Our Old Home: A Series of English Sketches. Hawthorne Nathaniel

Our Old Home: A Series of English Sketches - Hawthorne Nathaniel


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and the thronged modern street out of which you have so recently emerged. Venturing onward, however, you soon find yourself in the heart of Whitnash, and see an irregular ring of ancient rustic dwellings surrounding the village-green, on one side of which stands the church, with its square Norman tower and battlements, while close adjoining is the vicarage, made picturesque by peaks and gables. At first glimpse, none of the houses appear to be less than two or three centuries old, and they are of the ancient, wooden-framed fashion, with thatched roofs, which give them the air of birds' nests, thereby assimilating them closely to the simplicity of nature.

      The church-tower is mossy and much gnawed by time; it has narrow loopholes up and down its front and sides, and an arched window over the low portal, set with small panes of glass, cracked, dim, and irregular, through which a bygone age is peeping out into the daylight. Some of those old, grotesque faces, called gargoyles, are seen on the projections of the architecture. The churchyard is very small, and is encompassed by a gray stone fence that looks as ancient as the church itself. In front of the tower, on the village-green, is a yew-tree of incalculable age, with a vast circumference of trunk, but a very scanty head of foliage; though its boughs still keep some of the vitality which perhaps was in its early prime when the Saxon invaders founded Whitnash. A thousand years is no extraordinary antiquity in the lifetime of a yew. We were pleasantly startled, however, by discovering an exuberance of more youthful life than we had thought possible in so old a tree; for the faces of two children laughed at us out of an opening in the trunk, which had become hollow with long decay. On one side of the yew stood a framework of worm-eaten timber, the use and meaning of which puzzled me exceedingly, till I made it out to be the village-stocks; a public institution that, in its day, had doubtless hampered many a pair of shank-bones, now crumbling in the adjacent churchyard. It is not to be supposed, however, that this old-fashioned mode of punishment is still in vogue among the good people of Whitnash. The vicar of the parish has antiquarian propensities, and had probably dragged the stocks out of some dusty hiding-place, and set them up on their former site as a curiosity.

      I disquiet myself in vain with the effort to hit upon some characteristic feature, or assemblage of features, that shall convey to the reader the influence of hoar antiquity lingering into the present daylight, as I so often felt it in these old English scenes. It is only an American who can feel it; and even he begins to find himself growing insensible to its effect, after a long residence in England. But while you are still new in the old country, it thrills you with strange emotion to think that this little church of Whitnash, humble as it seems, stood for ages under the Catholic faith, and has not materially changed since Wickcliffe's days, and that it looked as gray as now in Bloody Mary's time, and that Cromwell's troopers broke off the stone noses of those same gargoyles that are now grinning in your face. So, too, with the immemorial yew-tree: you see its great roots grasping hold of the earth like gigantic claws, clinging so sturdily that no effort of time can wrench them away; and there being life in the old tree, you feel all the more as if a contemporary witness were telling you of the things that have been. It has lived among men, and been a familiar object to them, and seen them brought to be christened and married and buried in the neighboring church and churchyard, through so many centuries, that it knows all about our race, so far as fifty generations of the Whitnash people can supply such knowledge.

      And, after all, what a weary life it must have been for the old tree! Tedious beyond imagination! Such, I think, is the final impression on the mind of an American visitor, when his delight at finding something permanent begins to yield to his Western love of change, and he becomes sensible of the heavy air of a spot where the forefathers and foremothers have grown up together, intermarried, and died, through a long succession of lives, without any intermixture of new elements, till family features and character are all run in the same inevitable mould. Life is there fossilized in its greenest leaf. The man who died yesterday or ever so long ago walks the village-street to day, and chooses the same wife that he married a hundred years since, and must be buried again to-morrow under the same kindred dust that has already covered him half a score of times. The stone threshold of his cottage is worn away with his hobnailed footsteps, shuffling over it from the reign of the first Plantagenet to that of Victoria. Better than this is the lot of our restless countrymen, whose modern instinct bids them tend always towards "fresh woods and pastures new." Rather than such monotony of sluggish ages, loitering on a village-green, toiling in hereditary fields, listening to the parson's drone lengthened through centuries in the gray Norman church, let us welcome whatever change may come, – change of place, social customs, political institutions, modes of worship, – trusting, that, if all present things shall vanish, they will but make room for better systems, and for a higher type of man to clothe his life in them, and to fling them off in turn.

