The Collected Works in Verse and Prose of William Butler Yeats. Volume 4 of 8. The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic Movement. Yeats William Butler

The Collected Works in Verse and Prose of William Butler Yeats. Volume 4 of 8. The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic Movement - Yeats William Butler


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he gave in at the end.

BRIDGET

      You seem well pleased to be handling the money, Peter.

PETER

      Indeed, I wish I had had the luck to get a hundred pounds, or twenty pounds itself, with the wife I married.

BRIDGET

      Well, if I didn’t bring much I didn’t get much. What had you the day I married you but a flock of hens and you feeding them, and a few lambs and you driving them to the market at Ballina. [She is vexed and bangs a jug on the dresser.] If I brought no fortune I worked it out in my bones, laying down the baby, Michael that is standing there now, on a stook of straw, while I dug the potatoes, and never asking big dresses or anything but to be working.

PETER

      That is true, indeed.

[He pats her arm.BRIDGET

      Leave me alone now till I ready the house for the woman that is to come into it.

PETER

      You are the best woman in Ireland, but money is good, too. [He begins handling the money again and sits down.] I never thought to see so much money within my four walls. We can do great things now we have it. We can take the ten acres of land we have a chance of since Jamsie Dempsey died, and stock it. We will go to the fair of Ballina to buy the stock. Did Delia ask any of the money for her own use, Michael?

MICHAEL

      She did not, indeed. She did not seem to take much notice of it, or to look at it at all.

BRIDGET

      That’s no wonder. Why would she look at it when she had yourself to look at, a fine, strong young man? it is proud she must be to get you; a good steady boy that will make use of the money, and not be running through it or spending it on drink like another.

PETER

      It’s likely Michael himself was not thinking much of the fortune either, but of what sort the girl was to look at.

MICHAEL [coming over towards the table]

      Well, you would like a nice comely girl to be beside you, and to go walking with you. The fortune only lasts for a while, but the woman will be there always.

PATRICK [turning round from the window]

      They are cheering again down in the town. Maybe they are landing horses from Enniscrone. They do be cheering when the horses take the water well.

MICHAEL

      There are no horses in it. Where would they be going and no fair at hand? Go down to the town, Patrick, and see what is going on.

PATRICK[Opens the door to go out, but stops for a moment on the threshold.]

      Will Delia remember, do you think, to bring the greyhound pup she promised me when she would be coming to the house?

MICHAEL

      She will surely.

[PATRICK goes out, leaving the door open.PETER

      It will be Patrick’s turn next to be looking for a fortune, but he won’t find it so easy to get it and he with no place of his own.

BRIDGET

      I do be thinking sometimes, now things are going so well with us, and the Cahels such a good back to us in the district, and Delia’s own uncle a priest, we might be put in the way of making Patrick a priest some day, and he so good at his books.

PETER

      Time enough, time enough, you have always your head full of plans, Bridget.

BRIDGET

      We will be well able to give him learning, and not to send him tramping the country like a poor scholar that lives on charity.

MICHAEL

      They’re not done cheering yet.

      [He goes over to the door and stands there for a moment, putting up his hand to shade his eyes.

BRIDGET

      Do you see anything?

MICHAEL

      I see an old woman coming up the path.

BRIDGET

      Who is it, I wonder? It must be the strange woman Patrick saw a while ago.

MICHAEL

      I don’t think it’s one of the neighbours anyway, but she has her cloak over her face.

BRIDGET

      It might be some poor woman heard we were making ready for the wedding and came to look for her share.

PETER

      I may as well put the money out of sight. There is no use leaving it out for every stranger to look at.

      [He goes over to a large box in the corner, opens it and puts the bag in and fumbles at the lock.

MICHAEL

      There she is, father! [An Old Woman passes the window slowly, she looks at MICHAEL as she passes.] I’d sooner a stranger not to come to the house the night before my wedding.

BRIDGET

      Open the door, Michael; don’t keep the poor woman waiting.

      [The OLD WOMAN comes in. MICHAEL stands aside to make way for her.

OLD WOMAN

      God save all here!

PETER

      God save you kindly!

OLD WOMAN

      You have good shelter here.

PETER

      You are welcome to whatever shelter we have.

BRIDGET

      Sit down there by the fire and welcome.

OLD WOMAN [warming her hands]

      There is a hard wind outside.

      [MICHAEL watches her curiously from the door. PETER comes over to the table.

PETER

      Have you travelled far to-day?

OLD WOMAN

      I have travelled far, very far; there are few have travelled so far as myself, and there’s many a one that doesn’t make me welcome. There was one that had strong sons I thought were friends of mine, but they were shearing their sheep, and they wouldn’t listen to me.

PETER

      It’s a pity indeed for any person to have no place of their own.

OLD WOMAN

      That’s true for you indeed, and it’s long I’m on the roads since I first went wandering.

BRIDGET

      It is a wonder you are not worn out with so much wandering.

OLD WOMAN

      Sometimes my feet are tired and my hands are quiet, but there is no quiet in my heart. When the people see me quiet, they think old age has come on me and that all the stir has gone out of me. But when the trouble is on me I must be talking to my friends.

BRIDGET

      What was it put you wandering?

OLD WOMAN

      Too many strangers in the house.

BRIDGET

      Indeed you look as if you’d had your share of trouble.

OLD WOMAN

      I have had trouble indeed.

BRIDGET

      What was it put the trouble on you?

OLD WOMAN

      My land that was taken from me.

PETER

      Was it much land they took from you?

OLD WOMAN

      My four beautiful green fields.

PETER [aside to BRIDGET]

      Do you think could she be the widow Casey that was put out of her holding at Kilglass a while ago?

BRIDGET

      She is not. I saw the widow Casey one time at the market in Ballina, a stout fresh woman.

PETER [to OLD WOMAN]

      Did you hear a noise of cheering, and you coming up the hill?

OLD WOMAN

      I thought I heard the noise I used to hear when my friends came to visit me.

[She begins singing half to herself.

      I will go cry with the woman,

      For yellow-haired Donough is dead,

      With


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