The Greatest Sci-Fi Books of Erle Cox. Erle Cox

The Greatest Sci-Fi Books of Erle Cox - Erle Cox


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beside it is I don't know"–(a pause while he stared into a cabinet close by)–"Humph! Lenses, I should say; but what a collection. Now, what's the meaning of this?"

      "This" was a highly-polished metal plate affixed to the cabinet. It bore, inlaid in white enamel, a number of dots in rows. There was a character inlaid in red opposite each row. There was one dot to start with, then two, and so on up to ten. Alan studied the plate for a few minutes, and then an idea came to him.

      "By Jove, this looks like a decimal system of numeration. The red characters are their figures from one to ten. The tenth line has two characters. The first the same as the one on top, and the second a new one."

      Below, in bright blue inlay, were three characters together. Alan compared them with the red in the upper portion of the plate.

      "If my idea is correct, and it looks like it, this cabinet is numbered eight hundred and thirty-two. Now, why numbered at all?" He looked around, and his eyes fell on the book shelves. "Of course! They have the reference library on the walls, and the marks on the books are numbers!" He had no pencil, but with his pocket-knife he scratched a copy of the numerals on the polished stick he carried and went to the book shelves. He was delighted to find that his surmise was correct, and that without difficulty he could read the mystic characters. Before long he came to those he sought. On ten successive metal cases he found the marks corresponding to eight hundred and thirty-two. The volumes he extracted from their cases were similar to those he had examined before in the adjoining gallery. As he had expected, each of the volumes he looked into were undoubtedly, from their illustrations, connected with the case of lenses. A closer examination of the objects around him showed that each was numbered, and from the numbers he proved his theory by finding the volumes that bore the number of each exhibit. In some instances a single model had as many as twenty volumes of reference–volumes of absorbing interest even to his untutored mind. Alan wandered through the bewildering array, bitterly bewailing his woeful ignorance of all but the most elementary ideas of science. It was tantalising beyond words to know just enough to stimulate his curiosity to bursting point. There was one consolation, however. He was sure that no individual professor of physics or natural philosophy would be very much better off than he. The range of subjects was too wide for the brain of any one man to be familiar with. Chemistry, electricity, optics, geology, metallurgy, he recognised, but there were scores of other matters that were to him as Hebrew or Sanskrit would be to an infant. Alan summed the matter up, leaning over the balustrade of the balcony and looking down on the dazzling scene beneath. "It will take fifty commissions fifty blessed years to learn a fiftieth part of the blessed things. But what they do find out will be worth the work. This gallery will make the scientific world hum like swarming bees and by George, I'll be here to hear it hum." He paused reflectively. "Anyway, if I stay here till I grow grey, it's a moral that I won't by any wiser by myself." He roused himself and looked at his watch. It was nearly three o'clock. He had been too absorbed to notice how the time went. He felt hungry, but his curiosity was stronger than his appetite, and he resolved to try the remaining three galleries that day.

      He hurried from the gallery to the exit, and turned again down the corridor to the left. He felt so certain of finding the next door where he expected it that it caused no surprise when he arrived at it. There was a sub-conscious wonder as to the contents of the next gallery. "Art, medicine, science, and now–" He stepped towards the closed door. "Quite so," he went on, as the door vanished into the wall. "Quite natural and proper. We have now arrived at the machinery section of the blessed exhibition, and of course, I know just about as much of machinery and engineering as I do about the other things. Alan, my son, you are beyond doubt a monument of blithering ignorance. Pshaw!" He passed through the doorway. It was an impressive sight under the white rays of the swinging lights, as they flashed on crank and shaft and wheel, and were reflected back from a forest of mechanical wonders. Some of the machines he judged were models, and others were the real thing, but as to their meaning or purpose his mind was a blank. There were intricate monsters and delicate exquisitely-wrought models side by side. The dislike of the ordinary mortal for interfering with unknown contrivances was strong upon him. A desire to see the wheels go round was curbed by the thoughts of unknown consequences. That the wheels would go round if properly treated he had no doubt, but as to his own ability to supply the proper treatment he had no illusions.

      Alan took out his pipe, and smoked thoughtfully as he went down aisles and gangways. He peered curiously amongst cranks and levers, and speculated idly on the reasons for what he saw, admiring the wonderful workmanship and finish. One fact that he had noticed before was impressed on his mind with renewed force. Whatever metal work he came across was perfectly free from speck or tarnish. Every least part was as free from corrosion or rust as on the day (how immeasurably far hack!) it left the hands of the craftsmen. It seemed as if these long-dead workmen had learned the secret of rendering their work imperishable. If the metal these great monsters were built of was for the most part steel, as he imagined, then it was a form of steel such as our world knew nothing of. Again, too, throughout all the galleries he had explored there was a total absence of dust. This, too, impressed him greatly It gave the whole wonderful place the air of having been daily swept and tended with scrupulous care. Wherever Dundas went this spotlessness brought with it a feeling he could not shake off of some ever-present but invisible caretaker. As he put it to himself, as he wandered through the galleries he expected at each turn to find some uniformed attendant demanding that his stick should be left at the entrance, and offering to sell him a catalogue for sixpence.

      Alan spent a long hour wandering through the maze of machinery, every minute of which went to convince him more forcibly than ever of his colossal ignorance of engineering. Finally, he decided that he would rack his brain no longer, and, if possible at least, take a glance at the other two galleries before ending his investigations for the day.

      However, he was not destined to leave the gallery without an adventure, and it was one that gave him a practical illustration of the unwisdom of meddling with unknown forces. A few yards from the rear doorway, on his way to the corridor, he paused to look at a machine that had previously attracted his attention by its apparent simplicity. It consisted solely of a burnished shaft of metal protruding from a cylindrical casing, the whole being mounted on a plain, but apparently strong stand. On one side of the casing was a lever, terminated by an inviting-looking grip for the hand. There was nothing about it to show rhyme or reason for its being there, still less to show its possible utility in the scheme of things. It looked more like an unfinished portion of a machine than the completed article, and was certainly the least complex-looking in the gallery. Standing behind it, Alan's hand fell unconsciously on the lever. He attempted to push it away from him, but it resisted the effort. Then he drew it towards him, only slightly–so slightly that he had reason to believe afterwards that he owed his life to the lightness of his touch. There was no sound from the machine itself, but in the corridor opposite the open door came a crash as of a bursting shell that echoed through the gallery like the crack of doom. For a moment the view was obscured by dust and smoke, and the concussion sent Dundas reeling backwards...When he had recovered from the shock the smoke cleared somewhat, and through the thinning mist showed havoc. The corridor and the doorway were partially blocked by masses of broken cement, torn down by the invisible force he had liberated, and the thickness of the wall showed a great irregular gaping hole, large enough to form a small room. Alan examined the damage with no small concern. His previous experience had taught him the adamantine strength of the material of the structure. "What power was this," he wondered, "that could deal so terrible a blow?" The wall was torn and riven like so much clay, and he realised that he had again been very close to a fatal ending to his exploring. He scrambled out into the passage inwardly registering a vow that in future nothing would induce him to lay his hand on any contrivance without the absolute certainty that it would be harmless.

      It took him a little while to recover from the effects of his adventure, and to decide that for the time being it was useless to attempt to clear the passage. Then he made his way along to where he knew the next door would be found. A few minutes later Dundas was standing in the entrance to the fifth gallery. His recent scare was completely forgotten, and the joy of discovery was in his heart. Gallery number five was a library. From end to end in splendid array it was filled with book shelves, all closely packed with metal cases similar to those he had examined before. The shelves stood about fifteen feet in height,


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