Portia; Or, By Passions Rocked. Duchess

Portia; Or, By Passions Rocked - Duchess


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sighs, and finally, slipping her hand through his arm, lays her blonde head against him, and is the personification of all things peaceful, until the service ends.

      She looks up at him, too, as though desirous of his forgiveness, and Fabian, taking her slim little baby hand in his, assures her with a glance that she is forgiven; and then she smiles at him, and nestles a degree closer, and then Fabian, though always unsmilingly, passes his arm round the child, and draws her into a more comfortable position.

      Portia, who has watched it all, feels a strange pang at her heart; it is as though he is glad to be friends with these children, to be at peace with them, because they, at least (sweet, trusting souls), believe in him. And what a tenderness he betrays towards them! this dark, moody, concentrated man, whose whole life is burdened with an unsavory mystery. What a power, too, he possesses over them; even that untractable Pussy was calmed, charmed into submission by a word, a glance. Yet children and dogs, they say, have keenest instincts!

      While she still wonders, Fabian lifts his eyes and meets hers, and as though drawn by some magnetic influence each towards the other, though sorely against their wills, they gaze into each other's faces for more time than they care to calculate afterwards, until at last Fabian (who is the first to recover himself) lets his glance fall, and so the spell is broken.

      After this, Portia sits quiet and thoughtful until the last Amen is uttered, and they all go eagerly, but with a meritorious attempt at regret, into the open air once more.

      CHAPTER VIII

      "None here are happy, but the very fool,

      Or very wise: I am not fool enough

      To smile in vanities, and hug a shadow;

      Nor have I wisdom to elaborate

      An artificial happiness from pains." – Young.

      They are all standing in the porch, saying "How d'ye do" to half a dozen of their neighbors, and being introduced to the dark young man in the Fens pew. He is a very handsome young man, and very light-hearted apparently, and looks very frequently at Miss Blount, who smiles at him very graciously, and tells him he must "really come up to luncheon at the Court, or Uncle Christopher will be so disappointed. Any friend of Roger's" – and so on.

      "Portia," says Sir Christopher, suddenly – when Stephen Gower has expressed his extreme pleasure at the thought of lunching at the Court, always with his dark eyes fixed curiously upon Dulce – "Come with me; I want to show you your poor mother's last resting-place."

      "Ah! yes; I shall like to see that," says Portia, tenderly, though the dead mother is only a bare memory to her. "Yes, take me to see it."

      They separate from the others, and go around an angle of the old church, and past an ivied corner, and so come to the quiet spot where stands the vault of the Blounts.

      "It was too far to send her to the Vibarts' burying-place," says Sir Christopher; "at least we tried to think so, because we tried to keep her with us. And your father was dead. And at the very last, she murmured something about being laid beside her mother; poor, dear girl!" To Sir Christopher, Portia's mother has always been a girl, and a poor soul. I think, perhaps, Portia's father had been "breezy" in the way of temper.

      Then Portia asks many questions, trivial in themselves, yet of mighty interest to these two, to whom the dead had been dear. And the questions and answers occupy some time, insomuch that when at length they return to the church porch, they find the others have all disappeared, and the sexton preparing to lock the church door.

      "Where have all my people gone to?" asks Sir Christopher of this functionary, in an elevated tone, the functionary being, as he himself would describe it, "hard of hearing." Whereupon they are informed that the "Court folk" went "away home through yon small iron gate," and into the woods beyond, and are now presumably sauntering lazily homeward beneath the shade of the spreading oaks and elms.

      "Then we cannot do better than follow their example," says Sir Christopher, but almost before they come to the iron gate they see Fabian, who, unmindful of their presence, nay, rather, utterly unaware of it, is walking steadily, but slowly, onward, as though lost in thought.

      Presently, hearing footsteps behind him, he turns, and seeing Portia, starts perceptibly, and comes to a standstill.

      "I thought you would all be at home long before this," he says, involuntarily. Involuntarily also his tone conveys the idea that his wish was "father to his thought." There is a note in it that is distinct disappointment. Portia lets her lids fall over her eyes, and lets her lips form themselves into an almost imperceptible smile. Plainly he had loitered in the churchyard in the fond hope of avoiding them all (her especially it may be), and here is the result.

      "We thought the same of you," says Sir Christopher, cheerily, coming to the front bravely, "we believed you at the Court before this. Very lucky you aren't though, as I want you to see Portia home. I must go and interview Bowles about that boy of his – a duty I hardly admire."

      "It is late now. If you delay any longer you will miss your luncheon," says Portia, hurriedly. Her face betrays unmistakable anxiety.

      It is now Fabian's turn to smile, but his lips are rigid, and the commonest observer may read, that mirth of even the grimmest description is far from him.

      "Luncheon, eh? I don't care a fig about luncheon," says Uncle Christopher, gaily, "unless I'm shooting, or that. No. Better see Bowles now if I am to see him at all. Sunday is his only visible day, I've been told. His 'At home,' in fact – as all the rest of the week he lies in bed, and refuses to wash himself."

      "Horrid man!" says Miss Vibart, merely for the sake of saying something. In reality had Bowles felt it his duty to lie a-bed all the year round, and never indulge in the simplest ablutions, it would not have given her a passing thought.

      "On the Sabbath he rouses himself, and in a spotless shirt (washed by that idiot of a wife of his, who still will believe in him), and with a pipe in his mouth, he struts up and down the pavement before the door of his palatial residence," says Uncle Christopher. "I am sure to find him to-day."

      "Let me go with you," says Portia, as a last resource. "I should like to be made acquainted with this incomparable Bowles." She smiles as she speaks, but the smile is somewhat artificial, and is plainly conjured up with difficulty for the occasion.

      "Well, come," says Sir Christopher, who always says "yes," to every one, and who would encourage you warmly if you expressed a desire to seek death and the North Pole.

      "It is quite impossible," says Fabian, quietly, not raising his voice, and not moving as he speaks. "Portia cannot go with you to Bowles' house. The man is insupportable."

      Portia has her hand upon Sir Christopher's arm; her eyes are alight; something within her – some contradictory power – awakens a determination to see this Bowles. Yet it is hardly so keen a desire to see a man in a clean shirt and a "churchwarden" that possesses her, as a desire to circumvent the man who has opposed her expressed wish. Fabian, on his part, though pained, is equally determined that she shall not be brought face to face with the unpleasant Bowles. She has her eyes on him, but he has his on Sir Christopher.

      "I should like to go with you," she says, in clear tones, taking no heed of Fabian's last remark; "I like country people, and strange village characters, and – and that." This is somewhat vague.

      "You remember the last time Dulce went to see Mrs. Bowles?" says Fabian, who has caught Sir Christopher's eye by this. Whatever Dulce may have endured during that memorable visit is unknown to Portia, but the recollection of it, as forced upon Sir Christopher's memory, is all-powerful to prevent her accompanying him on his mission to-day.

      "Yes, yes. I remember," he says, hurriedly, "Bowles, as a rule, is not courteous. My dear child," – to Portia – "No, you cannot, I regret to say, come with me. This man can be uncomfortable in many ways. You understand, eh? You wouldn't like him. People in shirt-sleeves, however clean, are always out of it, eh? There, good-by to both of you. Take her home, Fabian, and explain my absence to the others, especially to Roger's friend, that new young fellow, Gower, of the Fens."

      So saying, he marched


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