The Essential Works of George Rawlinson: Egypt, The Kings of Israel and Judah, Phoenicia, Parthia, Chaldea, Assyria, Media, Babylon, Persia, Sasanian Empire & Herodotus' Histories. George Rawlinson

The Essential Works of George Rawlinson: Egypt, The Kings of Israel and Judah, Phoenicia, Parthia, Chaldea, Assyria, Media, Babylon, Persia, Sasanian Empire & Herodotus' Histories - George Rawlinson


Скачать книгу
target="_blank" rel="nofollow" href="#ulink_96df1319-e6bd-544b-9abd-98a51816f052">11133 [ See 1 Kings xiv. 24; xv. 12; xxii. 46; 2 Kings xxiii. 7.]

      11134 [ Lucian, De Dea Syra, § 50-52; Corp. Ins. Semit. vol. i. Fasc. 1, p. 92; Liv. xxix. 10, 14; xxxvi. 36; Juv. vi. 512; Ov. Fast. iv. 237; Mart. Ep. iii. 31; xi. 74; Plin. H. N. v. 32; xi. 49; xxxv. 13; Propert. ii. 18, l. 15; Herodian, § 11.]

      11135 [ Lucian, § 51.]

      11136 [ Ibid. § 50.]

      11137 [ Döllinger, Judenthum und Heidenthum (i. 431; Engl. Tr.). Compare Senec. De Vita Beata, § 27; Lact. § 121.]

      11138 [ Liban. Opera, xi. 456, 555; cxi. 333.]

      11139 [ Compare Perrot et Chipiez, Histoire de l’Art, iii. 210, 232, 233, 236; Di Cesnola, Cyprus, pp. 66, 67, &c. In the anthropoeid sarcophagi, a hole is generally bored from the cavity of the ear right through the entire thickness of the stone, in order, apparently, that the corpse might hear the prayers addressed to it (Perrot et Chipiez, iii. 139).]

      11140 [ One of Esmunazar’s curses on those who should disturb his remains is a prayer that they may not be “held in honour among the Manes” (Corps. Ins. Semit. vol. i. Fasc. 1, p. 9). A funereal inscription translated by Gesenius (Mon. Phoen. p. 147) ends with the words, “After rain the sun shines forth.”]

      11141 [ Perrot et Chipiez, iii. 139.]

      11142 [ Job iii. 11-19.]

      11143 [ The compilers of the Corpus Ins. Smit. edit 256 of these, and then stop, fearing to weary the reader (i. 449).]

      11144 [ Di Cesnola, Cyprus, p. 325.]

      11145 [ Ibid. p. 146.]

      11146 [ Di Cesnola, Cyprus, pp. 306-334.]

      0121 [ See also Di Cesnola, Cyprus, p. 233; Perrot et Chipiez, Hist. de l’Art, iii. 405, 447, 515, &c.]

      0122 [ Perrot et Chipiez, iii. 428, 527, 531, 533, 534, &c.]

      0123 [ Ibid. pp. 527, 545; Di Cesnola, Cyprus, p. 145.]

      0124 [ Perrot et Chipiez, p. 538.]

      0125 [ Ibid. pp. 539, 547; Di Cesnola, pp. 143, 145, 149, 151, &c.]

      0126 [ Di Cesnola, pp. 141, 145, 149, 151, 153, 240, 344.]

      0127 [ Ibid. pp. 141, 143, 149; Perrot et Chipiez, pp. 511, 513, 531, &c.]

      0128 [ Perrot et Chipiez, pp. 519, 523, &c.]

      0129 [ Ibid. pp. 531, 533; Di Cesnola, pp. 129, 131, &c.]

      1210 [ Perrot et Chipiez, pp. 527, 533, 539; Di Cesnola, pp. 129, 145, 154.]

      1211 [ Di Cesnola, p. 306.]

      1212 [ Ibid. Pls. xlvi. and xlvii.; Perrot et Chipiez, pp. 205, 643, 837.]

      1213 [ Di Cesnola, p. 132.]

      1214 [ Perrot et Chipiez, pp. 64, 450, 555, 557; Di Cesnola, Pls vi. and xv.; also p. 275.]

      1215 [ Perrot et Chipiez, Hist. de l’Art, iii. 431.]

      1216 [ Perrot et Chipiez, pp. 202, 451, 554.]

      1217 [ Ibid. pp. 473, 549; Di Cesnola, Cyprus, p. 230.]

      1218 [ Perrot et Chipiez, iii. 549.]

      1219 [ Ibid. pp. 189, 549, 565.]

      1220 [ Di Cesnola, Cyprus, 141, 190, 230.]

      1221


Скачать книгу