The Camera Fiend. E. W. Hornung
as anybody else in the third smoker; for even the grown men in the corner seats did not dream of calling the youth an “old ass,” much less a young one, to his face. His friends and contemporaries at school were in the habit of employing the ameliorating adjective, but there were still a few fellows [pg 7] in Pocket's house who made an insulting point of the other. All, however, seemed agreed as to the noun; and it was pleasant to cast off friend and foe for a change, to sit comfortably unknown and unsuspected of one's foibles in the train. It made Pocket feel a bit of a man; but then he really was almost seventeen, and in the Middle Fifth, and allowed to smoke asthma cigarettes in bed. He took one out of a cardboard box in his bag, and thought it might do him good to smoke it now. But an adult tobacco-smoker looked so curiously at the little thin cross between cigar and cigarette, that it was transferred to a pocket unlit, and the coward hid himself behind his paper, in which there were several items of immediate interest to him. Would the match hold out at Lord's? If not, which was the best of the Wednesday matinees? Pocket had received a pound from home for his expenses, so that these questions took an adventitious precedence over even such attractive topics as an execution and a murder that bade fair to lead to one. But the horrors had their turn, and having supped on the newspaper supply, he continued the feast in Henry Dunbar, the novel he had brought with him in his bag. There was something like a murder! It was so exciting as to detach Pocket Upton from the flying buttercups and daisies, from the reek of the smoking carriage, the real crimes [pg 8] in the paper, and all thoughts of London until he found himself there too soon.
The asthma specialist was one of those enterprising practitioners whose professional standing is never quite on a par with their material success. The injurious discrepancy may have spoilt his temper, or it may be that his temper was at the root of the prejudice against him. He was never very amiable with Pocket Upton, a casual patient in every sense; but this morning Dr. Bompas had some call to complain.
“You mean to tell me,” he expostulated, “that you've gone back to the cigarettes in spite of what I said last time? If you weren't a stupid schoolboy I should throw up your case!”
Pocket did not wish to have his case thrown up; it would mean no more days and nights in town. So he accepted his rebuke without visible resentment.
“It's the only way I can stop an attack,” he mumbled.
“Nonsense!” snapped the specialist. “You can make yourself coffee in the night, as you've done before.”
“I can't at school. They draw the line at that.”
“Then a public school is no place for you. I've said so from the first. Your people should have listened to me, and sent you on a long sea voyage [pg 9] under the man I recommended, in the ship I told them about. She sails the day after to-morrow, and you should have sailed in her.”
The patient made no remark; but he felt as sore as his physician on the subject of that long sea voyage. It would have meant a premature end to his undistinguished schooldays, and goodbye to all thought of following in his brothers' steps on the field of schoolboy glory. But he might have had adventures beyond the pale of that circumscribed arena, he might have been shipwrecked on a desert island, and lived to tell a tale beyond the dreams of envious athletes, if his people had but taken kindly to the scheme. But they had been so very far from taking to it at all, with the single exception of his only sister, that the boy had not the heart to discuss it now.
“If only there were some medicine one could take to stop an attack!” he sighed. “But there doesn't seem to be any.”
“There are plenty of preventives,” returned the doctor. “That's what we want. Smoking and inhaling all sorts of rubbish is merely a palliative that does more harm than good in the long run.”
“But it does you good when the preventives fail. If I could get a good night without smoking I should be thankful.”
[pg 10] “If I promise you a good night will you give me your cigarettes to keep until to-morrow?”
“If you like.”
The doctor wrote a prescription while the boy produced the cardboard box from his bag.
“Thank you,” said Bompas, as they made an exchange. “I don't want you even to be tempted to smoke to-night, because I know what the temptation must be when you can't get your breath. You will get this prescription made up in two bottles; take the first before you go to bed to-night, and the second if you wake with an attack before five in the morning. You say you are staying the night with friends; better give me the name and let me see if they're on the telephone before you go. I want you to go to bed early, tell them not to call you in the morning, and come back to me the moment you've had your breakfast.”
They parted amicably after all, and Pocket went off only wondering whether he ought to have said positively that he was staying with friends when he might be going back to school. But Dr. Bompas had been so short with him at first as to discourage unnecessary explanations; besides, there could be no question of his going back that night. And the difficulty of the morning, which he had quite forgotten in the train, was not allowed to mar a moment of his day in town.
[pg 11] The time-table of that boy's day must speak for itself. It was already one o'clock, and he was naturally hungry, especially after the way his breakfast had been spoilt by Coverley's card. At 1.15 he was munching a sausage roll and sipping chocolate at a pastry-cook's in Oxford Street. The sausage roll, like the cup of chocolate, was soon followed by another; and a big Bath bun completed a debauch of which Dr. Bompas would undoubtedly have disapproved.
At 1.45, from the top of an Atlas omnibus in Baker Street, he espied a placard with “Collapse of Middlesex” in appalling capitals. And at the station he got down to learn the worst before going on to Lord's for nothing.
The worst was so hopelessly bad that Pocket wished himself nearer the theatres, and then it was that the terra-cotta pile of Madame Tussaud's thrust itself seductively upon his vision. He had not been there for years. He had often wanted to go again, and go alone. He remembered being taken by his sister when a little boy at Coverley's, but she had refused to go into the Chamber of Horrors, and he had been relieved at the time but sorry ever afterwards, because so many of the boys of those days had seen everything and seemed none the worse for the adventure. It was one of the things he had always wanted not so much to [pg 12] do as to have done. The very name of the Chamber of Horrors had frozen his infant blood when he first heard it on the lips of a criminological governess. On the brink of seventeen there was something of the budding criminologist about Pocket Upton himself; had not a real murder and Henry Dunbar formed his staple reading in the train? And yet the boy had other sensibilities which made him hesitate outside the building, and enter eventually with quite a nutter under the waistcoat.
A band in fantastic livery was playing away in the marble hall; but Pocket had no ear for their music, though he was fond enough of a band. And though history was one of his few strong points at school, the glittering galaxy of kings and queens appealed to him no more than the great writers at their little desks and the great cricketers in their unconvincing flannels. They were waxworks one and all. But when the extra sixpence had been paid at the inner turnstile, and he had passed down a dungeon stair into the dim vaults below, his imagination was at work upon the dreadful faces in the docks before he had brought his catalogue to bear on one of them.
Here were wretches whose vile deeds had long been familiar to the schoolboy through a work on his father's shelves called Annals of Our Time. He recalled bad nights when certain of those annals [pg 13] had kept him awake long after his attack; and here were the actual monsters, not scowling and ferocious as he had always pictured them, but far more horribly demure and plump. Here were immortal malefactors like the Mannings; here were Rush and Greenacre cheek by jowl, looking as though they had stepped out of Dickens in their obsolete raiment, looking anything but what they had been. Some wore the very clothes their quick bodies had filled; here and there were authentic tools of death, rusty pistols, phials of poison with the seals still bright, and a smug face smirking over all in self-conscious infamy. There was not enough of the waxwork about these creatures; in the poor light, and their own clothes, and the veritable dock in which many of them had heard their