Mr. Punch's History of Modern England (Vol. 1-4). Charles L. Graves

Mr. Punch's History of Modern England (Vol. 1-4) - Charles L. Graves


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authorities for discouraging the O.U.R.C.) can fairly claim to have been the inventor of camouflage on the strength of the following suggestions as to equipment. Under the heading of "Safety Uniforms" the reader finds:—

      In accordance with the practical suggestions of several distinguished military officers, and others, care has been taken to provide a great variety of patterns and uniforms, the colours of which, assimilating to every conceivable shade of surrounding objects, cause the wearer to present as indistinct a mark as possible to the enemy's aim. Besides the neutral greys corresponding to the mixed colours of the heath, and the brown mixture identical with the colour of the mud, samples have been manufactured of slate-colour and brick-dust red, calculated for house-top service amongst the chimney pots, of bright green with mother-of-pearl and gilt buttons intermingled, adapted for field fighting in case of an invasion occurring at the time of the daisies and buttercups, of straw colour for a harvest or stubble brigade, and of snowy white, which would be a suitable tint if we were to be attacked simultaneously by the foe and the frost. A splendid pattern has also been made of cloth of gold and silver, the dazzling effect of which under a glare of sunshine, in the midst of a Turneresque landscape, would be such as utterly to bewilder the aim of the most expert marksman. All these wonderful uniforms, warranted incapable of being hit, besides a regulation rifle guaranteed never to miss, to be had at Messrs. Punch and Co.'s, Army Clothiers, 85, Fleet Street, where every species of Gentlemanlike Dressing is supplied to those requiring a superior article and good cut.

       Death of "The Duke"

      The challenge to Cobden to declare himself soon gave place to direct attacks on the pacificists, and the death of the Duke of Wellington gave Punch a fresh text on which to expound the doctrine of preparation.

      RENDERING UP THE SWORD

      Our Arthur sleeps—our Arthur is not dead.

      Excalibar shall yet leap from the sheath,

      Should e'er invading foot this England tread—

      Upstirring, then, his marble tomb beneath.

      Our Wellington's undying fire shall burn

      Through all our veins—until the foeman say,

      "Behold, their Arthur doth to life return!"

      And awestruck from the onset shrink away.

      Moreover, Punch defends the martial pageantry at the Duke's funeral at this juncture on the ground that it served to show to "Continental despots and bigots with what enthusiasm we yet honour military heroism; that if we have abjured the life of strife, we have not renounced the spirit of valour."

His Lordship sitting on a keg of gunpowder.

      ABERDEEN SMOKING THE PIPE OF PEACE

Two news sellers talking.

      Itinerant Newsman, No. 1: "I say, Bill, what are you givin' 'em?"

      Ditto, No. 2: "Grand Massacre of the French, and Terrible Slaughter of the British Troops."

       Outbreak of War

      Throughout 1852 and 1853 there is a steady crescendo of hostility in the references to Cobden, Bright and the Quaker pacificists. In this, both pen and pencil are wielded with aim and purpose, as evidenced in the cartoon "No danger," and the verses in "Ephraim Smug." In the Russo-Turkish quarrel Punch's long and consistent distrust—to put it mildly—of the Tsar Nicholas was the governing factor which determined him to espouse the side of the Porte, inspired his cartoons "Turkey in Danger" and "Paws off, Bruin," and, most astonishing of all, reconciled him, though most reluctantly, to the alliance with his bête noire, the Emperor Napoleon III. For when war came in the spring of 1854 the predictions and misgivings of alarmists and prophets were falsified, and Great Britain was arrayed not against but on the side of France. In the interval dividing the outbreak of hostilities between Russia and Turkey from Great Britain's declaration of war on March 28, 1854, Punch threw all his weight into the balance with the War party in the Cabinet, and bitterly resented the alleged pro-Russian sympathies of Lord Aberdeen. These are hinted at in the cartoon in which the Prime Minister is shown with the British Lion saying "I must let him go," and are unmistakably indicated in the charges against Lord Aberdeen of blacking the Tsar's boots, and prosecuting the war in a dilatory and half-hearted way. The Manchester School and the "Pilgrimage to Russia" of the deputation from the Society of Friends to carry to the Tsar their protest against the war are severely handled. On the other hand belief in the righteousness of our cause did not blind Punch to the negligence and worse of those charged with the conduct of military operations and the equipment of our forces. He regrets the typical English attitude, in regard to preparations, that the whole thing was "rather a bore." The need of organized efficiency is preached in every number, and, above all, the debt of honour owed by the nation to the rank and file of our fighting men and to their dependents. Quite early in the war we find this excellent plea on behalf of "The girls they leave behind them":—

      It is to be hoped that "A Naval Officer," writing in The Times, will not vainly have called attention to the position in which the wives of soldiers will be placed by the departure of their husbands on foreign service for the defence of Europe and mankind against the enemy Nicholas. As to the soldier's pay, he half starves upon it himself, and after his semi-starvation there remains not the value of a crumb to be handed over to his wife and perhaps children. The girl—and, maybe, the little girls and boys—left by him have surely a claim superior to that of the mate and progeny of the lazy clown and the sottish and improvident mechanic. It is just that relief should be dealt out to them with no parochial hand, but with a palm a little wider open than that of the relieving officer, and in a spirit of consideration somewhat more kindly than the beadle's.

      The "Soldier's Dream" of the kind lady who came to visit his wife and children is an appeal to translate the vision into reality. And there were other grievances. The breakdown of the postal service to the seat of war and the injustice of making the recipients pay 2s. for each letter are shown up in "Dead Letters from the Baltic."

Angel and bird as nurses.

      WOUNDED SOLDIERS AND NIGHTINGALES

       Song of the Nightingale

      But this was a minor matter compared with the grievous scandal of the hospitals, disclosed by William Russell, the fearless correspondent of The Times, and ultimately remedied by the exertions of Sidney Herbert and, above all, of Florence Nightingale. This had moved the country deeply, and the indignation was not easily allayed. Florence Nightingale's services are repeatedly referred to. She was Punch's chief heroine in these years, from the day of her first mention and the publication of "The Nightingale's Song":—

      THE NIGHTINGALE'S SONG TO THE SICK SOLDIER

      Listen, soldier, to the tale of the tender Nightingale,

      'Tis a charm that soon will ease your wounds so cruel,

      Singing medicine for your pain, in a sympathizing strain,

      With a jug, jug, jug of lemonade or gruel.

      Singing bandages and lint, salve and cerate without stint,

      Singing plenty both of liniment and lotion,

      And your mixtures pushed about, and the pills for you served out,

      With alacrity and promptitude of motion.

      Singing light and gentle hands, and a nurse who understands

      How to manage every sort of application,

      From a poultice to a leech; whom you haven't got to teach

      The way to make a poppy fomentation.

      Singing pillows for you smoothed, smart and ache and anguish soothed,

      By the readiness of feminine invention;


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