed pleasure to the occupation of watching Ethelberta, now again crossing the field of his vision like a returned comet whose characteristics were becoming purely historical. She was a plump-armed creature, with a white round neck as firm as a fort—altogether a vigorous shape, as refreshing to the eye as the green leaves through which he beheld her. She danced freely, and with a zest that was apparently irrespective of partners. He had been waiting long to hear her speak, and when at length her voice did reach his ears, it was the revelation of a strange matter to find how great a thing that small event had become to him. He knew the old utterance—rapid but not frequent, an obstructive thought causing sometimes a sudden halt in the midst of a stream of words. But the features by which a cool observer would have singled her out from others in his memory when asking himself what she was like, was a peculiar gaze into imaginary far-away distance when making a quiet remark to a partner—not with contracted eyes like a seafaring man, but with an open full look—a remark in which little words in a low tone were made to express a great deal, as several single gentlemen afterwards found.
The production of dance-music when the criticizing stage among the dancers has passed, and they have grown full of excitement and animal spirits, does not require much concentration of thought in the producers thereof; and desultory conversation accordingly went on between Faith and her brother from time to time.
‘Kit,’ she said on one occasion, ‘are you looking at the way in which the flowers are fastened to the leaves?—taking a mean advantage of being at the back of the tapestry? You cannot think how you stare at them.’
‘I was looking through them—certainly not at them. I have a feeling of being moved about like a puppet in the hands of a person who legally can be nothing to me.’
‘That charming woman with the shining bunch of hair and convolvuluses?’
‘Yes: it is through her that we are brought here, and through her writing that poem, “Cancelled Words,” that the book was sent me, and through the accidental renewal of acquaintance between us on Anglebury Heath, that she wrote the poem. I was, however, at the moment you spoke, thinking more particularly of the little teacher whom Ethelberta must have commissioned to send the book to me; and why that girl was chosen to do it.’
‘There may be a hundred reasons. Kit, I have never yet seen her look once this way.’
Christopher had certainly not yet received look or gesture from her; but his time came. It was while he was for a moment outside the recess, and he caught her in the act. She became slightly confused, turned aside, and entered into conversation with a neighbour.
It was only a look, and yet what a look it was! One may say of a look that it is capable of division into as many species, genera, orders, and classes, as the animal world itself. Christopher saw Ethelberta Petherwin’s performance in this kind—the well-known spark of light upon the well-known depths of mystery—and felt something going out of him which had gone out of him once before.
Thus continually beholding her and her companions in the giddy whirl, the night wore on with the musicians, last dances and more last dances being added, till the intentions of the old on the matter were thrice exceeded in the interests of the young. Watching the couples whirl and turn, advance and recede as gently as spirits, knot themselves like house-flies and part again, and lullabied by the faint regular beat of their footsteps to the tune, the players sank into the peculiar mesmeric quiet which comes over impressionable people who play for a great length of time in the midst of such scenes; and at last the only noises that Christopher took cognizance of were those of the exceptional kind, breaking above the general sea of sound—a casual smart rustle of silk, a laugh, a stumble, the monosyllabic talk of those who happened to linger for a moment close to the leafy screen—all coming to his ears like voices from those old times when he had mingled in similar scenes, not as servant but as guest.
5. AT THE WINDOW—THE ROAD HOME
The dancing was over at last, and the radiant company had left the room. A long and weary night it had been for the two players, though a stimulated interest had hindered physical exhaustion in one of them for a while. With tingling fingers and aching arms they came out of the alcove into the long and deserted apartment, now pervaded by a dry haze. The lights had burnt low, and Faith and her brother were waiting by request till the wagonette was ready to take them home, a breakfast being in course of preparation for them meanwhile.
Christopher had crossed the room to relieve his cramped limbs, and now, peeping through a crevice in the window curtains, he said suddenly, ‘Who’s for a transformation scene? Faith, look here!’
He touched the blind, up it flew, and a gorgeous scene presented itself to her eyes. A huge inflamed sun was breasting the horizon of a wide sheet of sea which, to her surprise and delight, the mansion overlooked. The brilliant disc fired all the waves that lay between it and the shore at the bottom of the grounds, where the water tossed the ruddy light from one undulation to another in glares as large and clear as mirrors, incessantly altering them, destroying them, and creating them again; while further off they multiplied, thickened, and ran into one another like struggling armies, till they met the fiery source of them all.
‘O, how wonderful it is!’ said Faith, putting her hand on Christopher’s arm. ‘Who knew that whilst we were all shut in here with our puny illumination such an exhibition as this was going on outside! How sorry and mean the grand and stately room looks now!’
Christopher turned his back upon the window, and there were the hitherto beaming candle-flames shining no more radiantly than tarnished javelin-heads, while the snow-white lengths of wax showed themselves clammy and cadaverous as the fingers of a corpse. The leaves and flowers which had appeared so very green and blooming by the artificial light were now seen to be faded and dusty. Only the gilding of the room in some degree brought itself into keeping with the splendours outside, stray darts of light seizing upon it and lengthening themselves out along fillet, quirk, arris, and moulding, till wasted away.
‘It seems,’ said Faith, ‘as if all the people who were lately so merry here had died: we ourselves look no more than ghosts.’ She turned up her weary face to her brother’s, which the incoming rays smote aslant, making little furrows of every wrinkle thereon, and shady ravines of every little furrow.
‘You are very tired, Faith,’ he said. ‘Such a heavy night’s work has been almost too much for you.’
‘O, I don’t mind that,’ said Faith. ‘But I could not have played so long by myself.’
‘We filled up one another’s gaps; and there were plenty of them towards the morning; but, luckily, people don’t notice those things when the small hours draw on.’
‘What troubles me most,’ said Faith, ‘is not that I have worked, but that you should be so situated as to need such miserable assistance as mine. We are poor, are we not, Kit?’
‘Yes, we know a little about poverty,’ he replied.
While thus lingering
‘In shadowy thoroughfares of thought,’
Faith interrupted with, ‘I believe there is one of the dancers now!—why, I should have thought they had all gone to bed, and wouldn’t get up again for days.’ She indicated to him a figure on the lawn towards the left, looking upon the same flashing scene as that they themselves