The Hole in the Wall. Morrison Arthur
"Serve 'em right, Cap'en Kemp, I'm sure. Lot o' impudent vagabones! Ought to be ashamed o' theirselves, that they ought. Pity every 'ouse ain't kep' as strict as this one is, that's what I say!"
And the queer head looked round the vacant bar with an air of virtuous defiance, as though anxious to meet the eye of any so bold as to contradict.
It was anything but a clean face on the head, and it was overshadowed by a very greasy wideawake hat. Grubbiness and unhealthy redness contended for mastery in the features, of which the nose was the most surprising, wide and bulbous and knobbed all over; so that ever afterward, in any attempt to look Mr. Cripps in the face, I found myself wholly disregarding his eyes, and fixing a fascinated gaze on his nose; and I could never recall his face to memory as I recalled another, but always as a Nose, garnished with a fringe of inferior features. The face had been shaved—apparently about a week before; and by the sides hung long hair, dirtier to look at than the rest of the apparition.
My grandfather gave no more than a glance in the direction of this little man, passed the counter and re-joined me, pulling off his coat as he came. Something of my tingling eyes and screwed mouth was visible, I suppose, for he stooped as he rolled up his shirt-sleeves and said: "Why, Stevy boy, what's amiss?"
"You—you—hurt the man's ear," I said, with a choke and a sniff; for till then Grandfather Nat had seemed to me the kindest man in the world.
Grandfather Nat looked mightily astonished. He left his shirt-sleeve where it was, and thrust his fingers up in his hair behind, through the grey and out at the brown on top. "What?" he said. "Hurt 'im? Hurt 'im? Why, s'pose I did? He ain't a friend o' yours, is he, young 'un?"
I shook my head and blinked. There was a gleam of amusement in my grandfather's grim face as he sat in a chair and took me between his knees. "Hurt 'im?" he repeated. "Why, Lord love ye, I'd get hurt if I didn't hurt some of 'em, now an' then. They're a rough lot—a bitter bad lot round here, an' it's hurt or be hurt with them, Stevy. I got to frighten 'em, my boy—an' I do it, too."
I was passing my fingers to and fro in the matted hair on my grandfather's arm, and thinking. He seemed a very terrible man now, and perhaps something of a hero; for, young as I was, I was a boy. So presently I said, "Did you ever kill a man, Gran'fa' Nat?"
CHAPTER IV
STEPHEN'S TALE
Many small matters of my first few hours at the Hole in the Wall were impressed on me by later events. In particular I remember the innocent curiosity with which I asked: "Did you ever kill a man, Gran'fa' Nat?"
There was a twitch and a frown on my grandfather's face, and he sat back as one at a moment's disadvantage. I thought that perhaps he was trying to remember. But he only said, gruffly, and with a quick sound like a snort: "Very nigh killed myself once or twice, Stevy, in my time," and rose hastily from his chair to reach a picture of a ship that was standing on a shelf. "There," he said, "that's a new 'un, just done; pretty picter, ain't it? An' that there," pointing to another hanging on the wall, "that's the Juno, what your father's on now."
I had noticed that the walls, both of the bar and of the bar-parlour, were plentifully hung with paintings of ships; ships becalmed, ships in full sail, ships under bare spars; all with painful blue skies over them, and very even-waved seas beneath; and ships in storms, with torn sails, pursued by rumbustious piles of sooty cloud, and pelted with lengths of scarlet lightning. I fear I should not have recognised my father's ship without help, but that was probably because I had only seen it, months before, lying in dock, battered and dingy, with a confusion of casks and bales about the deck, and naked yards dangling above; whereas in the picture (which was a mile too small for the brig) it was booming along under a flatulent mountain of clean white sail, and bulwarks and deck-fittings were gay with lively and diversified colour.
I said something about its being a fine ship, or a fine picture, and that there were a lot of them.
"Ah," he said, "they do mount up, one arter another. It's one gentleman as did 'em all—him out in the bar now, with the long hair. Sometimes I think I'd rather a-had money; but it's a talent, that's what it is!"
The artist beyond the outer bar had been talking to the potman. Now he coughed and said: "Ha—um! Cap'en Kemp, sir! Cap'en Kemp! No doubt as you've 'eard the noos to-day?"
"No," said Grandfather Nat, finishing the rolling of his shirt-sleeves as he stepped down into the bar; "not as I know on. What is it?"
"Not about Viney and Marr?"
"No. What about 'em?"
Mr. Cripps rose on his toes with the importance of his information, and his eyes widened to a moment's rivalry with his nose. "Gone wrong," he said, in a shrill whisper that was as loud as his natural voice. "Gone wrong. Unsolvent. Cracked up. Broke. Busted, in a common way o' speakin'." And he gave a violent nod with each synonym.
"No," said Grandfather Nat; "surely not Viney and Marr?"
"Fact, Cap'en; I can assure you, on 'igh a'thority. It's what I might call the universal topic in neighbourin' circles, an' a gen'ral subjick o' local discussion. You'd 'a 'eard it 'fore this if you'd bin at 'ome."
My grandfather whistled, and rested a hand on a beer-pull.
"Not a stiver for nobody, they say," Mr. Cripps pursued, "not till they can sell the wessels. What there was loose Marr's bolted with; or, as you might put it, absconded; absconded with the proceeds. An' gone abroad, it's said."
"I see the servant gal bringin' out her box from Viney's just now," said Grandfather Nat. "An' Crooks the ship-chandler was on the steps, very white in the gills, with a paper. Well, well! An' you say Marr's bolted?"
"Absconded, Cap'en Kemp; absconded with the proceeds; 'opped the twig. Viney says 'e's robbed 'im as well as the creditors, but I 'ear some o' the creditors' observation is 'gammon.' An' they say the wessels is pawned up to their r'yals. Up to their r'yals!"
"Well," commented my grandfather, "I wouldn't ha' thought it. The Juno was that badly found, an' they did everything that cheap, I thought they made money hand over fist."
"Flyin' too 'igh, Cap'en Kemp, flyin' too 'igh. You knowed Viney long 'fore 'e elevated hisself into a owner, didn't you? What was he then? Why, 'e was your mate one voy'ge, wasn't he?"
"Ay, an' more."
"So I've 'eard tell. Well, arter that surely 'e was flyin' too 'igh! An' now Marr's absconded with the proceeds!"
The talk in the bar went on, being almost entirely the talk of Mr. Cripps; who valued himself on the unwonted importance his news gave him, and aimed at increasing it by saying the same thing a great many times; by saying it, too, when he could, in terms and phrases that had a strong flavour of the Sunday paper. But as for me, I soon ceased to hear, for I discovered something of greater interest on the shelf that skirted the bar-parlour. It was a little model of a ship in a glass case, and it was a great marvel to me, with all its standing and running rigging complete, and a most ingenious and tumultuous sea about it, made of stiff calico cockled up into lumps and ridges, and painted the proper colour. Much better than either of the two we had at home, for these latter were only half-models, each nothing but one-half of a little ship split from stem to stern, and stuck against a board, on which were painted sky, clouds, seagulls, and (in one case) a lighthouse; an exasperating make-believe that had been my continual disappointment.
But this was altogether so charming and delightful and real, and the little hatches and cuddy-houses so thrilled my fancy, that I resolved to beg of my grandfather to let me call the model my own, and sometimes have the glass case off. So I was absorbed while the conversation in the bar ranged from the ships and their owners to my