The Golden Bowl - Complete. Генри Джеймс
before anything else, apparently, a scruple about the tone she had just used. "I quite understand, of course, that, given her great friendship with Maggie, she should have wanted to be present. She has acted impulsively—but she has acted generously."
"She has acted beautifully," said the Prince.
"I say 'generously' because I mean she hasn't, in any way, counted the cost. She'll have it to count, in a manner, now," his hostess continued. "But that doesn't matter."
He could see how little. "You'll look after her."
"I'll look after her."
"So it's all right."
"It's all right," said Mrs. Assingham. "Then why are you troubled?"
It pulled her up—but only for a minute. "I'm not—any more than you."
The Prince's dark blue eyes were of the finest, and, on occasion, precisely, resembled nothing so much as the high windows of a Roman palace, of an historic front by one of the great old designers, thrown open on a feast-day to the golden air. His look itself, at such times, suggested an image—that of some very noble personage who, expected, acclaimed by the crowd in the street and with old precious stuffs falling over the sill for his support, had gaily and gallantly come to show himself: always moreover less in his own interest than in that of spectators and subjects whose need to admire, even to gape, was periodically to be considered. The young man's expression became, after this fashion, something vivid and concrete—a beautiful personal presence, that of a prince in very truth, a ruler, warrior, patron, lighting up brave architecture and diffusing the sense of a function. It had been happily said of his face that the figure thus appearing in the great frame was the ghost of some proudest ancestor. Whoever the ancestor now, at all events, the Prince was, for Mrs. Assingham's benefit, in view of the people. He seemed, leaning on crimson damask, to take in the bright day. He looked younger than his years; he was beautiful, innocent, vague.
"Oh, well, I'M not!" he rang out clear.
She hesitated. "A handsome, clever, odd girl staying with one is always a complication."
The young man weighed it almost as if the question were new to him. "And will she stay very long?"
His friend gave a laugh. "How in the world can I know? I've scarcely asked her."
"Ah yes. You can't."
But something in the tone of it amused her afresh. "Do you think you could?"
"I?" he wondered.
"Do you think you could get it out of her for me—the probable length of her stay?"
He rose bravely enough to the occasion and the challenge. "I daresay, if you were to give me the chance."
"Here it is then for you," she answered; for she had heard, within the minute, the stop of a cab at her door. "She's back."
It had been said as a joke, but as, after this, they awaited their friend in silence, the effect of the silence was to turn the time to gravity—a gravity not dissipated even when the Prince next spoke. He had been thinking the case over and making up his mind. A handsome, clever, odd girl staying with one was a complication. Mrs. Assingham, so far, was right. But there were the facts—the good relations, from schooldays, of the two young women, and the clear confidence with which one of them had arrived. "She can come, you know, at any time, to US."
Mrs. Assingham took it up with an irony beyond laughter. "You'd like her for your honeymoon?"
"Oh no, you must keep her for that. But why not after?"
She had looked at him a minute; then, at the sound of a voice in the corridor, they had got up. "Why not? You're splendid!" Charlotte Stant, the next minute, was with them, ushered in as she had alighted from her cab, and prepared for not finding Mrs. Assingham alone—this would have been to be noticed—by the butler's answer, on the stairs, to a question put to him. She could have looked at her hostess with such straightness and brightness only from knowing that the Prince was also there—the discrimination of but a moment, yet which let him take her in still better than if she had instantly faced him. He availed himself of the chance thus given him, for he was conscious of all these things. What he accordingly saw, for some seconds, with intensity, was a tall, strong, charming girl who wore for him, at first, exactly the look of her adventurous situation, a suggestion, in all her person, in motion and gesture, in free, vivid, yet altogether happy indications of dress, from the becoming compactness of her hat to the shade of tan in her shoes, of winds and waves and custom-houses, of far countries and long journeys, the knowledge of how and where and the habit, founded on experience, of not being afraid. He was aware, at the same time, that of this combination the "strongminded" note was not, as might have been apprehended, the basis; he was now sufficiently familiar with English-speaking types, he had sounded attentively enough such possibilities, for a quick vision of differences. He had, besides, his own view of this young lady's strength of mind. It was great, he had ground to believe, but it would never interfere with the play of her extremely personal, her always amusing taste. This last was the thing in her—for she threw it out positively, on the spot, like a light—that she might have reappeared, during these moments, just to cool his worried eyes with. He saw her in her light that immediate, exclusive address to their friend was like a lamp she was holding aloft for his benefit and for his pleasure. It showed him everything—above all her presence in the world, so closely, so irretrievably contemporaneous with his own: a sharp, sharp fact, sharper during these instants than any other at all, even than that of his marriage, but accompanied, in a subordinate and controlled way, with those others, facial, physiognomic, that Mrs. Assingham had been speaking of as subject to appreciation. So they were, these others, as he met them again, and that was the connection they instantly established with him. If they had to be interpreted, this made at least for intimacy. There was but one way certainly for HIM—to interpret them in the sense of the already known.
Making use then of clumsy terms of excess, the face was too narrow and too long, the eyes not large, and the mouth, on the other hand, by no means small, with substance in its lips and a slight, the very slightest, tendency to protrusion in the solid teeth, otherwise indeed well arrayed and flashingly white. But it was, strangely, as a cluster of possessions of his own that these things, in Charlotte Stant, now affected him; items in a full list, items recognised, each of them, as if, for the long interval, they had been "stored" wrapped up, numbered, put away in a cabinet. While she faced Mrs. Assingham the door of the cabinet had opened of itself; he took the relics out, one by one, and it was more and more, each instant, as if she were giving him time. He saw again that her thick hair was, vulgarly speaking, brown, but that there was a shade of tawny autumn leaf in it, for "appreciation"—a colour indescribable and of which he had known no other case, something that gave her at moments the sylvan head of a huntress. He saw the sleeves of her jacket drawn to her wrists, but he again made out the free arms within them to be of the completely rounded, the polished slimness that Florentine sculptors, in the great time, had loved, and of which the apparent firmness is expressed in their old silver and old bronze. He knew her narrow hands, he knew her long fingers and the shape and colour of her finger-nails, he knew her special beauty of movement and line when she turned her back, and the perfect working of all her main attachments, that of some wonderful finished instrument, something intently made for exhibition, for a prize. He knew above all the extraordinary fineness of her flexible waist, the stem of an expanded flower, which gave her a likeness also to some long, loose silk purse, well filled with gold pieces, but having been passed, empty, through a finger-ring that held it together. It was as if, before she turned to him, he had weighed the whole thing in his open palm and even heard a little the chink of the metal. When she did turn to him it was to recognise with her eyes what he might have been doing. She made no circumstance of thus coming upon him, save so far as the intelligence in her face could at any moment make a circumstance of almost anything. If when she moved off she looked like a huntress, she looked when she came nearer like his notion, perhaps not wholly correct, of a muse. But what she said was simply: "You see you're not rid of me. How is dear Maggie?"
It was to come soon enough by the quite unforced operation of chance, the young man's opportunity to ask her the question suggested