The Three Cities Trilogy: Rome, Complete. Emile Zola
retained the impression of disillusion which the narrow, airless thoroughfare had conveyed to him: the “palaces” looked to him like mournful hospitals or barracks, the Piazza Colonna suffered terribly from a lack of trees, and the Trinity de’ Monti alone took his fancy by its distant radiance of fairyland.
But it was necessary to come back from the Piazza del Popolo to the Piazza di Venezia, then return to the former square, and come back yet again, following the entire Corso three and four times without wearying. The delighted Dario showed himself and looked about him, exchanging salutations. On either footway was a compact crowd of promenaders whose eyes roamed over the equipages and whose hands could have shaken those of the carriage folks. So great at last became the number of vehicles that both lines were absolutely unbroken, crowded to such a point that the coachmen could do no more than walk their horses. Perpetually going up and coming down the Corso, people scrutinised and jostled one another. It was open-air promiscuity, all Rome gathered together in the smallest possible space, the folks who knew one another and who met here as in a friendly drawing-room, and the folks belonging to adverse parties who did not speak together but who elbowed each other, and whose glances penetrated to each other’s soul. Then a revelation came to Pierre, and he suddenly understood the Corso, the ancient custom, the passion and glory of the city. Its pleasure lay precisely in the very narrowness of the street, in that forced elbowing which facilitated not only desired meetings but the satisfaction of curiosity, the display of vanity, and the garnering of endless tittle-tattle. All Roman society met here each day, displayed itself, spied on itself, offering itself in spectacle to its own eyes, with such an indispensable need of thus beholding itself that the man of birth who missed the Corso was like one out of his element, destitute of newspapers, living like a savage. And withal the atmosphere was delightfully balmy, and the narrow strip of sky between the heavy, rusty mansions displayed an infinite azure purity.
Dario never ceased smiling, and slightly inclining his head while he repeated to Pierre the names of princes and princesses, dukes and duchesses – high-sounding names whose flourish had filled history, whose sonorous syllables conjured up the shock of armour on the battlefield and the splendour of papal pomp with robes of purple, tiaras of gold, and sacred vestments sparkling with precious stones. And as Pierre listened and looked he was pained to see merely some corpulent ladies or undersized gentlemen, bloated or shrunken beings, whose ill-looks seemed to be increased by their modern attire. However, a few pretty women went by, particularly some young, silent girls with large, clear eyes. And just as Dario had pointed out the Palazzo Buongiovanni, a huge seventeenth-century facade, with windows encompassed by foliaged ornamentation deplorably heavy in style, he added gaily:
“Ah! look – that’s Attilio there on the footway. Young Lieutenant Sacco – you know, don’t you?”
Pierre signed that he understood. Standing there in uniform, Attilio, so young, so energetic and brave of appearance, with a frank countenance softly illumined by blue eyes like his mother’s, at once pleased the priest. He seemed indeed the very personification of youth and love, with all their enthusiastic, disinterested hope in the future.
“You’ll see by and by, when we pass the palace again,” said Dario. “He’ll still be there and I’ll show you something.”
Then he began to talk gaily of the girls of Rome, the little princesses, the little duchesses, so discreetly educated at the convent of the Sacred Heart, quitting it for the most part so ignorant and then completing their education beside their mothers, never going out but to accompany the latter on the obligatory drive to the Corso, and living through endless days, cloistered, imprisoned in the depths of sombre mansions. Nevertheless what tempests raged in those mute souls to which none had ever penetrated! what stealthy growth of will suddenly appeared from under passive obedience, apparent unconsciousness of surroundings! How many there were who stubbornly set their minds on carving out their lives for themselves, on choosing the man who might please them, and securing him despite the opposition of the entire world! And the lover was chosen there from among the stream of young men promenading the Corso, the lover hooked with a glance during the daily drive, those candid eyes speaking aloud and sufficing for confession and the gift of all, whilst not a breath was wafted from the lips so chastely closed. And afterwards there came love letters, furtively exchanged in church, and the winning-over of maids to facilitate stolen meetings, at first so innocent. In the end, a marriage often resulted.
Celia, for her part, had determined to win Attilio on the very first day when their eyes had met. And it was from a window of the Palazzo Buongiovanni that she had perceived him one afternoon of mortal weariness. He had just raised his head, and she had taken him for ever and given herself to him with those large, pure eyes of hers as they rested on his own. She was but an amorosa– nothing more; he pleased her; she had set her heart on him – him and none other. She would have waited twenty years for him, but she relied on winning him at once by quiet stubbornness of will. People declared that the terrible fury of the Prince, her father, had proved impotent against her respectful, obstinate silence. He, man of mixed blood as he was, son of an American woman, and husband of an English woman, laboured but to retain his own name and fortune intact amidst the downfall of others; and it was rumoured that as the result of a quarrel which he had picked with his wife, whom he accused of not sufficiently watching over their daughter, the Princess had revolted, full not only of the pride of a foreigner who had brought a huge dowry in marriage, but also of such plain, frank egotism that she had declared she no longer found time enough to attend to herself, let alone another. Had she not already done enough in bearing him five children? She thought so; and now she spent her time in worshipping herself, letting Celia do as she listed, and taking no further interest in the household through which swept stormy gusts.
However, the carriage was again about to pass the Buongiovanni mansion, and Dario forewarned Pierre. “You see,” said he, “Attilio has come back. And now look up at the third window on the first floor.”
It was at once rapid and charming. Pierre saw the curtain slightly drawn aside and Celia’s gentle face appear. Closed, candid lily, she did not smile, she did not move. Nothing could be read on those pure lips, or in those clear but fathomless eyes of hers. Yet she was taking Attilio to herself, and giving herself to him without reserve. And soon the curtain fell once more.
“Ah, the little mask!” muttered Dario. “Can one ever tell what there is behind so much innocence?”
As Pierre turned round he perceived Attilio, whose head was still raised, and whose face was also motionless and pale, with closed mouth, and widely opened eyes. And the young priest was deeply touched, for this was love, absolute love in its sudden omnipotence, true love, eternal and juvenescent, in which ambition and calculation played no part.
Then Dario ordered the coachman to drive up to the Pincio; for, before or after the Corso, the round of the Pincio is obligatory on fine, clear afternoons. First came the Piazza del Popolo, the most airy and regular square of Rome, with its conjunction of thoroughfares, its churches and fountains, its central obelisk, and its two clumps of trees facing one another at either end of the small white paving-stones, betwixt the severe and sun-gilt buildings. Then, turning to the right, the carriage began to climb the inclined way to the Pincio – a magnificent winding ascent, decorated with bas-reliefs, statues, and fountains – a kind of apotheosis of marble, a commemoration of ancient Rome, rising amidst greenery. Up above, however, Pierre found the garden small, little better than a large square, with just the four necessary roadways to enable the carriages to drive round and round as long as they pleased. An uninterrupted line of busts of the great men of ancient and modern Italy fringed these roadways. But what Pierre most admired was the trees – trees of the most rare and varied kinds, chosen and tended with infinite care, and nearly always evergreens, so that in winter and summer alike the spot was adorned with lovely foliage of every imaginable shade of verdure. And beside these trees, along the fine, breezy roadways, Dario’s victoria began to turn, following the continuous, unwearying stream of the other carriages.
Pierre remarked one young woman of modest demeanour and attractive simplicity who sat alone in a dark-blue victoria, drawn by a well-groomed, elegantly harnessed horse. She was very pretty, short, with chestnut hair, a creamy complexion, and large gentle eyes. Quietly robed in dead-leaf silk, she wore a large hat, which alone looked somewhat extravagant. And seeing that Dario was staring at