A Tale of a Vampire. Richard Francis Burton

A Tale of a Vampire - Richard Francis Burton


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the power of transformation owned by a few yards of cloth cut after a certain pattern. The spirit of my costume penetrated my very skin, and within ten minutes more I had become something of a coxcomb.

      In order to feel more at ease in my new attire, I took several turns up and down the room. Clarimonde watched me with an air of maternal pleasure, and appeared well satisfied with her work. "Come, enough of this child's-play! Let us start, Romuald, dear. We have far to go, and we may not get there in time." She took my hand and led me forth. All the doors opened before her at a touch, and we passed by the dog without awaking him.

      At the gate we found Margheritone waiting, the same swarthy groom who had once before been my escort. He held the bridles of three horses, all black like those which bore us to the castle—one for me, one for him, one for Clarimonde. Those horses must have been Spanish genets born of mares fecundated by a zephyr, for they were fleet as the wind itself, and the moon, which had just risen at our departure to light us on our way, rolled over the sky like a wheel detached from her own chariot. We beheld her on the right leaping from tree to tree, and putting herself out of breath in the effort to keep up with us. Soon we came upon a level plain where, hard by a clump of trees, a carriage with four vigorous horses awaited us. We entered it, and the postilions urged their animals into a mad gallop. I had one arm around Clarimonde's waist, and one of her hands clasped in mine; her head leaned upon my shoulder, and I felt her bosom, half bare, lightly pressing against my arm. I had never known such intense happiness. In that hour I had forgotten everything, and I no more remembered having ever been a priest than I remembered what I had been doing in my mother's womb, so great was the fascination which the evil spirit exerted upon me. From that night my nature seemed in some sort to have become halved, and there were two men within me, neither of whom knew the other. At one moment I believed myself a priest who dreamed nightly that he was a gentleman, at another that I was a gentleman who dreamed he was a priest. I could no longer distinguish the dream from the reality, nor could I discover where the reality began or where ended the dream. The exquisite young lord and libertine railed at the priest, the priest loathed the dissolute habits of the young lord. I always retained with extreme vividness all the perceptions of my two lives. Only there was one absurd fact which I could not explain to myself—namely, that the consciousness of the same individuality existed in two men so opposite in character. It was an anomaly for which I could not account—whether I believed myself to be the curé of the little village of C——, or Il Signor Romualdo, the titled lover of Clarimonde.

      Be that as it may, I lived, at least I believed that I lived, in Venice. I have never been able to discover rightly how much of illusion and how much of reality there was in this fantastic adventure. We dwelt in a great palace on the Canaleio, filled with frescoes and statues, and containing two Titians in the noblest style of the great master, which were hung in Clarimonde's chamber. It was a palace well worthy of a king. We had each our gondola, our barcarolli in family livery, our music hall, and our special poet. Clarimonde always lived upon a magnificent scale; there was something of Cleopatra in her nature. As for me, I had the retinue of a prince's son, and I was regarded with as much reverential respect as though I had been of the family of one of the twelve Apostles or the four Evangelists of the Most Serene Republic. I would not have turned aside to allow even the Doge to pass, and I do not believe that since Satan fell from heaven, any creature was ever prouder or more insolent than I. I went to the Ridotto, and played with a luck which seemed absolutely infernal. I received the best of all society—the sons of ruined families, women of the theatre, shrewd knaves, parasites, hectoring swashbucklers. But notwithstanding the dissipation of such a life, I always remained faithful to Clarimonde. I loved her wildly. She would have excited satiety itself, and chained inconstancy. To have Clarimonde was to have twenty mistresses; aye, to possess all women: so mobile, so varied of aspect, so fresh in new charms was she all in herself—a very chameleon of a woman, in sooth. She made you commit with her the infidelity you would have committed with another, by donning to perfection the character, the attraction, the style of beauty of the woman who appeared to please you. She returned my love a hundred-fold, and it was in vain that the young patricians and even the Ancients of the Council of Ten made her the most magnificent proposals. A Foscari even went so far as to offer to espouse her. She rejected all his overtures. Of gold she had enough. She wished no longer for anything but love—a love youthful, pure, evoked by herself, and which should be a first and last passion. I would have been perfectly happy but for a cursed nightmare which recurred every night, and in which I believed myself to be a poor village curé, practising mortification and penance for my excesses during the day. Reassured by my constant association with her, I never thought further of the strange manner in which I had become acquainted with Clarimonde. But the words of the Abbé Sérapion concerning her recurred often to my memory, and never ceased to cause me uneasiness.

