Shakespeare's Christmas, and other stories. Arthur Quiller-Couch
dead, and suddenly, and (as you say) these two years come February, his sons must go suing to the ground landlord, the theatre being leased upon their dad's life. You follow me?"
The countryman nodded in his turn.
"Very well. The landlord, being a skinflint, was willing to renew the lease, but must raise the rent. If they refuse to pay it, the playhouse fell to him. You may fancy how the Burbages called gods and men to witness. Being acquainted with players, you must know how little they enjoy affliction until the whole town shares it. Never so rang Jerusalem with all the woes of Jeremy as did City and suburb—from north beyond Bishopsgate to south along the river, with the cursings of this landlord, who—to cap the humour of it—is a precisian, and never goes near a playhouse. Nevertheless, he patched up a truce for two years ending to-night, raising the rent a little, but not to the stretch of his demands. To-morrow—or, rather, the day after, since to-morrow is Christmas—the word is pay or quit. But in yielding this he yielded our friends the counterstroke. They have bought a plot across the water, in the Clink Liberty: and to-morrow, should he pass this way to church, no theatre will be here for him to smack his Puritan lips over. But for this hammering and the deep slush outside you might even now hear the rumbling of wagons; for wagons there be, a dozen of them, ready to cart the Muses over the bridge before midnight. 'Tis the proper vehicle of Thespis. See those dozen stout rascals lifting the proscenium——"
The countryman smote his great hands together, flung back his head, and let his lungs open in shout after shout of laughter.
"But, master——"
"Oh—oh—oh! Hold my sides, lad, or I start a rib. … Nay, if you keep st-staring at me with that s-sol-ol-ol-emn face. Don't—oh, don't!"
"Now I know," murmured the apprentice, "what kind of jest goes down in the country: and, by'r Lady, it goes deep!"
But an instant later the man had heaved himself upon his feet; his eyes expanded from their creases into great O's; his whole body towered and distended itself in gigantic indignation. "The villain! The nipcheese curmudgeonly villain! And we tarry here, talking, while such things are done in England! A Nabal, I say. Give me a hammer!" He heaved up an enormous thigh and bestrode the gallery-rail.
"Have a care, master: the rail——"
"A hammer! Below there. A hammer!" He leaned over, bellowing. The gang of workmen lifting the proscenium stared up open-mouthed into the foggy gloom—a ring of ghostly faces upturned in a luminous haze.
Already the man's legs dangled over the void. Twelve, fifteen feet perhaps, beneath him projected a lower gallery, empty but for three tiers of disordered benches. Plumb as a gannet he dropped, and an eloquent crash of timber reported his arrival below. The apprentice, craning over, saw him regain his feet, scramble over the second rail, and vanish. Followed an instant's silence, a dull thud, a cry from the workmen in the area. The apprentice ran for the gallery stairs and leapt down them, three steps at a time.
It took him, maybe, forty seconds to reach the area. There already, stripped to the shirt, in a whirl of dust and voices, stood his friend waving a hammer and shouting down the loudest. The man was possessed, transformed, a Boanerges; his hammer, a hammer of Thor! He had caught it from the hand of a douce, sober-looking man in a plum-coloured doublet, who stood watching but taking no active share in the work.
"By your leave, Sir!"
"With or without my leave, good Sir, since you are determined to have it," said the quiet man, surrendering the hammer.
The countryman snatched and thrust it between his knees while he stripped. Then, having spat on both hands, he grasped the hammer and tried its poise. "'Tis odd, now," said he, as if upon an afterthought, staring down on the quiet man, "but methinks I know your voice?"
"Marry and there's justice in that," the quiet man answered; "for 'tis the ghost of one you drowned erewhile."
III
"Tom! What, Tom! Where be the others? I tell thee, Tom, there have been doings. … "
"Is that Dick Burbage?" A frail, thin windle-straw of a man came coughing across the foggy courtyard with a stable-lantern, holding it high. Its rays wavered on his own face, which was young but extraordinarily haggard, and on the piles of timber between and over which he picked his way—timbers heaped pell-mell in the slush of the yard or stacked against the boundary wall, some daubed with paint, others gilded wholly or in part, and twinkling as the lantern swung. "Dick Burbage already? Has it miscarried, then?"
"Miscarried? What in the world was there to miscarry? I tell thee, Tom—but where be the others?"
The frail man jerked a thumb at the darkness behind his shoulder. "Hark to them, back yonder, stacking the beams! Where should they be? and what doing but at work like galley-slaves, by the pace you have kept us going? Look around. I tell you from the first 'twas busy-all to get the yard clear between the wagons' coming, and at the fifth load we gave it up. My shirt clings like a dish-clout; a chill on this will be the death o' me. What a plague! How many scoundrels did you hire, that they take a house to pieces and cart it across Thames faster than we can unload it?"
"That's the kernel of the story, lad. I hired the two-score rogues agreed on, neither more nor less: but one descended out of heaven and raised the number to twelve-score. Ten-score extra, as I am a sinner; and yet but one man, for I counted him. His name, he told me, was Legion."
"Dick," said the other sadly, "when a sober man gives way to drinking—I don't blame you: and your pocket will be the loser more than all the rest if you've boggled to-night's work; but poor Cuthbert will take it to heart."
"There was a man, I tell you——"
"Tut, tut, pull yourself together and run back across bridge. Or let me go: take my arm now, before the others see you. You shall tell me on the way what's wrong at Shoreditch."
"There is naught wrong with Shoreditch, forby that it has lost a theatre: and I am not drunk, Tom Nashe—no, not by one-tenth as drunk as I deserve to be, seeing that the house is down, every stick of it, and the bells scarce yet tolling midnight. 'Twas all this man, I tell you!"
"Down? The Theatre down? Oh, go back, Dick Burbage!"
"Level with the ground, I tell you—his site a habitation for the satyr. Cecidit, cecidit Babylon illa magna! and the last remains of it, more by token, following close on my heels in six wagons. Hist, then, my Thomas, my Didymus, my doubting one!—Canst not hear the rumble of their wheels? and—and—oh, good Lord!" Burbage caught his friend by the arm and leaned against him heavily. "He's there, and following!"
The wagons came rolling over the cobbles of the Clink along the roadway outside the high boundary-wall of the yard: and as they came, clear above their rumble and the slow clatter of hoofs a voice like a trumpet declaimed into the night—
"Above all ryvers thy Ryver hath renowne, Whose beryall streamys, pleasaunt and preclare, Under thy lusty wallys renneth downe, Where many a swan doth swymme with wyngis fair, Where many a barge doth sail and row with are——
We had done better—a murrain on their cobbles!—we had done better, lad, to step around by Paul's Wharf and take boat. … This jolting ill agrees with a man of my weight. …
Where many a barge doth sail aund row with are—
Gr-r-r! Did I not warn thee beware, master wagoner, of the kerbstones at the corners? We had done better by water, what though it be dark. … Lights of Bankside on the water … no such sight in Europe, they tell me. … My Lord of Surrey took boat one night from Westminster and fired into their windows with a stone-bow, breaking much glass … drove all the long-shore queans screaming into the streets in their night-rails. … He went to the Fleet for it … a Privy Council matter. … I forgive the lad, for my part: for only think of it—all those windows aflame on the river, and no such river in Europe!—
Where many a barge doth sail and row with are;
Where many a ship doth rest with top-royall.