Anna Karenina. Leo Tolstoy
carriage, he took out his mother's letter and his brother's note, and read them through.
Yes, it was the same thing over and over again. Everyone, his mother, his brother, everyone thought fit to interfere in the affairs of his heart. This interference aroused in him a feeling of angry hatred—a feeling he had rarely known before. "What business is it of theirs? Why does everybody feel called upon to concern himself about me? And why do they worry me so? Just because they see that this is something they can't understand. If it were a common, vulgar, worldly intrigue, they would have left me alone. They feel that this is something different, that this is not a mere pastime, that this woman is dearer to me than life. And this is incomprehensible, and that's why it annoys them. Whatever our destiny is or may be, we have made it ourselves, and we do not complain of it," he said, in the word we linking himself with Anna. "No, they must needs teach us how to live. They haven't an idea of what happiness is; they don't know that without our love, for us there is neither happiness nor unhappiness—no life at all," he thought.
He was angry with all of them for their interference just because he felt in his soul that they, all these people, were right. He felt that the love that bound him to Anna was not a momentary impulse, which would pass, as worldly intrigues do pass, leaving no other traces in the life of either but pleasant or unpleasant memories. He felt all the torture of his own and her position, all the difficulty there was for them, conspicuous as they were in the eye of all the world, in concealing their love, in lying and deceiving; and in lying, deceiving, feigning, and continually thinking of others, when the passion that united them was so intense that they were both oblivious of everything else but their love.
He vividly recalled all the constantly recurring instances of inevitable necessity for lying and deceit, which were so against his natural bent. He recalled particularly vividly the shame he had more than once detected in her at this necessity for lying and deceit. And he experienced the strange feeling that had sometimes come upon him since his secret love for Anna. This was a feeling of loathing for something—whether for Alexey Alexandrovitch, or for himself, or for the whole world, he could not have said. But he always drove away this strange feeling. Now, too, he shook it off and continued the thread of his thoughts.
"Yes, she was unhappy before, but proud and at peace; and now she cannot be at peace and feel secure in her dignity, though she does not show it. Yes, we must put an end to it," he decided.
And for the first time the idea clearly presented itself that it was essential to put an end to this false position, and the sooner the better. "Throw up everything, she and I, and hide ourselves somewhere alone with our love," he said to himself.
Chapter 22
The rain did not last long, and by the time Vronsky arrived, his shaft-horse trotting at full speed and dragging the trace-horses galloping through the mud, with their reins hanging loose, the sun had peeped out again, the roofs of the summer villas and the old limetrees in the gardens on both sides of the principal streets sparkled with wet brilliance, and from the twigs came a pleasant drip and from the roofs rushing streams of water. He thought no more of the shower spoiling the race course, but was rejoicing now that—thanks to the rain—he would be sure to find her at home and alone, as he knew that Alexey Alexandrovitch, who had lately returned from a foreign watering place, had not moved from Petersburg.
Hoping to find her alone, Vronsky alighted, as he always did, to avoid attracting attention, before crossing the bridge, and walked to the house. He did not go up the steps to the street door, but went into the court.
"Has your master come?" he asked a gardener.
"No, sir. The mistress is at home. But will you please go to the frond door; there are servants there," the gardener answered. "They'll open the door."
"No, I'll go in from the garden."
And feeling satisfied that she was alone, and wanting to take her by surprise, since he had not promised to be there today, and she would certainly not expect him to come before the races, he walked, holding his sword and stepping cautiously over the sandy path, bordered with flowers, to the terrace that looked out upon the garden. Vronsky forgot now all that he had thought on the way of the hardships and difficulties of their position. He thought of nothing but that he would see her directly, not in imagination, but living, all of her, as she was in reality. He was just going in, stepping on his whole foot so as not to creak, up the worn steps of the terrace, when he suddenly remembered what he always forgot, and what caused the most torturing side of his relations with her, her son with his questioning—hostile, as he fancied—eyes.
This boy was more often than anyone else a check upon their freedom. When he was present, both Vronsky and Anna did not merely avoid speaking of anything that they could not have repeated before everyone; they did not even allow themselves to refer by hints to anything the boy did not understand. They had made no agreement about this, it had settled itself. They would have felt it wounding themselves to deceive the child. In his presence they talked like acquaintances. But in spite of this caution, Vronsky often saw the child's intent, bewildered glance fixed upon him, and a strange shyness, uncertainty, at one time friendliness, at another, coldness and reserve, in the boy's manner to him; as though the child felt that between this man and his mother there existed some important bond, the significance of which he could not understand.
As a fact, the boy did feel that he could not understand this relation, and he tried painfully, and was not able to make clear to himself what feeling he ought to have for this man. With a child's keen instinct for every manifestation of feeling, he saw distinctly that his father, his governess, his nurse,—all did not merely dislike Vronsky, but looked on him with horror and aversion, though they never said anything about him, while his mother looked on him as her greatest friend.
"What does it mean? Who is he? How ought I to love him? If I don't know, it's my fault; either I'm stupid or a naughty boy," thought the child. And this was what caused his dubious, inquiring, sometimes hostile, expression, and the shyness and uncertainty which Vronsky found so irksome. This child's presence always and infallibly called up in Vronsky that strange feeling of inexplicable loathing which he had experienced of late. This child's presence called up both in Vronsky and in Anna a feeling akin to the feeling of a sailor who sees by the compass that the direction in which he is swiftly moving is far from the right one, but that to arrest his motion is not in his power, that every instant is carrying him further and further away, and that to admit to himself his deviation from the right direction is the same as admitting his certain ruin.
This child, with his innocent outlook upon life, was the compass that showed them the point to which they had departed from what they knew, but did not want to know.
This time Seryozha was not at home, and she was completely alone. She was sitting on the terrace waiting for the return of her son, who had gone out for his walk and been caught in the rain. She had sent a manservant and a maid out to look for him. Dressed in a white gown, deeply embroidered, she was sitting in a corner of the terrace behind some flowers, and did not hear him. Bending her curly black head, she pressed her forehead against a cool watering pot that stood on the parapet, and both her lovely hands, with the rings he knew so well, clasped the pot. The beauty of her whole figure, her head, her neck, her hands, struck Vronsky every time as something new and unexpected. He stood still, gazing at her in ecstasy. But, directly he would have made a step to come nearer to her, she was aware of his presence, pushed away the watering pot, and turned her flushed face towards him.
"What's the matter? You are ill?" he said to her in French, going up to her. He would have run to her, but remembering that there might be spectators, he looked round towards the balcony door, and reddened a little, as he always reddened, feeling that he had to be afraid and be on his guard.
"No, I'm quite well," she said, getting up and pressing his outstretched hand tightly. "I did not expect… thee."
"Mercy! what cold hands!" he said.
"You startled me," she said. "I'm alone, and expecting Seryozha; he's out for a walk; they'll come in from this side."
But, in spite of her efforts to be calm, her lips were quivering.
"Forgive