Arsene Lupin. Морис Леблан

Arsene Lupin - Морис Леблан


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a matter of fact, Lupin had moved away; and, though Ganimard was able to fire straight in front of him through the breach in the door, he could not fire, still less take aim, on the side where Lupin stood. Lupin's position was a terrible one for all that, because the outlet on which he was relying, the little door behind the triptych, opened right in front of Ganimard. To try to escape meant to expose himself to the detective's fire; and there were five bullets left in the revolver.

      "By Jove," he said, laughing, "there's a slump in my shares this afternoon! You've done a nice thing. Lupin, old fellow: you wanted a last sensation and you've gone a bit too far. You shouldn't have talked so much."

      He flattened himself against the wall. A further portion of the panel had given way under the men's pressure and Ganimard was less hampered in his movements. Three yards, no more, separated the two antagonists. But Lupin was protected by a glass case with a gilt- wood framework

      "Why don't you help, Beautrelet?" cried the old detective, gnashing his teeth with rage. "Why don't you shoot him, instead of staring at him like that?"

      Isidore, in fact, had not budged, had remained, till that moment, an eager, but passive spectator. He would have liked to fling himself into the contest with all his strength and to bring down the prey which he held at his mercy. He was prevented by some inexplicable sentiment.

      But Ganimard's appeal for assistance shook him. His hand closed on the butt of his revolver:

      "If I take part in it," he thought, "Lupin is lost. And I have the right—it's my duty."

      Their eyes met. Lupin's were calm, watchful, almost inquisitive, as though, in the awful danger that threatened him, he were interested only in the moral problem that held the young man in its clutches. Would Isidore decide to give the finishing stroke to the defeated enemy?

      The door cracked from top to bottom.

      "Help, Beautrelet, we've got him!" Ganimard bellowed.

      Isidore raised his revolver.

      What happened was so quick that he knew of it, so to speak, only by the result. He saw Lupin bob down and run along the wall, skimming the door right under the weapon which Ganimard was vainly brandishing; and he felt himself suddenly flung to the ground, picked up the next moment and lifted by an invincible force.

      Lupin held him in the air, like a living shield, behind which he hid himself.

      "Ten to one that I escape, Ganimard! Lupin, you see, has never quite exhausted his resources—"

      He had taken a couple of brisk steps backward to the triptych. Holding Beautrelet with one hand flat against his chest, with the other he cleared the passage and closed the little door behind them.

      A steep staircase appeared before their eyes.

      "Come along," said Lupin, pushing Beautrelet before him. "The land forces are beaten—let us turn our attention to the French fleet.— After Waterloo, Trafalgar.—You're having some fun for your money, eh, my lad?—Oh, how good: listen to them knocking at the triptych now!—It's too late, my children.—But hurry along, Beautrelet!"

      The staircase, dug out in the wall of the Needle, dug in its very crust, turned round and round the pyramid, encircling it like the spiral of a tobogganslide. Each hurrying the other, they clattered down the treads, taking two or three at a bound. Here and there, a ray of light trickled through a fissure; and Beautrelet carried away the vision of the fishing-smacks hovering a few dozen fathoms off, and of the black torpedo-boat.

      They went down and down, Isidore in silence, Lupin still bubbling over with merriment:

      "I should like to know what Ganimard is doing? Is he tumbling down the other staircases to bar the entrance to the tunnel against me? No, he's not such a fool as that. He must have left four men there— and four men are sufficient—" He stopped. "Listen—they're shouting up above. That's it, they've opened the window and are calling to their fleet.—Why, look, the men are busy on board the smacks— they're exchanging signals.—The torpedo-boat is moving.—Dear old torpedo-boat! I know you, you're from the Havre.—Guns' crews to the guns!—Hullo, there's the commander!—How are you, Duguay-Trouin?"

      He put his arm through a cleft and waved his handkerchief. Then he continued his way downstairs:

      "The enemy's fleet have set all sail," he said. "We shall be boarded before we know where we are. Heavens, what fun!"

      They heard the sound of voices below them. They were just then approaching the level of the sea and they emerged, almost at once, into a large cave into which two lanterns were moving about in the dark.

      A woman's figure appeared and threw itself on Lupin's neck:

      "Quick, quick, I was so nervous about you. What have you been doing?—But you're not alone!—"

      Lupin reassured her:

      "It's our friend Beautrelet.—Just think, Beautrelet had the tact— but I'll talk about that later—there's no time now.—Charolais are you there? That's right!—And the boat?"

      "The boat's ready, sir," Charolais replied,

      "Fire away," said Lupin.

      In a moment, the noise of a motor crackled and Beautrelet, whose eyes were gradually becoming used to the gloom, ended by perceiving that they were on a sort of quay, at the edge of the water, and that a boat was floating before them.

      "A motor boat," said Lupin, completing Beautrelet's observations. "This knocks you all of a heap, eh, Isidore, old chap?—You don't understand.—Still, you have only to think.—As the water before your eyes is no other than the water of the sea, which filters into this excavation each high tide, the result is that I have a safe little private roadstead all to myself."

      "But it's closed," Beautrelet protested. "No one can get in or out."

      "Yes, I can," said Lupin; "and I'm going to prove it to you."

      He began by handing Raymonde in. Then he came back to fetch Beautrelet. The lad hesitated.

      "Are you afraid?" asked Lupin.

      "What of?"

      "Of being sunk by the torpedo-boat."

      "No."

      "Then you're considering whether it's not your duty to stay with Ganimard, law and order, society and morality, instead of going off with Lupin, shame, infamy and disgrace."

      "Exactly."

      "Unfortunately, my boy, you have no choice. For the moment, they must believe the two of us dead—and leave me the peace to which a prospective honest man is entitled. Later on, when I have given you your liberty, you can talk as much as you please—I shall have nothing more to fear."

      By the way in which Lupin clutched his arm, Beautrelet felt that all resistance was useless. Besides, why resist? Had he not discovered and handed over the Hollow Needle? What did he care about the rest? Had he not the right to humor the irresistible sympathy with which, in spite of everything, this man inspired him?

      The feeling was so clear in him that he was half inclined to say to Lupin:

      "Look here, you're running another, a more serious danger; Holmlock Shears is on your track."

      "Come along!" said Lupin, before Isidore had made up his mind to speak.

      He obeyed and let Lupin lead him to the boat, the shape of which struck him as peculiar and its appearance quite unexpected.

      Once on deck, they went down a little steep staircase, or rather a ladder hooked on to a trap door, which closed above their heads. At the foot of the ladder, brightly lit by a lamp, was a very small saloon, where Raymonde was waiting for them and where the three had just room to sit down.

      Lupin took the mouthpiece of a speaking tube from a hook and gave the order:

      "Let her go, Charolais!"

      Isidore had the unpleasant sensation which one feels when going down in a lift: the sensation of the ground vanishing


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