Wanderings by Southern Waters, Eastern Aquitaine. Edward Harrison Barker
different in every way from that of these simple people—with his mind coloured by particular prejudices, habits of thought, religious or philosophical reasoning, may feel out of sympathy with such pilgrims, he cannot but recognise their sincerity and the serene fulness of their faith.
Above all the pious murmuring rise the harsh voices of those who have come to sell, and who, putting no restraint upon their eagerness to get money, thrust their rosaries and medals almost in the pilgrims' faces. Beggars squatting or lying against the wall on either side of the steps exhibit the bare stump of a leg that wofully needs washing, a withered arm, or the ravages of some incurable and gnawing disease. Yet are they all terribly energetic, wailing forth prayers almost incessantly, or screaming spasmodically an appeal to charity, and adding to the dreadful din by jingling coppers in tin cups. In the immediate precincts of the church, where the hurly-burly of piety, traffic, and mendicity reaches its climax, are the vendors of candles for the chapel and of food for the pilgrims, whose diet is chiefly melon and bread. Creysse, by the Dordogne, produces melons in abundance, which are brought to Roc-Amadour by the cartload, and sold for two or three sous apiece. And to see these pilgrims devour the fragrant fruit in the month of September makes one think that if Notre Dame de Roc-Amadour were not very pitiful the consequences would be disastrous to many.
There was a humorous beggar on the steps who amused me much, for I watched him more closely than he supposed. He had something the matter with his legs—paralyzed, perhaps—but the upper part of his body was sound enough. With one hand he shook the tin cup, but the other, which held a short pipe, he kept steadfastly behind his back. Now and again he turned his face to the wall, as if to drop a tear unseen, but really to take a discreet pull at the pipe. I think he must have swallowed the smoke. Then he would face the crowd again, and repeat his doleful cry:
'De la charité! de la charité! Chrétiens, n'oubliez pas le pauvre estropié! Le bon Dieu vous bénira.'
After all, why should not a beggar smoke? If tobacco is a blessing, why should a man be debarred from it because his legs are paralyzed, and he is obliged to live on charity?
As one of the first thoughts of every genuine pilgrim to this ancient sanctuary is to get shrived, the chaplains, who, with their Superior, are ten in number, have something to do to listen to the story of sins that is poured into their ears almost in a continuous stream during the eight days of the retreat. The rush upon the confessionals begins at five in the morning, and goes on with little intermission all day. The penitents huddle together like sheep in a snowstorm around each confessional, so that the foremost who is telling his sins knows that there is another immediately behind him who, whenever he stops to reflect, would like to give him a nudge m the back. The peasants, whether it be that they have never cultivated the habit of whispering, or whether their zeal be such as to chase from their minds all considerations of worldly shame and human respect, say what they have to say without regard to the rows of ears behind them, and what takes place at these times is almost on a par with the public confessions of the primitive Church.
It is at night, however, during the retreat that the visitor to Roc-Amadour will see the strangest sight if he gives himself the trouble, for then the church of St. Sauveur becomes a hospice where the weary may find the sleep that refreshes and restores the faculties after the work of the day, as sung by St. Ambrose. The church is filled with pilgrims lying upon the chairs, upon the bare stones that the feet of other pilgrims have worn into hollows, sitting with their backs against the walls and piers, snoring also in the confessionals—the most comfortable quarters. Some remain awake most of the night praying silently or aloud. This is how the peasantry of the Quercy and the Limousin enter into the spirit of the September pilgrimage to Roc-Amadour. It is not because they need the money to pay for accommodation in the inns that they use the church by night as well as by day, but because they wish to go through their devotional programme thoroughly. And those who go to the inns often make one room serve for a family of three or four grown-up persons. If there vis one person who does not belong to the family, the others see no harm in admitting him or her; indeed, they think that as Christians they are almost bound to do so.
On the night following the opening of the retreat, Roc-Amadour is illuminated, and the spectacle is one that renders the grandest illuminations in Paris mean and vulgar by comparison. It is not in the costliness of the display that its splendour lies; it is in what may almost be termed the zeal with which Nature works with art towards the same end. Without the rocks and precipices the spectacle would be commonplace; but the site being what it is, the scene has a strange and wonderful charm that may be called either fairylike or heavenly, as the imagination may prefer. The artistic means employed are simple enough—paper lanterns and little lamps of coloured glass; but what an effect is produced when chains of fire have been stretched across the gorge from the summits of the rocks on either side, when the long succession of zigzags reaching up the cliff, and forming the Way of the Cross, is also marked out with fire, when the ramparts on the brink of the precipice are ablaze with coloured lamps, recalling some old poetical picture of an enchanted castle, and a little to the right, on the summit of the cliff where the Via Crucis ends at Calvary, the great wooden cross which French pilgrims carried through the streets of Jerusalem stands against the calm starlit sky like a cross of blood-red flame!
A little below the summit of the cliff, from the large cavern which has been fashioned to represent the Holy Sepulchre, there issues a brilliant light, together with the sound of many voices singing the 'Tantum ergo.' A faint odour of incense wanders here and there among the shrubs, and mingles with the fragrance of flowers upon the terraces. Presently the clergy and the pilgrims come forth, and, forming a long procession, descend the Way of the Cross; and as the burning tapers that they carry shine and flash amongst the foliage, these words, familiar to every pilgrim to Roc-Amadour, sung by hundreds of voices, may be heard afar off in the dark desolate gorge:
'Reine puissante, Mère d'Amour,
Sois-nous compatissante,
O Vierge d'Amadour!'
It is now the vigil of All Souls—the 'Day of the Dead.' No more pilgrims come to Roc-Amadour. A breeze would send the sapless walnut-leaves whirling through the air, but there is no breeze; Nature seems to hold her breath as she thinks of the dead whom she has gathered to her earthy breast. At sundown the people creep out of their houses silently and solemnly; they meet at the bottom of the steps, and when they are joined by the clergy and choirboys, all move slowly upward, praying for the dead and kneeling upon each step. As their forms seen sideways show against the dusky sky, they look like shadows from the ghostly world, and still more so when the rocks on the other side of the gorge brighten again, as with the blood of the pomegranate made luminous, and through the air there spreads a beautiful solemn light that is tenderly yet deeply sad, and which adds something unearthly, something that cannot be named, to the ascending figures.
As the dusk deepens to darkness the funereal glas begins to moan from St. Saviour's Church. Two bells are rung together so as to make as nearly as possible one clash of sound. At first it is a moan, but it soon becomes a strident cry with a continuous under-wail. At the Hospitalet on the hill the bell of the mortuary chapel is also tolling. It is the bell of the dead who lie there in the stony burying-ground upon the edge of the wind-blown causse, calling upon the bells of Roc-Amadour to move the living to pity for those who have left the earth.
As I return to my cottage the dim street is quite deserted, and the arch of the ruined gateway, so often resounding with the voices that come from light hearts, is now as dark and silent as a grave. For two hours the bells continue to cry in the darkness, from the church overhead and from the chapel by the tombs. I can neither read nor write, but sit brooding over the fire on the hearth, piling on wood and sending tall flames and many sparks up the chimney; for that continuous undercry of the iron tongues, 'Pray for the dead! pray for the dead!' fills the valley and seems to fill the world. No fireside feeling can be kindled; it is wasting wood to throw it upon the hearth to-night, for that doleful wail penetrates everywhere: even the demon that lurks at the bottom of Pomoyssin must shudder as he hears it. When at length the bells stop swinging and their vibrations die away, a screech-owl flies close by the open gallery of the house, which we call a balcony, and startles me with its ghostly scream.
The day comes again, fair and hopeful.