      For some time the health of Clarimonde had not been so good as usual; her complexion grew paler day by day. The physicians who were summoned could not comprehend the nature of her malady and knew not how to treat it. They all prescribed some insignificant remedies, and never called a second time. Her paleness, nevertheless, visibly increased, and she became colder and colder, until she seemed almost as white and dead as upon that memorable night in the unknown castle. I grieved with anguish unspeakable to behold her thus slowly perishing; and she, touched by my agony, smiled upon me sweetly and sadly with the fateful smile of those who feel that they must die.

      One morning I was seated at her bedside, after breakfasting from a little table placed close at hand, so that I might not be obliged to leave her for a single instant. In the act of cutting some fruit I accidentally inflicted rather a deep gash on my finger. The blood immediately gushed forth in a little purple jet, and a few drops spurted upon Clarimonde. Her eyes flashed, her face suddenly assumed an expression of savage and ferocious joy such as I had never before observed in her. She leaped out of her bed with animal agility—the agility, as it were, of an ape or a cat—and sprang upon my wound, which she commenced to suck with an air of unutterable pleasure. She swallowed the blood in little mouthfuls, slowly and carefully, like a connoisseur tasting a wine from Xeres or Syracuse. Gradually her eyelids half closed, and the pupils of her green eyes became oblong instead of round. From time to time she paused in order to kiss my hand, then she would recommence to press her lips to the lips of the wound in order to coax forth a few more ruddy drops. When she found that the blood would no longer come, she arose with eyes liquid and brilliant, rosier than a May dawn; her face full and fresh, her hand warm and moist—in fine, more beautiful than ever, and in the most perfect health.

      "I shall not die! I shall not die!" she cried, clinging to my neck, half mad with joy. "I can love thee yet for a long time. My life is thine, and all that is of me comes from thee. A few drops of thy rich and noble blood, more precious and more potent than all the elixirs of the earth, have given me back life."

      This scene long haunted my memory, and inspired me with strange doubts in regard to Clarimonde; and the same evening, when slumber had transported me to my presbytery, I beheld the Abbé Sérapion, graver and more anxious of aspect than ever. He gazed attentively at me, and sorrowfully exclaimed: "Not content with losing your soul, you now desire also to lose your body. Wretched young man, into how terrible a plight have you fallen!" The tone in which he uttered these words powerfully affected me, but in spite of its vividness even that impression was soon dissipated, and a thousand other cares erased it from my mind. At last one evening, while looking into a mirror whose traitorous position she had not taken into account, I saw Clarimonde in the act of emptying a powder into the cup of spiced wine which she had long been in the habit of preparing after our repasts. I took the cup, feigned to carry it to my lips, and then placed it on the nearest article of furniture as though intending to finish it at my leisure. Taking advantage of a moment when the fair one's back was turned, I threw the contents under the table, after which I retired to my chamber and went to bed, fully resolved not to sleep, but to watch and discover what should come of all this mystery. I did not have to wait long. Clarimonde entered in her night-dress, and having removed her apparel, crept into bed and lay down beside me. When she felt assured that I was asleep, she bared my arm, and drawing a gold pin from her hair, commenced to murmur in a low voice:

      "One drop, only one drop! One ruby at the end of my needle.... Since thou lovest me yet, I must not die!... Ah, poor love! His beautiful blood, so brightly purple, I must drink it. Sleep, my only


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