Portia; Or, By Passions Rocked. Duchess
old is she?" asks Portia – "this little beauty you speak of – this harmony in blue and gold?"
"Five, I think. She is not in the least like her mother, who goes in for æsthetics, with a face like a French doll, and who will love you forever, if you will only tell a lie, and say you think she resembles Ellen Terry."
"With a soul given entirely to French bonnets and Louis Quinze shoes, she would be thought ultra-mundane," says Sir Mark, who is trying to make Dulce's little toy terrier, Gilly, stand on his hind legs, in search of cake.
"My goodness! what a long word," says Dicky Browne, who is now eating bread and butter, because he has finished the cake. "Does it mean anything edible? Because if so, I don't quite follow you; no one could masticate Julia!"
"I hope she will be in a good temper when she comes," says Roger. "Last time she terrified us all into fits."
"If the children have behaved nicely in the train, and if anyone has taken any notice of her, she will be charming," says Dulce, moodily. "If not, she will be – the other thing."
"And the other thing isn't nice," puts in Dicky, in his pleasantest tone.
"Then what shall we do with her just at first?" says Miss Blount, who is evidently in fear of breakers ahead.
"Look here," says Mr. Browne, who couldn't hold his tongue to save his life, "I'll tell you the first thing to say to any fellow who arrives at your house. Don't go worrying him about the health of his sister, and his cousins, and his aunts, but just ask him if he will have a B. and S. He will, you know – and – and there you are. He won't forget it to you afterwards."
Sir Mark laughs. Portia unfurls her fan, and smiles faintly behind it.
"Julia isn't a fellow, and I'm sure she wouldn't like brandy," says Dulce, who is feeling a little hopeless as she contemplates the coming of this new guest.
"The more fool she," says Dicky. "Try Madeira, then. She has a tenderness for Madeira; and tell her her hat is lovely. That'll fetch her."
"Come and sit here, Dicky," says Portia, motioning to the footstool near her. "Your advice is not to be surpassed."
"It's not so bad," says Mr. Browne, comfortably settling himself on the cushion at her feet, just as Fabian enters the room; "but I'm sorry she won't entertain the brandy idea. That never fails. It's friendly, homely, you know, and that."
"Dicky says if you drink rum and new milk every morning before breakfast, you will live forever," says Dulce, thoughtfully.
"What a miserable idea," says Fabian, in his usual soft voice, that has yet something stern about it. "It suggests the Wandering Jew, and other horrors. Who would live forever?"
"I would," says Dicky, with a sentimental glance at Portia, "if I might only remain here."
"Get up, Dicky, and don't make an ass of yourself," says Sir Mark, a little sharply for him, considering his natural laziness, and his tendency to let all things slide. As a rule he makes indolence his god, and sacrifices everything to it. Now, some superior influence compels him to make this speech, and to regard Dicky with a glance that bespeaks disfavor. Fabian is standing somewhat apart, his eyes as usual fixed upon the flickering shadows and the touch of green in the ocean beyond, but with his mind many leagues away. Yet now he turns, and looks with wonder at Sir Mark, as though astonished at his tone, and Sir Mark looks at him. There is a certain amount of longing, and hope, and affection, in Sir Mark's glance.
"At all events she will be in time for our ball," says Roger, "and, besides that, there will be another element of amusement. Stephen Gower is coming back to the Fens at last. She can get up a little flirtation with him, and as he is a right-down good sort. I daresay, if I gave him the right cue, he would take her off our hands for a little while."
"Is your friend coming?" says Dulce, with some surprise. "You never told us. And that pretty place is to have a master at last? I am rather glad, do you know; especially as he is a friend, too, of Fabian's."
"I have no friends," says Fabian, suddenly, with a small frown.
"Oh yes, you have, whether you like it or not," says Gore, quickly. "I can swear to one at least. My dear fellow, this is one of your bad days; come with me; a walk through the evening dews will restore you to reason once more."
He passes his arm through Fabian's, and leads him down the balcony steps into the dew-steeped gardens. A moan from the sea comes up to greet them as they go. No other sound disturbs the calm of the evening air.
"I think Fabian has the most perfect face I ever saw," says Roger, suddenly. But Portia makes no reply. She is watching Fabian's figure as it disappears in the dusk. Dulce, however, turns quickly, and looks at Roger, a strange gleam in her great, blue eyes.
CHAPTER VII
"He is a fool who is not for love and beauty. I speak unto the young, for I am of them, and always shall be." – Bailey.
Slowly, decorously, they march into church, one by one – Dulce first, and then Sir Christopher, and then Julia Beaufort and Portia, and so on, down to the children, who are evidently consumed with a desire to know more than seems, and who are evincing a dangerous longing to waltz up the smooth stone aisle.
The Boodie (who has not been overdrawn by Dulce and Roger, and who really is like an angel, with her sapphire eyes and corn-colored hair, and the big white bonnet, with its blue bow, that surrounds her face like a cloud) rather loses her presence of mind. It is either this, or a sudden accession of ambition, that overcomes her, because, without a moment's notice, she turns gently on her left heel, and executes a tiny pirouette on her small Hessian boots. A frown from her mother suppresses further evolutions, and, with a sigh, she returns to decorum and the family pew.
In a corner of it the children are comfortably stowed away, while all the others following suit, fall into their proper places. They are only barely in time. The organ plays them up the aisle, and they have only just a second to scramble through the preliminary prayers (so distinct a token of respectability), when the rector's voice breaks forth.
Portia, who has not been to church before, looks up at Mr. Grainger, while he is confessing everybody in a tone severe but bilious, and tells herself he is as like a superannuated old crow as ever he can be. He is flanked by the curate, a mediæval young man, with a pallid countenance and an irreproachable gown, cut in the latest fashion, who stands in an attitude of the most approved, with his eyes fixed immovably upon a side pillar. The fixity of his gaze is so intense as to suggest the idea that he never again means to remove it until death claims him for his own.
Then a hymn is sung by the village choir, led by the organist's high soprano. It is a hymn very unique in its way, and sung with much fervor, if little tune, and pierces even to the brains of its hearers. The organ beats a solemn accompaniment to this delicacy, and whether the strains from the ancient instrument – that squeaks like a dilapidated bagpipes – is too much for the curate, I know not; but, at the last verse, he removes his eyes from the pillar of the church and concentrates them upon Portia.
Portia, at this particular moment, I regret to say, is smiling broadly. A brilliant smile that illuminates her whole face, rendering her as lovely as a dream. She is plainly deriving great consolation from the village choir?
The curate, smitten by the sight of her levity, or by the consciousness of his own lapse from the path of duty, in so far letting his mind wander to mundane matters, turns pale, and, lowering his eyes until they reach the tesselated pavement at his feet, grows sad and thoughtful, and perhaps decides on eating no meat again to-day as punishment for his fault.
The church is old, quaint, curious. It is like a thing forgotten. It looks as if it had been dug up by somebody and planted just here, no one knows why. The windows are narrow and elongated, and admit but little light. The pillars in the more distant corners are wrapt in gloom. A cobweb falling from the roof, spun by some enterprising spider, hangs over the gaunt pulpit, as though desirous of coming in contact with whosoever may enter it.
The cobweb, as it waves lazily backward and forward with every breeze that assails it, is a thing of joy to Roger and Dicky