The Romance of the Forest. Анна Радклиф

The Romance of the Forest - Анна Радклиф


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but they were soon dismissed, and considerations more interesting to his welfare took place: he congratulated himself that he had now found a spot where he was not likely to be either discovered or disturbed; yet it could not escape him that there was a strange coincidence between one part of Peter's narrative, and the condition of the chambers that opened from the tower above stairs. The remains of furniture, of which the other apartments were void – the solitary bed – the number and connexion of the rooms, were circumstances that united to confirm his opinion. This, however, he concealed in his own breast, for he already perceived that Peter's account had not assisted in reconciling his family to the necessity of dwelling at the abbey.

      But they had only to submit in silence, and whatever disagreeable apprehension might intrude upon them, they now appeared willing to suppress the expression of it. Peter, indeed, was exempt from any evil of this kind; he knew no fear, and his mind was now wholly occupied with his approaching business. Madame La Motte, with a placid kind of despair, endeavoured to reconcile herself to that which no effort of understanding could teach her to avoid, and which an indulgence in lamentation could only make more intolerable. Indeed, though a sense of the immediate inconveniences to be endured at the abbey had made her oppose the scheme of living there, she did not really know how their situation could be improved by removal: yet her thoughts often wandered towards Paris, and reflected the retrospect of past times, with the images of weeping friends left, perhaps, for ever. The affectionate endearments of her only son, whom, from the danger of his situation, and the obscurity of hers, she might reasonably fear never to see again, arose upon her memory and overcame her fortitude. Why – why was I reserved for this hour? would she say, and what will be my years to come?

      Adeline had no retrospect of past delight to give emphasis to present calamity – no weeping friends – no dear regretted objects to point the edge of sorrow, and throw a sickly hue upon her future prospects: she knew not yet the pangs of disappointed hope, or the acuter sting of self-accusation; she had no misery but what patience could assuage, or fortitude overcome.

      At the dawn of the following day Peter arose to his labour: he proceeded with alacrity, and in a few days two of the lower apartments were so much altered for the better that La Motte began to exult, and his family to perceive that their situation would not be so miserable as they had imagined. The furniture Peter had already brought was disposed in these rooms, one of which was the vaulted apartment. Madame La Motte furnished this as a sitting-room, preferring it for its large Gothic window, that descended almost to the floor, admitting a prospect of the lawn, and the picturesque scenery of the surrounding woods.

      Peter having returned to Auboine for a further supply, all the lower apartments were in a few weeks not only habitable, but comfortable. These, however, being insufficient for the accommodation of the family, a room above stairs was prepared for Adeline: it was the chamber that opened immediately from the tower, and she preferred it to those beyond, because it was less distant from the family, and the windows fronting an avenue of the forest afforded a more extensive prospect. The tapestry, that was decayed, and hung loosely from the walls, was now nailed up, and made to look less desolate; and though the room had still a solemn aspect, from its spaciousness and the narrowness of the windows, it was not uncomfortable.

      The first night that Adeline retired hither, she slept little: the solitary air of the place affected her spirits; the more so, perhaps, because she had, with friendly consideration, endeavoured to support them in the presence of Madame La Motte. She remembered the narrative of Peter, several circumstances of which had impressed her imagination in spite of her reason, and she found it difficult wholly to subdue apprehension. At one time, terror so strongly seized her mind, that she had even opened the door with an intention of calling Madame La Motte; but, listening for a moment on the stairs of the tower, every thing seemed still: at length, she heard the voice of La Motte speaking cheerfully, and the absurdity of her fears struck her forcibly; she blushed that she had for a moment submitted to them, and returned to her chamber wondering at herself.

      Chapter III

      Are not these woods

      More free from peril than the envious court?

      Here feel we but the penalty of Adam,

      The season's difference, as the icy fang

      And churlish chiding of the winter's wind.

SHAKSPEARE.

      La Motte arranged his little plan of living. His mornings were usually spent in shooting or fishing, and the dinner, thus provided by his industry, he relished with a keener appetite than had ever attended him at the luxurious tables of Paris. The afternoons he passed with his family: sometimes he would select a book from the few he had brought with him, and endeavoured to fix his attention to the words his lips repeated: – but his mind suffered little abstraction from its own cares, and the sentiment he pronounced left no trace behind it. Sometimes he conversed, but oftener sat in gloomy silence, musing upon the past, or anticipating the future.

      At these moments, Adeline, with a sweetness almost irresistible, endeavoured to enliven his spirits, and to withdraw him from himself. Seldom she succeeded; but when she did, the grateful looks of Madame La Motte, and the benevolent feelings of her own bosom, realized the cheerfulness she had at first only assumed. Adeline's mind had the happy art, or, perhaps, it were more just to say, the happy nature, of accommodating itself to her situation. Her present condition, though forlorn, was not devoid of comfort, and this comfort was confirmed by her virtues. So much she won upon the affections of her protectors, that Madame La Motte loved her as her child, and La Motte himself, though a man little susceptible of tenderness, could not be insensible to her solicitudes. Whenever he relaxed from the sullenness of misery, it was at the influence of Adeline.

      Peter regularly brought a weekly supply of provisions from Auboine, and, on those occasions, always quitted the town by a route contrary to that leading to the abbey. Several weeks having passed without molestation, La Motte dismissed all apprehension of pursuit, and at length became tolerably reconciled to the complexion of his circumstances.

      As habit and effort strengthened the fortitude of Madame La Motte, the features of misfortune appeared to soften. The forest, which at first seemed to her a frightful solitude, had lost its terrific aspect; and that edifice, whose half demolished walls and gloomy desolation had struck her mind with the force of melancholy and dismay, was now beheld as a domestic asylum, and a safe refuge from the storms of power.

      She was a sensible and highly accomplished woman, and it became her chief delight to form the rising graces of Adeline, who had, as has been already shown, a sweetness of disposition, which made her quick to repay instruction with improvement, and indulgence with love. Never was Adeline so pleased as when she anticipated her wishes, and never so diligent as when she was employed in her business. The little affairs of the household she overlooked and managed with such admirable exactness, that Madame La Motte had neither anxiety nor care concerning them. And Adeline formed for herself in this barren situation, many amusements that occasionally banished the remembrance of her misfortunes. La Motte's books were her chief consolation. With one of these she would frequently ramble into the forest, where the river, winding through a glade, diffused coolness, and with its murmuring accents invited repose: there she would seat herself, and, resigned to the illusions of the page, pass many hours in oblivion of sorrow.

      Here too, when her mind was tranquillized by the surrounding scenery, she wooed the gentle muse, and indulged in ideal happiness. The delight of these moments she commemorated in the following address:

TO THE VISIONS OF FANCY

      Dear, wild illusions of creative mind!

      Whose varying hues arise to Fancy's art,

      And by her magic force are swift combined

      In forms that please, and scenes that touch the heart:

      Oh! whether at her voice ye soft assume

      The pensive grace of sorrow drooping low;

      Or rise sublime on terror's lofty plume,

      And shake the soul with wildly thrilling woe;

      Or, sweetly bright, your gayer tints ye spread,

      Bid scenes of pleasures steal upon my


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