Mr. Punch's History of Modern England (Vol. 1-4). Charles L. Graves
Still suspicion was not wholly appeased, and Punch's references to the Prince during the Crimean War were none too friendly. In 1855 he is credited with the intention of heroically resigning his Field Marshal's bâton and pay, as a "noble beginning of Military Reform," in response to the public cry for the dismissal of "incompetent nobility." And at the end of the year his desire to go to the Crimea is made the subject of ironic remonstrance. As a matter of fact, the reader of to-day must be told, the intention and the desire were both inventions of Punch, who was playing his favourite game of attributing to exalted personages resolves and actions which they never contemplated, but which he wanted them to make or take, and which if they had taken, he would probably have criticized as unnecessary and injudicious. Even more malicious was the picture of Punch regarding a portrait of the Prince, exhibited in the Academy of 1857, in Field Marshal's uniform, and saying to himself, "What sanguinary engagement can it be?" Punch cannot be acquitted of treating the Prince Consort—as he only now began to be generally called—with less than justice in view of the difficult and delicate position he occupied. The impression was given that the Prince wanted to meddle in the conduct of the War, and that it was necessary to prevent him from making himself a nuisance by going to the front. And mixed with this was the impression, which these cartoons and comments prompted, that the Prince was making a request which he knew would be refused; that, in short, he was at once vain-glorious, insincere, and self-protective. It was not the first time Punch had been unjust to the Prince: he had failed to recognize him as a powerful ally in the campaign against duelling in 1843. In the main, however, it may be urged that ridicule gave place to criticism in the latter years of the Prince's life; but the revulsion of feeling in Punch—and the public—did not set in until after his death. Like Peel, the Prince Consort had to die before his services to the country were recognized.
THE GRASSHOPPERS' FEAST: A PROPHETIC VISION.
Queen Butterfly received by Lord Grasshopper—Monday, October 28, 1844.
As the Prince Consort was, often without just grounds, the chief cause of the unpopularity of the Court and the favourite target of satire, we have given him priority in this survey. But, quite apart from the influence which he exerted, or was supposed to exert, upon her, the Queen was by no means exempt from direct censure, remonstrance, and exceedingly frank criticism. In one respect, however, the Queen was treated with invariable consideration. Even in his most democratic days Punch never caricatured the Sovereign. The portraits of the Queen are always pleasant, even flattering. Witness the delightful picture of her visit to the City in 1844. Though Punch's pen was sharp his pencil was kind, though at times extremely familiar, as in the prophetic cartoon published under the heading, "A Royal Nursery Rhyme for 186014":—
There was a Royal Lady who lived in a shoe,
She had so many children she didn't know what to do.
As early as the Christmas number of 1842 Punch had given "the arrangements for the next ten years of the Royal family," with the names and titles of eleven princes and princesses! In the spring of 1843 he comments, with mock sympathy, on the Queen's liability to income tax. More serious is the charge, brought in his favourite oblique fashion, against the Queen for the neglect of her duties.—
TREASONOUS ATTACK ON HER MAJESTY
Punch has been greatly shocked by a very treasonable letter in the columns of The Times. Whether Punch's friend, the Attorney General, has had the epistle handed over to him, and contemplates immediate proceedings against "C. H.," the traitorous writer, Punch knows not; but after this information, the distinguished law-officer cannot plead ignorance of the evil, as an apology for future supineness. The letter purports to be a remonstrance to our sovereign lady, the Queen; in a measure, accusing Her Gracious Majesty of a certain degree of indifference towards the interests of London trade, of literature, the arts and sciences. The rebel writes as follows:—
"Buckingham Palace is neither so agreeable nor salubrious a residence as Windsor, but neither is the crown so pleasant to wear as a bonnet. I trust it is not necessary to remind Queen Victoria that royalty, like property, has its duties as well as its rights. One of these duties is to reside in the metropolis of the kingdom, the presence of the sovereign in the capital being essential on many occasions. I could enumerate other duties of the sovereign, such, for instance, as conferring fashion on public entertainments that deserve to be encouraged by attending such places of amusement, and countenancing science, literature and the arts, by honouring distinguished professors with marks of approbation; in which respect it is much to be regretted there is too much room for those remarks on the remissness of Her Majesty in these respects that are so frequently made in society. When we know how much discontent, engendered by widely spread and deeply-felt distress is expressed by persons not to be numbered among 'the lower classes,' it is not without alarm that the influence of these acts of omission on the part of Queen Victoria can be regarded; and it becomes the duty of every friend of the monarchy and the constitution to warn the Sovereign of the danger, not merely to her personal popularity, but to the feeling of loyalty to the throne, that is likely to accrue from such neglect."
In these years, and for a good many years to come, Punch hunted in couples with The Times.
Neglect of Native Talent
The neglect of native talent and the encouragement of foreign artists, musicians, men of letters, is harped upon in number after number for year after year. Here again the method is sometimes direct, sometimes oblique, as in the fictitious list of people invited to the Court: Dickens, Hood, Mrs. Somerville, and Maria Edgeworth. Another opportunity was when it was announced that the Danish Royal family had attended the funeral of Thorwaldsen in deep mourning, Punch exclaims, "imagine for a moment English Royalty in deep mourning for departed genius!" The often-repeated visits of "General Tom Thumb" to Court in 1844 made him very angry. At the second "command" performance the General "personated Napoleon amid great mirth, and this was followed by a representation of Grecian statues, after which he danced a nautical hornpipe, and sang several of his favourite songs" in the presence, as Punch notes, of the Queen of the Belgians, daughter of Louis Philippe. But Punch had his revenge on this curious and deep-rooted interest of Royalty in dwarfs—Queen Isabella of Spain had one permanently attached to her staff—by indulging in a delightful speculation on the happy results that would have ensued if George IV, like General Tom Thumb, had stopped growing at the age of five months:—
How much we should have been spared had George IV only weighed 15 lbs. and stopped at 25 inches! How much would have been saved merely in tailors' bills, and how many pavilions for his dwarf majesty might have been built at a hundredth part of the cost that was swallowed by the royal folly at Brighton!
The Georges, it may be remarked, were no favourites of Punch, nor was this to be wondered at when one recalls their treatment at the hands of Thackeray, the least democratic member of the staff. Punch considered that Brummell was a better man than his "fat friend," and consigned the latter to infamy in the following caustic epitaph, one of a series on the Four Georges:—
GEORGIUS ULTIMUS
He left an example for age and for youth
To avoid.
He never acted well by Man or Woman,
And was as false to his Mistress as to his Wife.
He deserted his Friends and his Principles.
He was so ignorant that he could scarcely spell;
But he had some skill in cutting out Coats,
And an undeniable Taste for Cookery.
He built the Palaces of Brighton and of Buckingham,
And for these Qualities and Proofs of Genius,
An admiring Aristocracy
Christened him the "First Gentleman in Europe."