Wine Faults and Flaws. Keith Grainger

Wine Faults and Flaws - Keith Grainger


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      © 2021 by John Wiley & Sons Ltd

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      The right of Keith Grainger to be identified as the author of this work has been asserted in accordance with law.

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       Library of Congress Cataloging-in-Publication Data

      Names: Grainger, Keith, author.

      Title: Wine faults and flaws : a practical guide / Keith Grainger.

      Description: Hoboken, NJ, USA :Wiley-Blackwell, 2021. | Includes bibliographical references and index.

      Identifiers: LCCN 2021001638 (print) | LCCN 2021001639 (ebook) | ISBN 9781118979068 (cloth) | ISBN 9781118979099 (adobe pdf) | ISBN 9781118979075 (epub)

      Subjects: LCSH:Wine and wine making-Gaging and testing.

      Classification: LCC TP511 .G73 2021 (print) | LCC TP511 (ebook) | DDC 641.2/2-dc23

      LC record available at https://lccn.loc.gov/2021001638

      LC ebook record available at https://lccn.loc.gov/2021001639

      Cover Design: Wiley

      Cover Image: © RomanKozhin/Shutterstock

      So many people have imparted knowledge, opinions and assistance that have helped me write this work, that this list of acknowledgements is more notable for the numerous omissions than the names included. However, I would like to give particular thanks to Carlos de Jesus, Paulo Lopes and Joana Mesquita of Amorim, Matt Thomson of Kiwi‐Oeno Consultancy and Blank Canvas Wines, Sebastian Beaumont, Gordon Newton Johnson, Chris Alheit, the late, great Paul Pontalier of Château Margaux, Alfred Tesseron of Château Pontet‐Canet of Château Belgrave and other Dourthe properties, Jean‐Luc Columbo, Nicolas Joly, Sandro Bottega, Ernie Loosen, Raimund Prüm, José and Sebastien Zuccardi, Philip Tuck MW, Gordon Burns, and Evin Morrison of ETS Laboratories, Matthias Hüttl of LANXESS, Gordon Specht and Ann Dumond of Lallemand, Pascal Chatonnet, Gevork Arakelian, and Ken Walker. Finally, thanks to Nick Catley, Trevor Elliott and Hazel Tattersall for reviewing individual chapters.

      Wines are produced today in over 65 countries, and it is often stated that production standards are higher than at any time in the 8000 or more years of vinous history. The consumer rightly expects any wine purchased to be of good quality, bearing in mind the price point, and free from fault, flaw, or taint. Wine critics, writers, producers, and retailers are all in the business of selling enjoyment and entertainment, for nobody has to drink wine – it is a beverage to be savoured. However, the incidences of faulty wines reaching the consumer are greater than would be regarded as acceptable in most other industries. It is claimed that such occurrences are less than was the case in recent recorded history, and it is true that the frequency of some faults, flaws, and taints being encountered in bottle (or other packaging) has declined in the last few decades. Gone are the days when a bottle of dry white Bordeaux would have more ‘struck‐match’ sulfur odours than the aromas of Sémillon or Sauvignon Blanc, and a white Bairrada exude the ‘Oloroso Sherry‐like’ aromas and bitter palate resulting from oxidation. Happily too, in recent years, there has been a considerable reduction in the occurrence of haloanisole contamination (often referred to as ‘cork taint’), which renders heavily affected wines undrinkable, having the musty odour of damp hessian or dry rot. However, incidences of certain faults and taints have increased, and issues that were once unheard of now affect many wines offered for sale. These include ‘reduced’ aromas, premature oxidation (premox), atypical ageing and, very much on the rise, smoke taint.


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