The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends". Charles G. Harper
And long before he stamped and swore, and cut the Pope adrift;
There lived a portly Canon then, a sage and learned clerk;
He had, I trow, a goodly house, fast by that Entry dark.
"The Canon was a portly man—of Latin and of Greek,
And learned lore, he had good store,—yet health was on his cheek.
The Priory fare was scant and spare, the bread was made of rye,
The beer was weak, yet he was sleek—he had a merry eye.
"For though within the Priory the fare was scant and thin,
The Canon's house it stood without;—he kept good cheer within;
Unto the best he prest each guest, with free and jovial look,
And Ellen Bean ruled his cuisine.—He called her 'Nelly Cook.'"
It is not a very proper story that the King's Scholar unfolds; of how a "niece" of the Canon comes to stay with him, and arouses the jealousy of the good-looking cook, whose affections that "merry eye" of the Canon had captured. Nell Cook thereupon successfully poisons the Canon and the strange lady with "some nasty doctor's stuff," with which she flavours a pie destined for the Canonical table, and the two are found as the Scholar tells:
"The Canon's head lies on the bed,—his niece lies on the floor!
They are as dead as any nail that is in any door!"
Nell Cook, for her crime, says Tom Ingoldsby, adapting to his literary uses the legend long current in Canterbury, was buried alive beneath one of the great paving-stones of the "Dark Entry"; when, local history does not inform us:
But one thing's clear—that's all the year, on every Friday night,
Throughout that Entry dark doth roam Nell Cook's unquiet sprite.
And whoever meets Nell Cook is bound to die some untimeous death within the year! Certainly, the Dark Entry is not a place greatly frequented after nightfall, even nowadays—but that is perhaps less by reason of superstitious fears than because it leads to nowhere in particular.
CHAPTER IV
THE CATHEDRAL: THE MURDER OF BECKET
It is by the south porch that the Cathedral is entered. Let none suppose this to be the veritable Cathedral that Becket knew; that was replaced, piece by piece, in the succeeding centuries, all save the Norman transept where he met his fate. The nave, by whose lofty, aspiring perspective we advance, was built in 1380 upon the site of that of the twelfth century. According to the testimony of the time, it was in a ruinous condition. Conceive, if you can, the likelihood of one of those particularly massive Norman naves like those of Tewkesbury and Gloucester, which this resembled, becoming ruinous! The more probable truth of the matter is that the feeling of the time had grown inimical to those cavernous interiors of the older architects, and sought any excuse for tearing them down and building in their stead in the lightsome character of the Perpendicular period.
This nave, then, much later than Becket's era, leads somewhat unsympathetically to that most interesting spot in the whole Cathedral, the north transept. Here is the "Martyrdom," as that massive Norman cross-limb where Becket fell beneath the swords and axes of his murderers is still called. You look down into it from the steps leading into the choir and choir-aisles, as into a pit. Little changed, in the midst of all else that has been altered, this north transept alone remains very much as it was when he was slain, more than seven hundred years ago, and the sight of its stern, massive walls does much to bring back to those who behold them that fierce scene which, in the passage of all those years and the heaping of dull verbiage piled up by industrious Dryasdusts and beaters of the air, has been dulled and blunted.
Barham—our witty and mirthful Tom Ingoldsby—felt a keen personal interest in this scene, for was not his ancestor—as he conceived him to be—Reginald FitzUrse, the chief actor in that bloody scene of Becket's death? He is flippant, it must be allowed, in the reference he makes to the occurrence in the Ingoldsby Legends:
A fair Cathedral, too, the story goes,
And kings and heroes lie entombed within her;
There pious Saints in marble pomp repose,
Whose shrines are worn by knees of many a sinner;
There, too, full many an aldermanic nose
Roll'd its loud diapason after dinner;
And there stood high the holy sconce of Becket,
—Till four assassins came from France to crack it.
Historians have not yet agreed upon the character of Becket, and no final conclusion is ever likely to be arrived at upon the vexed question of who was right and who wrong in the long-drawn contention between King and Archbishop. It is easy to shirk the point and to decide that neither was right; but another and a more just resort is to declare, after due consideration, that in the attempted secular encroachments of the Crown, and in the resistance of the Archbishop to any interference with the prerogatives and jurisdiction of the Church and the clergy, both sides were impelled by the irresistible force of circumstances. Becket was of English origin, and the first of the downtrodden Saxon race who had won to such preferment since the Norman rule began. Thus, besides being bound to defend the Church, of which he had become the head, he was regarded by the people, who idolised him, as their champion against those ruling classes whose mailed tyranny crushed them to earth.
A prime difficulty in judging the character of Becket is the extraordinary change in his conduct after he had been induced to accept the Primacy, that goal and crown of the clerical career ardently desired by all, and attained by Becket in his forty-third year. Long the favourite of the King, and already, as Chancellor, at the height of power and magnificence, there was little advantage in this elevation to the throne of Saint Augustine, and he seemed singularly unfitted to fill it, for until that juncture he had been among the most worldly of men. As Chancellor, his magnificence had outshone that of the King, he himself was gay and debonnair, clothed in purple and fine linen, feasting royally, and with hundreds of knights in his train. Nothing that the world could give had he denied himself. He was not only impressed personally with his unfitness, but the monks of Canterbury themselves, in conclave, desired to elect one of their own choice. It was, therefore, against the desire of the Church and against his own better judgment, foreseeing as he did much of the trouble that was to come, that he was given the headship.
But once enthroned, his conduct changed. He dismissed his magnificent household, feasted no more, expended his substance in charity and himself in good works; became, indeed, and in very truth, that Right Reverend Father in God which the simulacra, the windbags, the ravening wolves, the emptinesses that for hundreds of years have occupied his place, are styled. The sinner saved must be prepared for misunderstandings—it is part of the cross and burden he has taken up. The scarlet sins of the unregenerate are remembered against the saint, and his saintliness becomes to his old boon companions a hypocritical farce. That is why Becket's contemporaries did not understand him; that, too, is why so many, dimly fumbling by the rush-light glimmer of their little sputtering intelligences, presently choked and dowsed in the dusty, cobwebby garrets of incredible accretions of lies, mistakes, perversions and general rag-bag of pitiful futilities, have been left wandering in infinite darkness, and content so to wander in estimating him.
It was the sinners whose poisonous tongues did, by dint of much persistence, estrange the King's affections from Becket within a year, and their innuendoes were remembered when a growing struggle over disputed privileges found the Archbishop immovably set upon what he regarded as his duty, and not at all prepared to favour the King. If Henry had supposed the Archbishop whom he had created would be in every sense his creature, he must have been furious at his gross mistake. The fury of the Norman kings was like the unrestrained paroxysms of a raving maniac, and opposition threw them into transports of rage, felt severely by