The Essential Works of George Rawlinson: Egypt, The Kings of Israel and Judah, Phoenicia, Parthia, Chaldea, Assyria, Media, Babylon, Persia, Sasanian Empire & Herodotus' Histories. George Rawlinson

The Essential Works of George Rawlinson: Egypt, The Kings of Israel and Judah, Phoenicia, Parthia, Chaldea, Assyria, Media, Babylon, Persia, Sasanian Empire & Herodotus' Histories - George Rawlinson


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sepulchral chamber was beautifully lined and roofed, and the sarcophagus was exquisitively carved. Menkaura, the constructor, was not regarded as a tyrant, or an oppressor, but as a mild and religious monarch, whom the gods ill-used by giving him too short a reign. His religious temper is indicated by the inscription on the coffin which contained his remains: "O Osiris," it reads, "King of Upper and Lower Egypt, Menkaura, living eternally, engendered by the Heaven, born of Nut, substance of Seb, thy mother Nut stretches herself over thee in her name of the abyss of heaven. She renders thee divine by destroying all thy enemies, O King Menkaura, living eternally."

      The fashion of burying in pyramids continued to the close of Manetho's sixth dynasty, but no later monarchs rivalled the great works of Khufu and Shafra. The tombs of their successors were monuments of a moderate size, involving no oppression of the people, but perhaps rather improving their condition by causing a rise in the rate of wages. Certainly, the native remains of the period give a cheerful representation of the condition of all classes. The nation for the most part enjoys peace, and applies itself to production. The wealth of the nobles increases, and the position of their dependents is improved. Slaves were few, and there was ample employment for the labouring classes. We do not see the stick at work upon the backs of the labourers in the sculptures of the time; they seem to accomplish their various tasks with alacrity and gaiety of heart. They plough, and hoe, and reap; drive cattle or asses; winnow and store corn; gather grapes and tread them, singing in chorus as they tread; cluster round the winepress or the threshingfloor, on which the animals tramp out the grain; gather lotuses; save cattle from the inundation; engage in fowling or fishing; and do all with an apparent readiness and cheerfulness which seems indicative of real content. There may have been a darker side to the picture, and undoubtedly was while Khufu and Shafra held the throne; but kings of a morose and cruel temper seem to have been the exception, rather than the rule, in Egypt; and the moral code, which required kindness to be shown to dependents, seems, at this period at any rate, to have had a hold upon the consciences, and to have influenced the conduct, of the mass of the people. "Happy the nation that has no history!" Egypt during this golden age was neither assailed by any aggressive power beyond her borders, nor had herself conceived the idea of distant conquest. An occasional raid upon the negroes of the South, or chastisement of the nomades of the East, secured her interests in those quarters, and prevented her warlike virtues from dying out through lack of use. But otherwise tranquillity was undisturbed, and the energies of the nation were directed to increasing its material prosperity, and to progress in the arts.

      Among the marvels of Egypt perhaps the Sphinx is second to none. The mysterious being with the head of a man and the body of a lion is not at all uncommon in Egyptian architectural adornment, but the one placed before the Second Pyramid (the Pyramid of Shafra), and supposed to be contemporary with it, astonishes the observer by its gigantic proportions. It is known to the Arabs as Abul-hôl, the father of terror. It measures more than one hundred feet in length, and was partially carved from the rocks of the Lybian hills. Between its out-stretched feet there stands a chapel, uncovered in 1816, three walls of which are formed by tablets bearing inscriptions indicative of its use and origin.

      A small temple behind the great Sphinx, probably also built by Shafra, is formed of great blocks of the hardest red granite, brought from the neighbourhood of Syene and fitted to each other with a nicety astonishing to modern architects, who are unable to imagine what tools could have proved equal to the difficult achievement. Mysterious passages pierce the great Sphinx and connect it with the Second Pyramid, three hundred feet west of it. In the face of this mystery all questions are vain, and yet every visitor adds new queries to those that others have asked before him.

      Since what unnumbered year

       Hast thou kept watch and ward,

       And o'er the buried land of fear

       So grimly held thy guard?

       No faithless slumber snatching,

       Still couched in silence brave,

       Like some fierce hound, long watching

       Above her master's grave....

      Dost thou in anguish thus

       Still brood o'er Œdipus?

       And weave enigmas to mislead anew,

       And stultify the blind

       Dull heads of human-kind,

       And inly make thy moan,

       That, mid the hated crew,

       Whom thou so long couldst vex,

       Bewilder and perplex,

       Thou yet couldst find a subtler than thine own?

      Even now; methinks that those

       Dark, heavy lips which close

       In such a stern repose,

       Seem burdened with some thought unsaid,

       And hoard within their portals dread

       Some fearful secret there,

       Which to the listening earth

       She may not whisper forth.

       Not even to the air!

      Of awful wonders hid

       In yonder dread Pyramid,

       The home of magic fears;

       Of chambers vast and lonely,

       Watched by the Genii only,

       Who tend their masters' long-forgotten biers,

       And treasures that have shone

       On cavern walls alone,

       For thousand, thousand years.

      Would she but tell. She knows

       Of the old Pharaohs;

       Could count the Ptolemies' long line;

       Each mighty myth's original hath seen,

       Apis, Anubis,—ghosts that haunt between

       The bestial and divine,—

       (Such he that sleeps in Philæ,—he that stands

       In gloom unworshipped, 'neath his rock-hewn lane,—

       And they who, sitting on Memnonian sands,

       Cast their long shadows o'er the desert plain:)

       Hath marked Nitocris pass,

       And Oxymandyas

       Deep-versed in many a dark Egyptian wile,—

       The Hebrew boy hath eyed

       Cold to the master's bride;

       And that Medusan stare hath frozen the smile

       Of all her love and guile,

       For whom the Cæsar sighed,

       And the world-loser died,—

       The darling of the Nile.

      V.

       The Rise of Thebes to Power, and the Early Theban Kings.

       Table of Contents

      Hitherto Egypt had been ruled from a site at the junction of the narrow Nile valley with the broad plain of the Delta—a site sufficiently represented by the modern Cairo. But now there was a shift of the seat of power. There is reason to believe that something like a disruption of Egypt into separate kingdoms took place, and that for a while several distinct dynasties bore sway in different parts of the country. Disruption was naturally accompanied by weakness and decline. The old order ceased, and opportunity was offered for some new order—some new power—to assert itself. The site on which it arose was one three hundred and fifty miles distant from the ancient capital, or four hundred and more by the river. Here, about lat. 26°, the usually narrow valley of the Nile opens into a sort of plain or basin. The mountains on either side of the river recede, as though by common consent, and leave between themselves and the river's bank a broad amphitheatre, which in each case is a rich green plain—an


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