Our Old Home: A Series of English Sketches. Hawthorne Nathaniel

Our Old Home: A Series of English Sketches - Hawthorne Nathaniel


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in recording the strange deaths and ugly shapes of misfortune that have occurred among their predecessors, and may be supposed likely to dog their own pathway down the ages of futurity. Whether Sir Nicholas Lestrange, in the beef-eating days of Old Harry and Elizabeth, was a nervous man, and subject to apprehensions of this kind, I cannot tell; but it is certain that he speedily rid himself of the spoils of the Church, and that, within twenty years afterwards, the edifice became the property of the famous Dudley, Earl of Leicester, brother of the Earl of Warwick. He devoted the ancient religious precinct to a charitable use, endowing it with an ample revenue, and making it the perpetual home of twelve poor, honest, and war-broken soldiers, mostly his own retainers, and natives either of Warwickshire or Gloucestershire. These veterans, or others wonderfully like them, still occupy their monkish dormitories and haunt the time-darkened corridors and galleries of the hospital, leading a life of old-fashioned comfort, wearing the old-fashioned cloaks, and burnishing the identical silver badges which the Earl of Leicester gave to the original twelve. He is said to have been a bad man in his day; but he has succeeded in prolonging one good deed into what was to him a distant future.

      On the projecting story, over the arched entrance, there is the date, 1571, and several coats-of-arms, either the Earl's or those of his kindred, and immediately above the doorway a stone sculpture of the Bear and Ragged Staff.

      Passing through the arch, we find ourselves in a quadrangle, or enclosed court, such as always formed the central part of a great family residence in Queen Elizabeth's time, and earlier. There can hardly be a more perfect specimen of such an establishment than Leicester's Hospital. The quadrangle is a sort of sky-roofed hall, to which there is convenient access from all parts of the house. The four inner fronts, with their high, steep roofs and sharp gables, look into it from antique windows, and through open corridors and galleries along the sides; and there seems to be a richer display of architectural devices and ornaments, quainter carvings in oak, and more fantastic shapes of the timber framework, than on the side toward the street. On the wall opposite the arched entrance are the following inscriptions, comprising such moral rules, I presume, as were deemed most essential for the daily observance of the community: "Honor all Men" – "Fear God" – "Honor the King" – "Love the Brotherhood"; and again, as if this latter injunction needed emphasis and repetition among a household of aged people soured with the hard fortune of their previous lives, – "Be kindly affectioned one to another." One sentence, over a door communicating with the Master's side of the house, is addressed to that dignitary, – "He that ruleth over men must be just." All these are charactered in old English letters, and form part of the elaborate ornamentation of the house. Everywhere – on the walls, over windows and doors, and at all points where there is room to place them – appear escutcheons of arms, cognizances, and crests, emblazoned in their proper colors, and illuminating the ancient quadrangle with their splendor. One of these devices is a large image of a porcupine on an heraldic wreath, being the crest of the Lords de Lisle. But especially is the cognizance of the Bear and Ragged Staff repeated over and over, and over again and again, in a great variety of attitudes, at full-length, and half-length, in paint and in oaken sculpture, in bas-relief and rounded image. The founder of the hospital was certainly disposed to reckon his own beneficence as among the hereditary glories of his race; and had he lived and died a half-century earlier, he would have kept up an old Catholic custom by enjoining the twelve bedesmen to pray for the welfare of his soul.

