The Blood of the Arena. Vicente Blasco Ibanez

The Blood of the Arena - Vicente Blasco Ibanez


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have an idol; they had made the young Gallardo the matador of their choice, and they gave him sage counsel, frequently recalling their old-time adoration for Lagartijo or Frascuelo.

      In addressing Gallardo they called him thou, with gracious familiarity, while he put don before their names with the traditional class distinction that still exists between the bull-fighter risen from the social subsoil and his admirers. These men linked their enthusiasm with memories of the past to make the young matador feel their superiority of years and experience. They talked of the old plaza of Madrid where only bulls that were bulls and bull-fighters that were bull-fighters were recognized. Coming down to the present, they trembled with emotion on mentioning the Negro, Frascuelo.

      "If thou hadst seen him! But thou and those of thy time were at the breast then, or were not even born."

      Other enthusiasts began entering the dining-room, poorly clad and hungry-looking; obscure newspaper reporters; and men of problematical profession who appeared as soon as the news of Gallardo's arrival was circulated, besieging him with praises and petitions for tickets. Common enthusiasm jostled them against great merchants or public functionaries, who discussed bull-fighting affairs with them warmly, regardless of their beggarly aspect.

      All, on seeing the swordsman, embraced him or shook his hand with an accompaniment of questions and exclamations.

      "Juanillo—how goes it with Carmen?"

      "Well, thanks."

      "And how is your mother, Señora Angustias?"

      "Fine, thanks. She's at La Rincona'."

      "And your sister and your little nephews?"

      "As usual, thanks."

      "And that good-for-nothing brother-in-law of yours, how is he?"

      "He's all right—as much of a gabbler as ever."

      "Are there any additions to the family? Any expectations?"

      "No—not even that."

      He made a fingernail crackle between his teeth with a strong negative expression and then began returning the questions to the new arrivals, of whose life he knew nothing beyond their inclination for the art of bull-fighting.

      "And how is your family—all right? Well, glad to hear it. Sit down and have something."

      Then he inquired about the condition of the bulls that were to be fought within a few hours, for all these friends had come from the plaza and from seeing the separation and penning in of the animals; and, with professional curiosity, he asked news of the Café Inglés, a favorite gathering place of bull-fight fans.

      It was the first bull-fight of the spring season, and Gallardo's enthusiasts showed great hopes, remembering the glowing accounts in the newspapers of his recent triumphs in other towns of Spain. He was the bull-fighter who had the most contracts. Since the Easter corrida in Seville (the first important one of the taurine year) Gallardo had gone from plaza to plaza killing bulls.

      When August and September came, he would have to spend his nights on the train and his afternoons in the rings, without time to rest. His agent at Seville was almost crazy, so besieged was he by letters and telegrams, not knowing how to harmonize so many petitions for contracts with the exigencies of time. The afternoon before he had fought at Ciudad Real and, still dressed in his spangled costume, he had boarded the train to reach Madrid by morning. He had spent a wakeful night, only napping occasionally, crouched in the portion of a seat left him by the other passengers who crowded close together to give some chance for rest to this man who was to expose his life on the morrow, and was to afford them the joy of a tragic emotion without danger to themselves.

      The enthusiasts admired his physical endurance, and the rash daring with which he threw himself upon the bulls at the moment of killing.

      "We will see what thou art going to do this afternoon," they said with the fervor of true believers. "The devotees expect a great deal of thee. Thou wilt win many favors, surely. We shall see if thou dost as well as at Seville."

      His admirers now began to disperse to go home to breakfast so as to be able to reach the bull-fight at an early hour. Gallardo, finding himself alone, was preparing to retire to his room, impelled by the nervous restlessness that dominated him. A man, leading two children by the hand, passed through the doorway of the dining-room, paying no attention to the questions of the servants. He smiled seraphically on seeing the bull-fighter, and advanced, dragging the little boys, his eyes glued upon him, taking no thought as to his feet. Gallardo recognized him.

      "How are you, Godfather?"

      And then followed the customary questions regarding the health of the family. The man turned to his sons, saying gravely:

      "There he is! Are ye not continually asking me about him? Just like he is in the pictures."

      The two little fellows reverently contemplated the hero whom they had so often seen in the prints that adorned the rooms of their poor home; he seemed to them a supernatural being whose heroic deeds and riches were their greatest marvel as they began to take notice of the things of this world.

      "Juanillo, kiss thy godfather's hand."

      The smaller of the two boys dashed his red face, freshly scrubbed by his mother in preparation for this visit, against the swordsman's right hand. Gallardo patted his head absent-mindedly. It was one of the many god-children he had throughout Spain. His enthusiastic friends obliged him to be godfather in baptism to their children, believing thus to assure them a future.

      To exhibit himself at baptism after baptism was one of the consequences of his glory. This godchild recalled to his memory the hard times when he was at the beginning of his career, and he felt a certain gratitude to the father for the faith he had shown in him in spite of the lack of it in every one else.

      "And how is business, compadre?" asked Gallardo. "Are things going better?"

      The aficionado made a wry face. He was living, thanks to his commissions in the barley market, barely living, no more. Gallardo looked compassionately at his mean dress—a poor man's Sunday best.

      "You want to see the bull-fight, don't you, compadre? Go up to my room and let Garabato give you a ticket. Good-bye, my good fellow. Here, take this to buy yourselves something."

      As his godson kissed his right hand again, the bull-fighter handed the boys a couple of duros with his left. The father dragged away his offspring with expressions of gratitude, not making it clear in his confusion whether his enthusiasm were for the gift to the children or for the ticket for the corrida which the swordsman's servant was about to give him.

      Gallardo allowed a few moments to elapse, so that he would not meet the enthusiast and his children again in his room. Then he looked at his watch. One o'clock! How long it was yet before the hour for the bull-fight!

      As Gallardo walked out of the dining-room and started toward the stairway a crowd of curiosity-seekers and starvelings hanging around the street door, attracted by the presence of the bull-fighter, rushed in. Pushing the servants aside, an irruption of beggars, vagabonds, and newsboys filed into the vestibule.

      The imps with their bundles of papers under one arm took off their caps, cheering with lusty familiarity.

      "Gallardo! Hurrah for Gallardo!"

      The most audacious among them grasped his hand and pressed it firmly and shook it in all directions, anxious to prolong as much as possible this contact with the great man of the people whose picture they had seen in the newspapers. Then they rudely invited their companions to participate in this glory.

      "Shake hands with him! He won't get mad. Why, he's all right."

      They almost knelt before the bull-fighter, so great was their respect for him. Other curious ones, with unkempt beards, dressed in old clothes that had once been elegant, moved about the idol in their worn shoes and held their grimy hats out to him, talking to him in low tones, calling him Don Juan to differentiate themselves from the enthusiastic and irreverent mob.


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