Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period. Clara Helen Whitmore

Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period - Clara Helen Whitmore


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       Clara Helen Whitmore

      Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period

      Published by Good Press, 2021

       [email protected]

      EAN 4064066142766

       PREFACE

       WOMAN'S WORK IN ENGLISH FICTION

       CHAPTER I

       The Duchess of Newcastle. Mrs. Behn. Mrs. Manley

       CHAPTER II

       Sarah Fielding. Mrs. Lennox. Mrs. Haywood. Mrs. Sheridan

       CHAPTER III

       Fanny Burney

       CHAPTER IV

       Hannah More

       CHAPTER V

       Charlotte Smith. Mrs. Inchbald

       CHAPTER VI

       Clara Reeve. Ann Radcliffe. Harriet and Sophia Lee

       CHAPTER VII

       Maria Edgeworth. Lady Morgan

       CHAPTER VIII

       Elizabeth Hamilton. Anna Porter. Jane Porter

       CHAPTER IX

       Amelia Opie. Mary Brunton

       CHAPTER X

       Jane Austen

       CHAPTER XI

       Miss Ferrier. Miss Mitford. Anna Maria Hall

       CHAPTER XII

       Lady Caroline Lamb. Mrs. Shelley

       CHAPTER XIII

       Mrs. Gore. Mrs. Bray

       CHAPTER XIV

       Julia Pardoe. Mrs. Trollope. Harriet Martineau

       CHAPTER XV

       The Brontës

       CHAPTER XVI

       Mrs. Gaskell

       CONCLUSION

       INDEX

       Table of Contents

      The writings of many of the women considered in this volume have sunk into an oblivion from which their intrinsic merit should have preserved them. This is partly due to the fact that nearly all the books on literature have been written from a man's stand-point. While in other arts the tastes of men and women vary little, the choice of novels is to a large degree determined by sex. Many men who acknowledge unhesitatingly that Jane Austen is superior as an artist to Smollett, will find more pleasure in the breezy adventures of Roderick Random than in the drawing-room atmosphere of Emma; while no woman can read a novel of Smollett's without loathing, although she must acknowledge that the Scottish writer is a man of genius.

      This book is written from a woman's viewpoint. Wherever my own judgment has been different from the generally accepted one, as in the estimate of some famous heroines, the point in question has been submitted to other women, and not recorded unless it met with the approval of a large number of women of cultivated taste.

      This work was first undertaken at the suggestion of Dr. E. Charlton Black of Boston University for a Master's thesis, and it was due to his appreciative words that it was enlarged into book form. I also wish to thank Professor Ker of London University, and Dr. Henry A. Beers and Dr. Wilbur L. Cross of Yale University for the help which I obtained from them while a student in their classes. It is with the deepest sense of gratitude that I acknowledge the assistance given to me in this work by Mr. Charles Welsh, at whose suggestion the scope of the book was enlarged, and many parts strengthened. I wish especially to thank him for calling my attention to The Cheap Repository of Hannah More, and to the literary value of Maria Edgeworth's stories for children.

      It is my only hope that this book may in a small measure fill a want which a school-girl recently expressed to me: "Our Club wanted to study about women, but we have searched the libraries and found nothing."

      C. H. W.

       ENGLISH FICTION

       Table of Contents


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