Dactylography; Or, The Study of Finger-prints. Faulds Henry
either in pots or pictures those patterns printed clearly, but the creases dear to the palmister are frequently enough shown.
In Mr. C. Ainsworth Mitchell’s Science and the Criminal, published in 1911, a case is mentioned of a very early finger-print, if the evidence has not been fallacious:—
“In the prehistoric flint-holes at Brandon, in Suffolk, there was found some years ago a pick made from the horn of an extinct elk. This had been used by some flint-digger of the Stone Age to hew out of the chalk the rough flints which were subsequently made into scrapers and arrow-heads. Upon the dark handle of this instrument were the finger-prints in chalk of the workman, who, thousands of years ago, flung it down for the last time.”
It is now in the British Museum. A foot-print also has been found of very early date.
Such white marks on a dark ground are often very clear, showing the detail of lineations well, and presuming, as is natural, that the ordinary precautions were taken to secure that they were not recent accidental additions to the remains, such a record is highly valuable.
It was apparently a common practice in ancient India to adorn buildings with crude finger-marks made with white or red sandal-wood. The red hand common on door-posts and the like in Arabia does not usually show any lineations, but in some few ancient and primitive carvings and in sun-baked pot-work, patterns occur which appear to me to have probably had finger-print lineations as a motif. Professor Sollas, in writing of Palæolithic Races in Science Progress (April, 1909)—a subject of which he is a master—says: “Impressions of the human hand are met with painted in red in Altamira, but in other caves also in black, and sometimes uncoloured on a coloured ground. These seem to be older than any of the other markings.” Some cases are stencilled, as with Australians to-day.
The same writer, in a foot-note, also states, in describing caves and paintings of modern Bushmen: “Impressions of the human hand are also met with on the walls of these caves.”
A traveller, Mr. John Bradbury, who witnessed the return of a war-party of the Aricara Indians, says:—
“Many of them had the mark which indicates that they had drank the blood of an enemy. This mark is made by rubbing the hand all over with vermilion, and by laying it on the mouth it leaves a complete impression on the face, which is designed to resemble and indicate a bloody hand.”—[Travels in the Interior of America (1817).]
The ancient bloody hand of Ulster is well known, and other examples occur which might be quoted.
Some “prehistoric pottery” was found last autumn at Avebury, North Wilts, of which I have not seen full particulars. In a press paragraph, however, it is stated that its chief interest “centres in the fact that it is ornamented on both faces—the impressions of twisted grass (or cord) and finger-nails being clearly defined.” It is temporarily classified as a type of pottery associated with long barrows and neolithic pits.
My own attention was first directed to the patterns in finger-prints, as they occurred impressed on sun-baked pottery which I found in the numerous shell-heaps dotted around the great Bay of Yedo. The subject was quite unknown to me till then, in the seventies. No pottery has yet been found which belongs to the early stone stage of man’s culture. But with evidence of the use of fire, and of the manufacture of polished stone weapons, fragments of rude hand-moulded pottery—sun-baked or fire-burned—begin to be associated. Sometimes these are quite clearly seen to be moulded with the aid of human fingers, the nails only making a clear mark, but in other cases the finger furrows are prominently indented in regular patterns, which cannot, I think, be distinguished from those made by men of our own race and time. In the formal Japanese ceremony of social tea-drinking, or Cha-no-yu, pottery of this Archaic kind, with finger patterns indented in the clay, is highly esteemed. In an article on this kind of pottery by Mr. Charles Holme, in The Studio (February, 1909), one example is described thus: “It is modelled in a brown clay entirely by hand, without the aid of a potter’s wheel. The impressions of the fingers made in shaping the bowl are carefully retained,” etc. Not till Celtic times in Europe is there evidence of the use of the potter’s wheel.
I am surprised to find how very little attention has yet been given to finger imprints on early pottery. My own opportunities for observation have in late years been severely limited, but I have seldom had a peep at ancient potsherds without discovering some few traces of the kind of impressions, accidental or designed, which I have described. I have not had early Teutonic pottery specially under observation, but Professor G. Baldwin Brown, who is an accomplished authority in that department, wrote me thus:—
“In the early Teutonic pottery, so far as I have examined it, the ornamental patterns are produced by drawing lines and furrows with some hard tool, such as a shaped point of wood or bone. It is very rarely that the furrows or circular depressions have the soft edges which would suggest the use of the finger, and I have never noticed the texture of the finger-tip impressed on the clay, though I have not looked specially for this with a glass. Ornaments are also commonly impressed with a wooden stamp on which some simple pattern has been cut. The only ornamental motive which seems to spring directly out of manipulation by the fingers is the projecting boss, characteristic of a certain class of Teutonic ware. The clay is forced out from within in the form of a knob or a flute, and the idea of such an ornamental treatment has probably arisen from the accidental projections produced in the exterior surface of the vase by the pressure of the fingers when the vase is being shaped from within. There is nothing in early Teutonic pottery like the coiled Pueblo pots, or other products where the pressure of the fingers on the exterior has generated the whole ornamental scheme.”
Antique references to finger-print patterns are not numerous. In the anatomical text-books of my student days, I cannot recall a single example of their having been noticed or figured, and no figure was printed in the usual plates of anatomy of my time. Malpighi, writing in 1686, tersely alludes to the ridges which, he says, form different patterns (diversas figuras describunt).
Both Sir William Herschel and myself have publicly called for evidence of the alleged use in the Far East of finger-prints being used for identification. During my residence in Japan I was intimate with the leading antiquarians, and was repeatedly assured that nothing was known by them of any such legal process. Mr. T. W. Rhys Davids, Secretary of the Royal Asiatic Society, of which I was formerly a member, wrote me in answer to an inquiry as to this point, on the 17th May, 1905:—
“Dear Sir,—I have heard of thumb marks being used in the East as sign-manuals, but I know no single case of thumb or finger marks being used for identification, and, pending further information, I do not believe they ever were so used in ancient times in any part of the East.”
Every now and again I receive letters telling me of some one who thinks he remembers some one saying that he saw, etc., etc. Now, surely, it would not be difficult if anyone were to find such evidence, to send a copy or photograph duly authenticated, and a date attested subsequent to the date of publication by Nature, in 1880, of the correspondence on this subject. A good deal has been written about Professor J. E. Purkenje (or Purkinje) in this connection. One enthusiastic fellow-countryman has mentioned with eulogy a purely imaginary course of lectures on Identification by Finger-Prints. Purkinje does not seem ever to have dreamed of putting them to such a use. In The Daily News of January 23rd, 1911, an interview is reported with Sir Edward Henry, who is made to state that Purkinje “wrote about the value of finger-prints for purposes of identification”; but on enquiry Sir Edward assured me he had not said anything beyond what was stated in his work on Finger-Prints, and in that work, of course, no such statement is hinted at as that Purkinje proposed to secure identification by finger-prints.
As a student I was fairly well acquainted with much of what that keen observer had written, and when I was lecturing to medical students in Japan on the Testimony of the Senses, I could not help noticing that while Purkinje had been busy with the fingers and with the special development in their sensitive tips of the organs of touch, no records had been preserved which mentioned his notice of the finger-furrows or the patterns made by them. I took much trouble in the matter, writing to eminent authorities and to