The Witch of Prague: A Fantastic Tale. F. Marion Crawford

CHAPTER V

       Table of Contents

      Unorna passed through a corridor which was, indeed, only a long balcony covered in with arches and closed with windows against the outer air. At the farther end three steps descended to a dark door, through the thickness of a massive wall, showing that at this point Unorna’s house had at some former time been joined with another building beyond, with which it thus formed one habitation. Unorna paused, holding the key as though hesitating whether she should put it into the lock. It was evident that much depended upon her decision, for her face expressed the anxiety she felt. Once she turned away, as though to abandon her intention, hesitated, and then, with an impatient frown, opened the door and went in. She passed through a small, well-lighted vestibule and entered the room beyond.

      The apartment was furnished with luxury, but a stranger would have received an oddly disquieting impression of the whole at a first glance. There was everything in the place which is considered necessary for a bedroom, and everything was perfect of its kind, spotless and dustless, and carefully arranged in order. But almost everything was of an unusual and unfamiliar shape, as though designed for some especial reason to remain in equilibrium in any possible position, and to be moved from place to place with the smallest imaginable physical effort. The carved bedstead was fitted with wheels which did not touch the ground, and levers so placed as to be within the reach of a person lying in it. The tables were each supported at one end only by one strong column, fixed to a heavy base set on broad rollers, so that the board could be run across a bed or a lounge with the greatest ease. There was but one chair made like ordinary chairs; the rest were so constructed that the least motion of the occupant must be accompanied by a corresponding change of position of the back and arms, and some of them bore a curious resemblance to a surgeon’s operating table, having attachments of silver-plated metal at many points, of which the object was not immediately evident. Before a closed door a sort of wheeled conveyance, partaking of the nature of a chair and of a perambulator, stood upon polished rails, which disappeared under the door itself, showing that the thing was intended to be moved from one room to another in a certain way and in a fixed line. The rails, had the door been opened, would have been seen to descend upon the other side by a gentle inclined plane into the centre of a huge marble basin, and the contrivance thus made it possible to wheel a person into a bath and out again without necessitating the slightest effort or change of position in the body. In the bedroom the windows were arranged so that the light and air could be regulated to a nicety. The walls were covered with fine basket work, apparently adapted in panels; but these panels were in reality movable trays, as it were, forming shallow boxes fitted with closely-woven wicker covers, and filled with charcoal and other porous substances intended to absorb the impurities of the air, and thus easily changed and renewed from time to time. Immediately beneath the ceiling were placed delicate glass globes of various soft colours, with silken shades, movable from below by means of brass rods and handles. In the ceiling itself there were large ventilators, easily regulated as might be required, and there was a curious arrangement of rails and wheels from which depended a sort of swing, apparently adapted for moving a person or a weight to different parts of the room without touching the floor. In one of the lounges, not far from the window, lay a colossal old man, wrapped in a loose robe of warm white stuff, and fast asleep.

      He was a very old man, so old, indeed, as to make it hard to guess his age from his face and his hands, the only parts visible as he lay at rest, the vast body and limbs lying motionless under his garment, as beneath a heavy white pall. He could not be less than a hundred years old, but how much older than that he might really be, it was impossible to say. What might be called the waxen period had set in, and the high colourless features seemed to be modelled in that soft, semi-transparent material. The time had come when the stern furrows of age had broken up into countless minutely-traced lines, so close and fine as to seem a part of the texture of the skin, mere shadings, evenly distributed throughout, and no longer affecting the expression of the face as the deep wrinkles had done in former days; at threescore and ten, at fourscore, and even at ninety years. The century that had passed had taken with it its marks and scars, leaving the great features in their original purity of design, lean, smooth, and clearly defined. That last change in living man is rare enough, but when once seen is not to be forgotten. There is something in the faces of the very, very old which hardly suggests age at all, but rather the vague possibility of a returning prime. Only the hands tell the tale, with their huge, shining, fleshless joints, their shadowy hollows, and their unnatural yellow nails.

      The old man lay quite still, breathing softly through his snowy beard. Unorna came to his side. There was something of wonder and admiration in her own eyes as she stood there gazing upon the face which other generations of men and women, all long dead, had looked upon and known. The secret of life and death was before her each day when she entered that room, and on the very verge of solution. The wisdom hardly gained in many lands was striving with all its concentrated power to preserve that life; the rare and subtle gifts which she herself possessed were daily exercised to their full in the suggestion of vitality; the most elaborate inventions of skilled mechanicians were employed in reducing the labour of living to the lowest conceivable degree of effort. The great experiment was being tried. What Keyork Arabian described as the embalming of a man still alive was being attempted. And he lived. For years they had watched him and tended him, and looked critically for the least signs of a diminution or an augmentation in his strength. They knew that he was now in his one hundred and seventh year, and yet he lived and was no weaker. Was there a limit; or was there not, since the destruction of the tissues was arrested beyond doubt, so far as the most minute tests could show? Might there not be, in the slow oscillations of nature, a degree of decay, on this side of death, from which a return should be possible, provided that the critical moment were passed in a state of sleep and under perfect conditions? How do we know that all men must die? We suppose the statement to be true by induction, from the undoubted