The Auction Block. Rex Beach

The Auction Block - Rex Beach


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my father thanks you; my family thanks you. Now where would you like to dine?"

      "How can a person get rid of you?" she inquired, stiffly.

      "I'm sure I don't know—it isn't being done. But I'll try to think. Wear your prettiest gown, won't you? for I intend to enrage all the other fellows."

      "This is an invitation, eh?"

      "The first of a nightly series. Life is opening out for you in a wonderful manner, Miss Knight. Don't refuse; my legs have petrified, and a gang of safe-movers couldn't budge me."

      She turned with a shrug of mingled annoyance and amusement, and he called after her:

      "The Judge's teeth will entertain me till you come. I'll be waiting."

      Miss Lynn, as she dressed after the performance, was still in an evil temper; but she thanked her room-mate for aiding her; then, as if some explanation were due, she added, "That note was from Jarvis."

      "You puzzle me, Lilas," Lorelei told her, slowly. "I don't think you care for him at all."

      Lilas laughed. "Why do you think that? I adore him, but we had an engagement and he broke it. Men are all selfish: the bigger they are the more selfish they become. They never do anything you don't make them."

      "He can't sacrifice his business for you."

      "Sacrifice! It's women who sacrifice themselves. D'you suppose any of those men we met last night would sacrifice himself for anything or anybody? Not much. They are the strong and the mighty. They got rich through robbery, and they're in the habit of taking whatever they want. They made their money out of the blood and suffering of thousands of poor people, so why—"

      "Poor people don't buy steel."

      "No; but they make it. I knew Mr. Wharton and the rest of them years ago, for I was born and raised in a furnace town. My father worked in a Bessemer plant—until he was killed. What I saw there made me an anarchist."

      Through the open window overlooking the alley came a sound of singing; two voices raised in doubtful harmony, one loud and strong, the other rasping, hoarse, and uncertain.

      Of all the girls that I adore,

       There's none so sweet as Sa-a-a-hall-ee.

      "Ouch! Who's that?" queried Lilas.

      "Bob Wharton and the Judge. Wharton's waiting to take me to supper."

      "Drunk, as usual, of course. Think of a fool like that with millions behind him—millions that his father wrung out of sweating, suffering foreigners like my father. He's squandering blood-money. That's what it is—blood-money."

      "You ARE bitter to-night. Is Mr. Hammon living on blood-money, too?"

      "Yes; he is."

      "Is that why you're planning to blackmail it out of him?"

      Lilas paused in her dressing and turned slowly, brows lifted. Her dark eyes met the blue ones unwaveringly.

      "Blackmail? What are you talking about?" Mrs. Croft went pale, and retired swiftly but noiselessly into the lavatory, closing the door behind her. "What did Max tell you over the 'phone?" asked Lilas, sharply.

      "Nothing."

      "Then where did you get—that? From Jim?"

      "Jim's pretty bad, I imagine, but he keeps his badness to himself. No.

       I've overheard you and Max talking."

      "Nonsense. We've never mentioned such a thing. The idea is absurd. I get mad at Jarvis—he's enough to madden anybody—perhaps I'm jealous, but blackmail! Why, you're out of your head."

      The girls had nearly finished dressing when a commotion sounded in the hall outside and Mrs. Croft, after investigation, reported that Robert Wharton had been forcibly expelled from a dressing-room. He could be heard gently apologizing and explaining that he was in quest of a Fairy Princess, whereupon Lorelei hastily locked her door.

      "That's the worst of these swells," observed Lilas, as she left. "They pay high and go anywhere they please. Bergman caters to them."

      Lorelei delayed her toilet purposely, and finally dismissed Croft; then she wrote a note to John Merkle, in care of his bank. By this time the cavernous regions at the rear of the theater were nearly deserted. She listened; but, hearing Wharton still in conversation with the watchman, she locked her door once more and sat down to wait. As she fingered the note a doubt formed in her mind—a doubt as to the advisability under any circumstances of leaving written evidence in another's hands. Finally she destroyed the missive, determining to make use of the telephone on the following day. As to just what to do after that she was undecided.

      When quiet had finally descended she opened her door cautiously and peered out. Robert Wharton sat on the top step of the stairway near at hand, but his head rested against the wall, and he slept. Beside him were his high hat, his gloves, and his stick. As Lorelei, with skirts carefully gathered, tiptoed past him she saw suspended upon his gleaming white shirt-bosom what at first glance resembled a foreign decoration of some sort, but proved to be Mr. Regan's false teeth. They were suspended by a ribbon that had once done duty in the costume of a coryphee; they rose and fell to the young man's gentle breathing.

      Lorelei carried out her intention of telephoning on the following day, and about the close of the show that night Merkle's card was brought up to her dressing-room. A moment later Robert Wharton's followed, together with a tremendous box of long-stemmed roses. She went down a trifle apprehensively, for by this time the current tales of Bob's drunken freaks had given her cause to think somewhat seriously, and she feared an unpleasant encounter. More than once she had witnessed quarrels in the alleyway behind the Circuit, where pestiferous youths of Wharton's caliber were frequent visitors.

      But Mr. Merkle relieved her mind by saying, "I sent Bob away on a pretext, although he swore you had an engagement with him."

      "I'm glad you did. I left him asleep outside my dressing-room last night, and I almost hoped he'd caught pneumonia."

      Beside the curb a heavy touring-car was purring, and into this Merkle helped his companion. "I'm not up on the etiquette of this sort of thing," he explained, "but I presume the proper procedure is supper. Where shall it be—Sherry's?"

      Lorelei laughed. "You ARE inexperienced. The Johns never eat on Fifth

       Avenue, the lights are too dim. But why supper? You can't eat."

      "A Welsh rarebit would be the death of me; lobsters are poison," he confessed; "but I've read that chorus-girls are carnivorous animals and seek their prey at midnight."

      "Most of them would prefer bread and milk; anyhow, I would. But I'm not hungry, so let's ride—we can talk better, and you're not the sort of man to be seen in public with one of Bergman's show-girls."

      The banker acquiesced with alacrity. To his driver he said, "Take the

       Long Island road."

      As the machine glided into noiseless motion Lorelei noted a limousine waiting near by, and saw a dim figure within. The dome-light had been turned off, and she could detect only a white shirt-front, the blurred outline of a face, and the glowing point of a cigar.

      "You can follow that man's example if you wish," said she, "and hide until we're away from the bright lights."

      Merkle answered shortly, "Your reputation may suffer, not mine." He leaned forward and inquired of the chauffeur, "Who's car is that?"

      "Mr. Hammon's, sir. He's going our way, so his man said."

      "I thought so. We'll have company."

      "Why do you choose the Long Island road?" asked Lorelei.

      "It's pleasant," responded Merkle. "I ride nearly every night, and I like the country. You see, I can't sleep unless I'm in motion. I get most of my rest in a car; there's something about the movement that soothes me."

      "How


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