The Sceptics of the Old Testament: Job - Koheleth - Agur. Emile Joseph Dillon
we assume some such sudden illumination of the mind as Buddha obtained under the shadow of the fig-tree and the author of the 73rd Psalm among the ruins of the kingdom of Juda, it is impossible to account for Job's unforeseen and entire resignation, or to bring his former defiant utterances into harmony with the humble sentiments to which he now gives expression. For nothing but his mind had meanwhile undergone a change. All the elements of the problem remained what they were. The evils that had fired his indignation were not denied by their presumptive author, nor was any explanation of them vouchsafed to him. No remedy was promised in this life, no hope held out of redress in a possible world to come. On the contrary, Jahveh confirms the terrible facts alleged by His servant; He admits that pleasure and pain are not the meed of deeds done upon earth, and that the explanation we seek, the light we so wistfully long for, will never come; for human existence is not a dark spot in an ocean of dazzling splendour, but a will'-o'-the-wisp that merely intensifies the murkiness of everlasting Night.
Moreover, Job was detached from the world already. He had overcome all his passions and kept even his legitimate affections under control. He had no word of regret on losing his cattle, his possessions, his children. During his most exquisite sufferings, he declared that he held only to his good name. This, too, he now gives up and demanding nothing, avers that he is satisfied. "I resign and console myself. Though it be in dust and ashes." Complete detachment from existence, and not for the sake of some other and better existence (for there is none) is the practical outcome of Job's intuition. But in a God-created world made for the delectation of mankind, to forego its pleasures would be to offend the Creator, if indeed stark madness could kindle His ire. But to curb one's thirst for life and to spurn its joys because one holds them to be the tap root of all evil, is an action at once intelligible and wise. And this is what Job evidently does when he practises difficult virtues and undergoes terrible sufferings without the consciousness of past guilt or the faintest hope of future recompense.
As Buddha taught his followers: "When the disciple has lost all doubt as to the reality of suffering; when his doubts as to the origin of suffering are dispelled; when he is no longer uncertain as to the possibility of annihilating suffering and when he hesitates no more about the way that leads to the annihilation of suffering: then is he called a holy disciple, one who is in the stream that floweth onwards to perfection, one who is delivered from evil, who is guaranteed, who is devoted to the highest truth."[21]
Footnotes:
[14] One of the best accredited exponents of this theory, which is now generally accepted by Catholic divines, is Father (now Cardinal) Mazella.
[15] And Job more than once applies it.
[16] Cf. Editio Princeps, Oxford, 1681, p. 287.
[17] Many pious Christians who scoff at such emotions, without endeavouring to understand them, would do well to remember that whatever truth there is in the dogma of the immorality of the soul, is dependant upon this proposition, that time, space, and the law of casuality have no real existence whatever, but are merely the furniture of the human mind—the forms in which it apprehends. As time exists only in our consciousness, and as beginning and end can take place only in time, they can affect only our consciousness, which ends in death, but not our souls, which are distinct from mind and consciousness.
[18] Job, who rejected all secondary causes whatever, could not in logic, and did not in fact, believe in free will as it is commonly understood in our days.
[19] Cf. Matt. xii. 33–35.
[20] Even the Bible is not wholly devoid of traces of the same symbol employed to convey the same ideas; cf. Matt. xi. 14, John ix. 2, for the New Testament, and Ps. xc. 3 for the Old. The apparent inner absurdity of the doctrine of the transmigration of souls arises mainly from our inability to grasp and realise the two propositions which it presupposes—viz., that there is no such thing as time outside of the human mind, and therefore no past or future; and, secondly, that soul is but individualised will momentarily illumined by the intellect which is a function of the brain. Metempsychosis was originally no more than a symbol.
[21] "Samyuttaka-Nikayo," vol. iii. chap. iii. p. 24. Cf. Dr. K. E. Neumann's "Buddhistische Anthologie," Leiden, 1892, p. 204.
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DATE OF THE COMPOSITION
The question which frequently exercised the ingenuity of former commentators, whether the poem of Job is the work of one or of many authors, has no longer any actuality. It is absolutely certain that the book, as we find it in the Authorised Version, and even in the best Hebrew manuscripts, is a mosaic put together by a number of writers widely differing in their theological views and separated from each other by whole centuries; and it is equally undoubted that, restored to its original form, it is "a poem round and perfect as a star"—the masterpiece of one of the most gifted artists of his own or any age. To the inquiry where he lived and wrote, numerous tentative replies have been offered but no final answer. To many he is the last of the venerable race of patriarchs, and his verse the sweet, sublime lisping of a childlike nature, disporting itself in the glorious morning of the world.[22]
This, however, is but a pretty fancy, which will not stand the ordeal of scientific criticism, nor even the test of a careful common-sense examination. The broader problems that interest thinking minds of a late and reflective age, the profounder feelings and more ambitious aspirations of manhood and maturity, are writ large in every verse of the poem. The lyre gives out true, full notes, which there is no mistaking. The hero is evidently a travelled cosmopolitan, who has outgrown the narrow prejudices of petty patriotism and national religious creeds to such an extent that he studiously eschews the use of the revealed name of the God of his people, and seems to believe at most in a far-away and incomprehensible divinity who sometimes merges into Fate. In the God of theologians he had no faith. His comforters, who from the uttermost ends of the earth meet together in a most unpatriarchal manner to discuss the higher problems of philosophy, allude to the views in vogue in the patriarchal age as to traditions of bygone days before the influence of foreign invaders had tainted the purity of the national faith; and passages like xii. 17, xv. 19, seem to point to the captivity of the Hebrew people as an accomplished fact. In a word, the strict monotheism of the hero, which at times borders upon half-disguised secularism, has nothing in common with the worship of the patriarchs except the absence of priests and the lack of ceremonies. The language of the poem, flavoured by a strong mixture of Arabic and Aramaic words and phrases, and the frequent use of imagery borrowed from Babylonian mythology, to say nothing of a number of other signs and tokens of a comparatively late age, render the patriarchal hypothesis absolutely untenable.[23] This, at least, is one of the few results of modern research about which there is perfect unanimity among all competent scholars.
If the date of the composition of Job cannot be fixed with any approach to accuracy, there are at least certain broad limits within which it is agreed on all hands that it should be placed. This period is comprised between the prophetic activity of Jeremiah and the second half of the Babylonian Exile. The considerations upon which this opinion is grounded are drawn mainly, if not exclusively, from authentic passages of Job which the author presumably borrowed from other books of the Old Testament. Thus a comparison of the verses in which the hero curses the day of his birth[24] with an identical malediction in Jeremiah (xx. 14–15), and of the respective circumstances in which each was written, leads to the conviction that the borrower was not the prophet whose writings must therefore have been familiar to the poet. This conclusion is confirmed by a somewhat far-fetched but none the less valid argument drawn from the circumstance that Ezekiel,[25] who would probably have known the poem had it existed in his day, obviously never heard of it; for this prophet, broaching the question, apparently for the first time among his countrymen, as to the justice of human suffering, denies point blank that any man endures unmerited pain,[26] and affirms in emphatic terms that to each one shall be meted out reward or punishment according to his works.[27] And this he could hardly have done had he been aware of the fact that the contradictory proposition was vouched for by no less an authority than Jahveh Himself.
Again, it is highly probable, although one would hardly be justified in stating it as an established fact, that certain striking poetic