      Nevertheless, while an American willingly accepts growth and change as the law of his own national and private existence, he has a singular tenderness for the stone-incrusted institutions of the mother-country. The reason may be (though I should prefer a more generous explanation) that he recognizes the tendency of these hardened forms to stiffen her joints and fetter her ankles, in the race and rivalry of improvement. I hated to see so much as a twig of ivy wrenched away from an old wall in England. Yet change is at work, even in such a village as Whitnash. At a subsequent visit, looking more critically at the irregular circle of dwellings that surround the yew-tree and confront the church, I perceived that some of the houses must have been built within no long time, although the thatch, the quaint gables, and the old oaken framework of the others diffused an air of antiquity over the whole assemblage. The church itself was undergoing repair and restoration, which is but another name for change. Masons were making patchwork on the front of the tower, and were sawing a slab of stone and piling up bricks to strengthen the side-wall, or possibly to enlarge the ancient edifice by an additional aisle. Moreover, they had dug an immense pit in the churchyard, long and broad, and fifteen feet deep, two thirds of which profundity were discolored by human decay, and mixed up with crumbly bones. What this excavation was intended for I could nowise imagine, unless it were the very pit in which Longfellow bids the "Dead Past bury its Dead," and Whitnash, of all places in the world, were going to avail itself of our poet's suggestion. If so, it must needs be confessed that many picturesque and delightful things would be thrown into the hole, and covered out of sight forever.

      The article which I am writing has taken its own course, and occupied itself almost wholly with country churches; whereas I had purposed to attempt a description of some of the many old towns – Warwick, Coventry, Kenilworth, Stratford-on-Avon – which lie within an easy scope of Leamington. And still another church presents itself to my remembrance. It is that of Hatton, on which I stumbled in the course of a forenoon's ramble, and paused a little while to look at it for the sake of old Dr. Parr, who was once its vicar. Hatton, so far as I could discover, has no public-house, no shop, no contiguity of roofs (as in most English villages, however small), but is merely an ancient neighborhood of farm-houses, spacious, and standing wide apart, each within its own precincts, and offering a most comfortable aspect of orchards, harvest-fields, barns, stacks, and all manner of rural plenty. It seemed to be a community of old settlers, among whom everything had been going on prosperously since an epoch beyond the memory of man; and they kept a certain privacy among themselves, and dwelt on a cross-road, at the entrance of which was a barred gate, hospitably open, but still impressing me with a sense of scarcely warrantable intrusion. After all, in some shady nook of those gentle Warwickshire slopes there may have been a denser and more populous settlement, styled Hatton, which I never reached.

      Emerging from the by-road, and entering upon one that crossed it at right angles and led to Warwick, I espied the church of Dr. Parr. Like the others which I have described, it had a low stone tower, square, and battlemented at its summit: for all these little churches seem to have been built on the same model, and nearly at the same measurement, and have even a greater family-likeness than the cathedrals. As I approached, the bell of the tower (a remarkably deep-toned bell, considering how small it was) flung its voice abroad, and told me that it was noon. The church stands among its graves, a little removed from the wayside, quite apart from any collection of houses, and with no signs of vicarage; it is a good deal shadowed by trees, and not wholly destitute of ivy. The body of the edifice, unfortunately (and it is an outrage which the English church-wardens are fond of perpetrating), has been newly covered with a yellowish plaster or wash, so as quite to destroy the aspect of antiquity, except upon the tower, which wears the dark gray hue of many


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