      At my first visit, some of the brethren were seated on the bench outside of the edifice, looking down into the street; but they did not vouchsafe me a word, and seemed so estranged from modern life, so enveloped in antique customs and old-fashioned cloaks, that to converse with them would have been like shouting across the gulf between our age and Queen Elizabeth's. So I passed into the quadrangle, and found it quite solitary, except that a plain and neat old woman happened to be crossing it, with an aspect of business and carefulness that bespoke her a woman of this world, and not merely a shadow of the past. Asking her if I could come in, she answered very readily and civilly that I might, and said that I was free to look about me, hinting a hope, however, that I would not open the private doors of the brotherhood, as some visitors were in the habit of doing. Under her guidance, I went into what was formerly the great hall of the establishment, where King James I. had once been feasted by an Earl of Warwick, as is commemorated by an inscription on the cobwebbed and dingy wall. It is a very spacious and barn-like apartment, with a brick floor, and a vaulted roof, the rafters of which are oaken beams, wonderfully carved, but hardly visible in the duskiness that broods aloft. The hall may have made a splendid appearance, when it was decorated with rich tapestry, and illuminated with chandeliers, cressets, and torches glistening upon silver dishes, where King James sat at supper among his brilliantly dressed nobles; but it has come to base uses in these latter days, – being improved, in Yankee phrase, as a brewery and wash-room, and as a cellar for the brethren's separate allotments of coal.

      The old lady here left me to myself, and I returned into the quadrangle. It was very quiet, very handsome, in its own obsolete style, and must be an exceedingly comfortable place for the old people to lounge in, when the inclement winds render it inexpedient to walk abroad. There are shrubs against the wall, on one side; and on another is a cloistered walk, adorned with stags' heads and antlers, and running beneath a covered gallery, up to which ascends a balustraded staircase. In the portion of the edifice opposite the entrance-arch are the apartments of the Master; and looking into the window (as the old woman, at no request of mine, had specially informed me that I might), I saw a low, but vastly comfortable parlor, very handsomely furnished, and altogether a luxurious place. It had a fireplace with an immense arch, the antique breadth of which extended almost from wall to wall of the room, though now fitted up in such a way, that the modern coal-grate looked very diminutive in the midst. Gazing into this pleasant interior, it seemed to me, that, among these venerable surroundings, availing himself of whatever was good in former things, and eking out their imperfection with the results of modern ingenuity, the Master might lead a not unenviable life. On the cloistered side of the quadrangle, where the dark oak panels made the enclosed space dusky, I beheld a curtained window reddened by a great blaze from within, and heard the bubbling and squeaking of something – doubtless very nice and succulent – that was being cooked at the kitchen-fire. I think, indeed, that a whiff or two of the savory fragrance reached my nostrils; at all events, the impression grew upon me that Leicester's Hospital is one of the jolliest old domiciles in England.

      I was about to depart, when another old woman, very plainly dressed, but fat, comfortable, and with a cheerful twinkle in her eyes, came in through the arch, and looked curiously at me. This repeated apparition of the gentle sex (though by no means under its loveliest guise) had still an agreeable effect in modifying my ideas of an institution which I had supposed to be of a stern and monastic character. She asked whether I wished to see the hospital, and said that the porter, whose office it was to attend to visitors, was dead, and would be buried that very day, so that the whole establishment could not conveniently be shown me. She kindly invited me, however, to visit the apartment occupied by her husband and herself; so I followed her up the antique staircase, along the gallery, and into a small, oak-panelled parlor, where sat an old man in a long blue garment, who arose and saluted me with much courtesy. He seemed a very quiet person, and yet had a look of travel and adventure, and gray experience, such as I could have fancied in a palmer of ancient times, who might likewise have worn a similar costume. The little room was carpeted and neatly furnished; a portrait of its occupant was hanging on the wall; and on a table were two swords crossed, – one, probably, his own battle-weapon, and the other, which I drew half out of the scabbard, had an inscription on the blade, purporting that it had been taken from the field of Waterloo. My kind old hostess was anxious to exhibit all the particulars of their housekeeping, and led me into the bedroom, which was in the nicest order, with a snow-white quilt upon the bed; and in a little intervening room was a washing and bathing apparatus; a convenience (judging from the personal aspect and atmosphere of such parties) seldom to be met with in the humbler ranks of British life.

      The old soldier and his wife both seemed glad of somebody to talk with; but the good woman availed herself of the privilege far more copiously than the veteran himself, insomuch that he felt it expedient to give her an occasional nudge with his elbow in her well-padded ribs. "Don't you be so talkative!" quoth he; and, indeed, he could hardly find space for a word, and quite as little after his admonition as before. Her nimble tongue ran over the


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