Anna Karenina. Leo Tolstoy
told you not to sit passengers on the roof," said the little girl in English; "there, pick them up!"
"Everything's in confusion," thought Stepan Arkadyevitch; "there are the children running about by themselves." And going to the door, he called them. They threw down the box, that represented a train, and came in to their father.
The little girl, her father's favorite, ran up boldly, embraced him, and hung laughingly on his neck, enjoying as she always did the smell of scent that came from his whiskers. At last the little girl kissed his face, which was flushed from his stooping posture and beaming with tenderness, loosed her hands, and was about to run away again; but her father held her back.
"How is mamma?" he asked, passing his hand over his daughter's smooth, soft little neck. "Good morning," he said, smiling to the boy, who had come up to greet him. He was conscious that he loved the boy less, and always tried to be fair; but the boy felt it, and did not respond with a smile to his father's chilly smile.
"Mamma? She is up," answered the girl.
Stepan Arkadyevitch sighed. "That means that she's not slept again all night," he thought.
"Well, is she cheerful?"
The little girl knew that there was a quarrel between her father and mother, and that her mother could not be cheerful, and that her father must be aware of this, and that he was pretending when he asked about it so lightly. And she blushed for her father. He at once perceived it, and blushed too.
"I don't know," she said. "She did not say we must do our lessons, but she said we were to go for a walk with Miss Hoole to grandmamma's."
"Well, go, Tanya, my darling. Oh, wait a minute, though," he said, still holding her and stroking her soft little hand.
He took off the matelpiece, where he had put it yesterday, a little box of sweets, and gave her two, picking out her favorites, a chocolate and a fondant.
"For Grisha?" said the little girl, pointing to the chocolate.
"Yes, yes." And still stroking her little shoulder, he kissed her on the roots of here hair and neck, and let her go.
"The carriage is ready," said Matvey; "but there's some one to see you with a petition."
"Been here long?" asked Stepan Arkadyevitch.
"Half an hour."
"How many times have I told you to tell me at once?"
"One must let you drink your coffee in peace, at least," said Matvey, in the affectionately gruff tone with which it was impossible to be angry.
"Well, show the person up at once," said Oblonsky, frowning with vexation.
The petitioner, the widow of a staff captain Kalinin, came with a request impossible and unreasonable; but Stepan Arkadyevitch, as he generally did, made her sit down, heard her to the end attentively without interrupting her, and gave her detailed advice as to how and to whom to apply, and even wrote her, in his large, sprawling, good and legible hand, a confident and fluent little note to a personage who might be of use to her. Having got rid of the staff captain's widow, Stepan Arkadyevitch took his hat and stopped to recollect whether he had forgotten anything. It appeared that he had forgotten nothing except what he wanted to forget—his wife.
"Ah, yes!" He bowed his head, and his handsome face assumed a harassed expression. "To go, or not to go!" he said to himself; and an inner voice told him he must not go, that nothing could come of it but falsity; that to amend, to set right their relations was impossible, because it was impossible to make her attractive again and able to inspire love, or to make him an old man, not susceptible to love. Except deceit and lying nothing could come of it now; and deceit and lying were opposed to his nature.
"It must be some time, though: it can't go on like this," he said, trying to give himself courage. He squared his chest, took out a cigarette, took two whiffs at it, flung it into a mother-of-pearl ashtray, and with rapid steps walked through the drawing room, and opened the other door into his wife's bedroom.
Chapter 4
Darya Alexandrovna, in a dressing jacket, and with her now scanty, once luxuriant and beautiful hair fastened up with hairpins on the nape of her neck, with a sunken, thin face and large, startled eyes, which looked prominent from the thinness of her face, was standing among a litter of all sorts of things scattered all over the room, before an open bureau, from which she was taking something. Hearing her husband's steps, she stopped, looking towards the door, and trying assiduously to give her features a severe and contemptuous expression. She felt she was afraid of him, and afraid of the coming interview. She was just attempting to do what she had attempted to do ten times already in these last three days—to sort out the children's things and her own, so as to take them to her mother's—and again she could not bring herself to do this; but now again, as each time before, she kept saying to herself, "that things cannot go on like this, that she must take some step" to punish him, put him to shame, avenge on him some little part at least of the suffering he had caused her. She still continued to tell herself that she should leave him, but she was conscious that this was impossible; it was impossible because she could not get out of the habit of regarding him as her husband and loving him. Besides this, she realized that if even here in her own house she could hardly manage to look after her five children properly, they would be still worse off where she was going with them all. As it was, even in the course of these three days, the youngest was unwell from being given unwholesome soup, and the others had almost gone without their dinner the day before. She was conscious that it was impossible to go away; but, cheating herself, she went on all the same sorting out her things and pretending she was going.
Seeing her husband, she dropped her hands into the drawer of the bureau as though looking for something, and only looked round at him when he had come quite up to her. But her face, to which she tried to give a severe and resolute expression, betrayed bewilderment and suffering.
"Dolly!" he said in a subdued and timid voice. He bent his head towards his shoulder and tried to look pitiful and humble, but for all that he was radiant with freshness and health. In a rapid glance she scanned his figure that beamed with health and freshness. "Yes, he is happy and content!" she thought; "while I… . And that disgusting good nature, which every one likes him for and praises—I hate that good nature of his," she thought. Her mouth stiffened, the muscles of the cheek contracted on the right side of her pale, nervous face.
"What do you want?" she said in a rapid, deep, unnatural voice.
"Dolly!" he repeated, with a quiver in his voice. "Anna is coming today."
"Well, what is that to me? I can't see her!" she cried.
"But you must, really, Dolly… "
"Go away, go away, go away!" she shrieked, not looking at him, as though this shriek were called up by physical pain.
Stepan Arkadyevitch could be calm when he thought of his wife, he could hope that she would come round, as Matvey expressed it, and could quietly go on reading his paper and drinking his coffee; but when he saw her tortured, suffering face, heard the tone of her voice, submissive to fate and full of despair, there was a catch in his breath and a lump in his throat, and his eyes began to shine with tears.
"My God! what have I done? Dolly! For God's sake!… . You know… ." He could not go on; there was a sob in his throat.
She shut the bureau with a slam, and glanced at him.
"Dolly, what can I say?… . One thing: forgive… Remember, cannot nine years of my life atone for an instant… ."
She dropped her eyes and listened, expecting what he would say, as it were beseeching him in some way or other to make her believe differently.
"—instant of passion?" he said, and would have gone on, but at that word, as at a pang of physical pain, her lips stiffened again, and again the muscles of her right cheek worked.
"Go away, go out of the room!" she shrieked still more shrilly, "and don't talk to me of your passion and your loathsomeness."