The Essential Works of George Rawlinson: Egypt, The Kings of Israel and Judah, Phoenicia, Parthia, Chaldea, Assyria, Media, Babylon, Persia, Sasanian Empire & Herodotus' Histories. George Rawlinson
stood a god and a goddess—Baal and Ashtoreth. Baal, “the Lord,” or Baal-samin,1113 “the Lord of Heaven,” was compared by the Greeks to their Zeus, and by the Romans to their Jupiter. Mythologically, he was only one among many gods, but practically he stood alone; he was the chief of the gods, the main object of worship, and the great ruler and protector of the Phoenician people. Sometimes, but not always, he had a solar character, and was represented with his head encircled by rays.1114 Baalbek, which was dedicated to him, was properly “the city of the Sun,” and was called by the Greeks Heliopolis. The solar character of Baal is, however, far from predominant, and as early as the time of Josiah we find the Sun worshipped separately from him,1115 no doubt under a different name. Baal is, to a considerable extent, a city god. Tyre especially was dedicated to him; and we hear of the “Baal of Tyre"1116 and again of the “Baal of Tarsus."1117 Essentially, he was the embodiment of the generative principle in nature—“the god of the creative power, bringing all things to life everywhere."1118 Hence, “his statue rode upon bulls, for the bull was the symbol of generative power; and he was also represented with bunches of grapes and pomegranates in his hand,"1119 emblems of productivity. The sacred conical stones and pillars dedicated in his temples1120 may have had their origin in a similar symbolism. As polytheistic systems had always a tendency to enlarge themselves, Baal had no sooner become a separate god, distinct from El, and Rimmon, and Molech, and Adonai, than he proceeded to multiply himself, and from Baal became Baalim,1121 either because the local Baals—Baal-Tzur, Baal-Sidon, Baal-Tars, Baal-Libnan, Baal-Hermon—were conceived of as separate deities, or because the aspects of Baal—Baal as Sun-God, Baal as Lord of Heaven, Baal as lord of flies,1122, &c.—were so viewed, and grew to be distinct objects of worship. In later times he was identified with the Egyptian Ammon, and worshipped as Baal-Hammon.
Baal is known to have had temples at Baalbek, at Tyre, at Tarsus, at Agadir1123 (Gades), in Sardinia,1124 at Carthage, and at Ekron. Though not at first worshipped under a visible form, he came to have statues dedicated to him,1125 which received the usual honours. Sometimes, as already observed, his head was encircled with a representation of the solar rays; sometimes his form was assimilated to that under which the Egyptians of later times worshipped their Ammon. Seated upon a throne and wrapped in a long robe, he presented the appearance of a man in the flower of his age, bearded, and of solemn aspect, with the carved horn of a ram on either side of his forehead. Figures of rams also supported the arms of his throne on either side, and on the heads of these two supports his hands rested.1126
The female deity whose place corresponded to that of Baal in the Phoenician Pantheon, and who was in a certain sense his companion and counterpart, was Ashtoreth or Astarte. As Baal was the embodiment of the generative principle in nature, so was Ashtoreth of the receptive and productive principle. She was the great nature-goddess, the Magna Mater, regent of the stars, queen of heaven, giver of life, and source of woman’s fecundity.1127 Just as Baal had a solar, so she had a lunar aspect, being pictured with horns upon her head representative of the lunar crescent.1128 Hence, as early as the time of Moses, there was a city on the eastern side of Jordan, named after her, Ashtoreth-Karnaim,1129 or “Astarte of the two horns.” Her images are of many forms. Most commonly she appears as a naked female, with long hair, sometimes gathered into tresses, and with her two hands supporting her two breasts.1130 Occasionally she is a mother, seated in a comfortable chair, and nursing her babe.1131 Now and then she is draped, and holds a dove to her breast, or else she takes an attitude of command, with the right hand raised, as if to bespeak attention. Sometimes, on the contrary, her figure has that modest and retiring attitude which has caused it to be described by a distinguished archæologist1132 as “the Phoenician prototype of the Venus de Medici.” The Greeks and Romans, who identified Baal determinately with their Zeus or Jupiter, found it very much more difficult to fix on any single goddess in their Pantheon as the correspondent of Astarte. Now they made her Hera or Juno, now Aphrodite or Venus, now Athene, now Artemis, now Selene, now Rhea or Cybele. But her aphrodisiac character was certainly the one in which she most frequently appeared. She was the goddess of the sexual passion, rarely, however, represented with the chaste and modest attributes of the Grecian Aphrodite-Urania, far more commonly with those coarser and more repulsive ones which characterise Aphrodite Pandemos.1133 Her temples were numerous, though perhaps not quite so numerous as those of Baal. The most famous were those at Sidon, Aphaca, Ashtoreth-Karnaim, Paphos, Pessinus, and Carthage. At Sidon the kings were sometimes her high-priests;1134 and her name is found as a frequent element in Phoenician personal names, royal and other: e.g.—Astartus, Abdastartus, Delæastartus, Am-ashtoreth, Bodoster, Bostor, &c.
The other principal Phoenician deities were El, Melkarth, Dagon, Hadad, Adonis, Sydyk, Eshmun, the Cabeiri, Onca, Tanith, Tanata, or Anaitis, and Baalith, Baaltis, or Beltis. El, or Il, originally a name of the Supreme God, became in the later Phoenician mythology a separate and subordinate divinity, whom the Greeks compared to their Kronos1135 and the Romans to their Saturn. El was the special god of Gebal or Byblus,1136 and was worshipped also with peculiar rites at Carthage.1137 He was reckoned the son of Uranus and the father of Beltis, to whom he delivered over as her especial charge the city of Byblus.1138 Numerous tales were told of him. While reigning on earth as king of Byblus, or king of Phoenicia, he had fallen in love with a nymph of the country, called Anobret, by whom he had a son named Ieoud. This son, much as he loved him, when great dangers from war threatened the land, he first invested with the emblems of royalty, and then sacrificed.1139 Uranus (Heaven) married his sister Ge (Earth), and Il or Kronos was the issue of this marriage, as also were Dagon, Bætylus, and Atlas. Ge, being dissatisfied with the conduct of her husband, induced her son Kronos to make war upon him, and Kronos, with the assistance of Hermes, overcame Uranus, and having driven him from his kingdom succeeded to the imperial power. Besides sacrificing Ieoud, Kronos murdered another of his sons called Sadid, and also a daughter whose name is not given. Among his wives were Astarte, Rhea, Dioné, Eimarmené, and Hora, of whom the first three were his sisters.1140 There is no need to pursue this mythological tangle. If it meant anything to the initiated, the meaning is wholly lost; and the stories, gravely as they are related by the ancient historian, to the modern, who has no key to them, are almost wholly valueless.
Originally, Melkarth would seem to have been a mere epithet, representing