The Three Cities Trilogy: Rome, Complete. Emile Zola
Prince smiled. Oh! she was nobody, La Tonietta was the name that people gave her; she was one of the few demi-mondaines that Roman society talked of. Then, with the freeness and frankness which his race displays in such matters, Dario added some particulars. La Tonietta’s origin was obscure; some said that she was the daughter of an innkeeper of Tivoli, and others that of a Neapolitan banker. At all events, she was very intelligent, had educated herself, and knew thoroughly well how to receive and entertain people at the little palazzo in the Via dei Mille, which had been given to her by old Marquis Manfredi now deceased. She made no scandalous show, had but one protector at a time, and the princesses and duchesses who paid attention to her at the Corso every afternoon, considered her nice-looking. One peculiarity had made her somewhat notorious. There was some one whom she loved and from whom she never accepted aught but a bouquet of white roses; and folks would smile indulgently when at times for weeks together she was seen driving round the Pincio with those pure, white bridal flowers on the carriage seat.
Dario, however, suddenly paused in his explanations to address a ceremonious bow to a lady who, accompanied by a gentleman, drove by in a large landau. Then he simply said to the priest: “My mother.”
Pierre already knew of her. Viscount de la Choue had told him her story, how, after Prince Onofrio Boccanera’s death, she had married again, although she was already fifty; how at the Corso, just like some young girl, she had hooked with her eyes a handsome man to her liking – one, too, who was fifteen years her junior. And Pierre also knew who that man was, a certain Jules Laporte, an ex-sergeant of the papal Swiss Guard, an ex-traveller in relics, compromised in an extraordinary “false relic” fraud; and he was further aware that Laporte’s wife had made a fine-looking Marquis Montefiori of him, the last of the fortunate adventurers of romance, triumphing as in the legendary lands where shepherds are wedded to queens.
At the next turn, as the large landau again went by, Pierre looked at the couple. The Marchioness was really wonderful, blooming with all the classical Roman beauty, tall, opulent, and very dark, with the head of a goddess and regular if somewhat massive features, nothing as yet betraying her age except the down upon her upper lip. And the Marquis, the Romanised Swiss of Geneva, really had a proud bearing, with his solid soldierly figure and long wavy moustaches. People said that he was in no wise a fool but, on the contrary, very gay and very supple, just the man to please women. His wife so gloried in him that she dragged him about and displayed him everywhere, having begun life afresh with him as if she were still but twenty, spending on him the little fortune which she had saved from the Villa Montefiori disaster, and so completely forgetting her son that she only saw the latter now and again at the promenade and acknowledged his bow like that of some chance acquaintance.
“Let us go to see the sun set behind St. Peter’s,” all at once said Dario, conscientiously playing his part as a showman of curiosities.
The victoria thereupon returned to the terrace, where a military band was now playing with a terrific blare of brass instruments. In order that their occupants might hear the music, a large number of carriages had already drawn up, and a growing crowd of loungers on foot had assembled there. And from that beautiful terrace, so broad and lofty, one of the most wonderful views of Rome was offered to the gaze. Beyond the Tiber, beyond the pale chaos of the new district of the castle meadows,30 and between the greenery of Monte Mario and the Janiculum arose St. Peter’s. Then on the left came all the olden city, an endless stretch of roofs, a rolling sea of edifices as far as the eye could reach. But one’s glances always came back to St. Peter’s, towering into the azure with pure and sovereign grandeur. And, seen from the terrace, the slow sunsets in the depths of the vast sky behind the colossus were sublime.
Sometimes there are topplings of sanguineous clouds, battles of giants hurling mountains at one another and succumbing beneath the monstrous ruins of flaming cities. Sometimes only red streaks or fissures appear on the surface of a sombre lake, as if a net of light has been flung to fish the submerged orb from amidst the seaweed. Sometimes, too, there is a rosy mist, a kind of delicate dust which falls, streaked with pearls by a distant shower, whose curtain is drawn across the mystery of the horizon. And sometimes there is a triumph, a cortege of gold and purple chariots of cloud rolling along a highway of fire, galleys floating upon an azure sea, fantastic and extravagant pomps slowly sinking into the less and less fathomable abyss of the twilight.
