A Companion to Australian Art. Группа авторов
2006b. “The Indigenous Art of Australia.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 155–160. Melbourne: Miegunyah Press. Originally published in Art in Australia 11 (March 1925): 32–45).
76 Proctor, Thea. 2006. “Design.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 160–162. Melbourne: Miegunyah Press. Originally published in “Miss Thea Proctor’s talk to the Students” Undergrowth (Sep–Oct 1926).
77 Pullin, Ruth. 2011. Eugene Von Guérard: Nature Revealed. Melbourne: National Gallery of Victoria.
78 Radford, Ron. 2001. Our Country: Australian Federation Landscapes 1900–1914. Adelaide: Art Gallery of South Australia.
79 Sayers, Andrew. 1994. Aboriginal Artists of the Nineteenth Century. Melbourne: Oxford University Press in association with the National Gallery of Australia.
80 Sayers, Andrew. 2001. Australian Art. Oxford and New York: Oxford University Press.
81 Sayers, Andrew. 2011. “Curators and Australian Art History: A Personal View.” Journal of Art Historiography 4: 1–10. Accessed January 29, 2015. https://arthistoriography.files.wordpress.com/2011/05/sayers-3.pdf.
82 Smith, Bernard. 1960. European Vision and the South Pacific, 1768–1850: A Study in the History of Art and Ideas. Oxford: Clarendon Press.
83 Smith, Bernard. 1962. Australian Painting: 1788–1960. London: Oxford University Press.
84 Smith, Bernard. 1971. Australian Painting: 1788–1970. 2nd. Melbourne: Oxford University Press.
85 Smith, Bernard, ed. 1975. Documents on Art and Taste in Australia: The Colonial Period, 1770–1914. Melbourne: Oxford University Press.
86 Smith, Bernard. 1979. Place, Taste and Tradition: A Study of Australian Art since 1788. 2nd. rev. Melbourne: Oxford University Press.
87 Smith, Bernard. 2006. “Extracts from Australian Painting Today. ” In Modernism & Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 713–732. Melbourne: Miegunyah Press. Originally published in Australian Painting Today (St Lucia, Qld.: University of Queensland Press, 1962).
88 Smith, Bernard, Charles Blackman, Arthur Boyd, David Boyd, John Brack, Bob Dickerson, John Perceval, and Clifton Pugh. 2006. “The Antipodean Manifesto.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 694–697. Melbourne: Miegunyah Press. Originally published in Victorian Artists’ Society Gallery, Antipodeans: 4th–15th Aug 1959 (1959).
89 Smith, Bernard and Terry Smith. 1991. Australian Painting: 1788–1990. Melbourne: Oxford University Press.
90 Smith, Bernard, Terry Smith, and Christopher Heathcote. 2001. Australian Painting: 1788–2000. South Melbourne: Oxford University Press.
91 Smith, James. 1975. “Mr. Von Guerard’s New Picture on his View of the Grampians in the Western district of the Colony.” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 162-163. Melbourne: Oxford University Press. Originally published in the Argus (1870).
92 Smith, Terry. 2002a. Transformations in Australian Art, Volume One: The Nineteenth Century – Landscape, Colony and Nation. St Leonards, Sydney: Craftsman House.
93 Smith, Terry. 2002b. Transformations in Australian Art, Volume Two: The Twentieth Century – Modernism and Aboriginality. St Leonards, Sydney: Craftsman House.
94 Smith, Terry. 2011a. “Inside Out, Outside In: Changing Perspectives in Australian Art Historiography.” Journal of Art Historiography 4: 1–13. Accessed January 29, 2015. https://arthistoriography.wordpress.com/number-4-june-2011.
95 Smith, Terry. 2011b. Contemporary Art: World Currents. London: Laurence King Publishing.
96 Smith, Terry. 2011c. “Writing the History of Australian Art: Its Past, Present and Possible Future.” Journal of Art Historiography 4: 1–25. Originally published in Australian Journal of Art 3 (1983):10-29. Accessed January 29, 2015. https://arthistoriography.files.wordpress.com/2011/05/smith-writing-the-history.pdf.
97 Smith, Terry. 2011d. “The Provincialism Problem.” Journal of Art Historiography 4: 1–14. Originally published in Artforum XIII, 1 (1974): 54–59. Accessed January 29, 2015. https://arthistoriography.files.wordpress.com/2011/05/smith-provincialism-problem-1974.pdf.
98 Spate, Virginia. 1980. “The Sunny South: Australian Impressionism.” in World Impressionism: The International Movement, 1860-1920, edited by Norma Broude, 114–135. New York: H.N. Abrams.
99 Stephen, Ann, Andrew McNamara, and Philip Goad, eds. 2006. Modernism and Australia: Documents on Art, Design and Architecture. Carlton, Vic.: Miegunyah Press.
100 Taylor, Paul, ed. 1984a. Anything Goes: Art in Australia 1970–1980. Melbourne: Art & Text.
101 Taylor, Paul. 1984b. “Australian New Wave and the “Second Degree.” In Anything Goes: Art in Australia 1970-1980, edited by Paul Taylor, 158–167. Melbourne: Art & Text. Originally published in Art & Text (1981).
102 Thomas, Daniel. 2011. “Aboriginal Art: Who Was Interested?” Journal of Art Historiography 4: 1–10. Originally published in New Visions: Histories of Art in Australia. (Melbourne: National Gallery of Victoria, 2006). Accessed January 29, 2015. https://arthistoriography.files.wordpress.com/2011/05/daniel-thomas-document.pdf.
103 Tucker, Albert. 2006. “Art, Myth and Society.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 427–435. Melbourne: Miegunyah Press. Originally published in Angry Penguins 4 (1943): 49–54.
104 Tuckson, Tony. 2006. “Aboriginal Art and the Western World.” In Modernism and Australia: Documents on Art, Design and Architecture, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 744–757. Carlton, Vic.: Miegunyah Press. Originally published in Ronald Berndt, ed. Australian Aboriginal Art (Sydney: Ure Smith, 1964).
105 Ure Smith, Sydney, ed. 1941. Art of Australia: 1788–1941. New York: MoMA.
106 Vaughan, Gerard. 2007. “Some Reflections on Defining Australian Impressionism.” In Australian Impressionism, edited by Terrence Lane, 16-19. Melbourne: National Gallery of Victoria.
107 Wakelin, Roland. 2006. “The Modern Art Movement in Australia.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 75–77. Melbourne: Miegunyah Press. Originally published in Art in Australia 26 (December 1928): n.p.
Further Reading
1 Arthur, Paul Longley. 1999. “Fantasies of the Antipodes.” In Imagining Australian Space: Cultural Studies and Spatial Inquiry, edited by Ruth Barcan, and Ian Buchanan, 37–46. Nedlands, WA: University of Western Australia Press.
2 Barcan, Ruth and Ian Buchanan, eds. 1999. Imagining Australian Space: Cultural Studies and Spatial Inquiry. Nedlands, WA: University of Western Australia Press.
3 Barton, George. 1889. Historical Records of New South Wales. Sydney: Charles Potter.
4 Batty, Philip. 1997. “Saluting the Dot-Spangled Banner: Aboriginal Culture, National Identity and the Australian Republic.” Artlink 17, 3: 26–29.
5 Benjamin, Roger.