But that night the sublime spectacle presented itself to Pierre with a calm, blinding, desperate grandeur. At first, just above the dome of St. Peter’s, the sun, descending in a spotless, deeply limpid sky, proved yet so resplendent that one’s eyes could not face its brightness. And in this resplendency the dome seemed to be incandescent, you would have said a dome of liquid silver; whilst the surrounding districts, the house-roofs of the Borgo, were as though changed into a lake of live embers. Then, as the sun was by degrees inclined, it lost some of its blaze, and one could look; and soon afterwards sinking with majestic slowness it disappeared behind the dome, which showed forth darkly blue, while the orb, now entirely hidden, set an aureola around it, a glory like a crown of flaming rays. And then began the dream, the dazzling symbol, the singular illumination of the row of windows beneath the cupola which were transpierced by the light and looked like the ruddy mouths of furnaces, in such wise that one might have imagined the dome to be poised upon a brazier, isolated, in the air, as though raised and upheld by the violence of the fire. It all lasted barely three minutes. Down below the jumbled roofs of the Borgo became steeped in violet vapour, sank into increasing gloom, whilst from the Janiculum to Monte Mario the horizon showed its firm black line. And it was the sky then which became all purple and gold, displaying the infinite placidity of a supernatural radiance above the earth which faded into nihility. Finally the last window reflections were extinguished, the glow of the heavens departed, and nothing remained but the vague, fading roundness of the dome of St. Peter’s amidst the all-invading night.
And, by some subtle connection of ideas, Pierre at that moment once again saw rising before him the lofty, sad, declining figures of Cardinal Boccanera and old Orlando. On the evening of that day when he had learnt to know them, one after the other, both so great in the obstinacy of their hope, they seemed to be there, erect on the horizon above their annihilated city, on the fringe of the heavens which death apparently was about to seize. Was everything then to crumble with them? was everything to fade away and disappear in the falling night following upon accomplished Time?
V
ON the following day Narcisse Habert came in great worry to tell Pierre that Monsignor Gamba del Zoppo complained of being unwell, and asked for a delay of two or three days before receiving the young priest and considering the matter of his audience. Pierre was thus reduced to inaction, for he dared not make any attempt elsewhere in view of seeing the Pope. He had been so frightened by Nani and others that he feared he might jeopardise everything by inconsiderate endeavours. And so he began to visit Rome in order to occupy his leisure.
His first visit was for the ruins of the Palatine. Going out alone one clear morning at eight o’clock, he presented himself at the entrance in the Via San Teodoro, an iron gateway flanked by the lodges of the keepers. One of the latter at once offered his services, and though Pierre would have preferred to roam at will, following the bent of his dream, he somehow did not like to refuse the offer of this man, who spoke French very distinctly, and smiled in a very good-natured way. He was a squatly built little man, a former soldier, some sixty years of age, and his square-cut, ruddy face was barred by thick white moustaches.
“Then will you please follow me, Monsieur l’Abbe,” said he. “I can see that you are French, Monsieur l’Abbe. I’m a Piedmontese myself, but I know the French well enough; I was with them at Solferino. Yes, yes, whatever people may say, one can’t forget old friendships. Here, this way, please, to the right.”
Raising his eyes, Pierre had just perceived the line of cypresses edging the plateau of the Palatine on the side of the Tiber; and in the delicate blue atmosphere the intense greenery of these trees showed like a black fringe. They alone attracted the eye; the slope, of a dusty, dirty grey, stretched out bare and devastated, dotted by a few bushes, among which peeped fragments of ancient walls. All was instinct with the ravaged, leprous sadness of a spot handed over to excavation, and where only men of learning could wax enthusiastic.
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