Love in a Cloud: A Comedy in Filigree. Bates Arlo
before castigation. Then she turned and walked vehemently up the drawing-room and back, a quick sprint which seemed to have very little effect in cooling her indignation.
"How long has this nonsense been going on?" she demanded, with a new sternness in her voice.
"For – for six weeks," answered May tearfully. Then she lifted her swimming eyes in pitiful appeal, and proffered a plea for mercy. "Of course I didn't use my own name."
"Five or six weeks!" cried Mrs. Harbinger, throwing up her hands.
"But at first we didn't write more than once or twice a week."
The other stared as if May were exploding a succession of torpedoes under her very nose.
"But – but," she stammered, apparently fairly out of breath with amazement, "how often do you write now?"
May sprang up in her turn. She faced her mentor with the truly virtuous indignation of a girl who has been proved to be in the wrong.
"I shan't tell you another word!" she declared.
Mrs. Harbinger seized her by the shoulders, and fairly pounced upon her in the swoop of her words.
"How often do you write now?" she repeated. "Tell me before I shake you!"
The brief defiance of May vanished like the flare of a match in a wind-storm.
"Every day," she answered in a voice hardly audible.
"Every day!" echoed the other in a tone of horror.
Her look expressed that utter consternation which is beyond any recognition of sin, but is aroused only by the most flagrant breach of social propriety. Again the culprit put in what was evidently a prayer for pity, couched in a form suggested by instinctive feminine cunning.
"Oh, Mrs. Harbinger, if you only knew what beautiful letters he writes!"
"What do I care for his beautiful letters? What did you want to drag me into this mess for? Now I shall have to do something."
"Oh, no, no, Mrs. Harbinger!" cried May, clasping her hands. "Don't do anything. You won't have to do anything. I had to tell you when he is coming here."
Mrs. Harbinger stared at the girl with the mien of one who is convinced that somebody's wits are hopelessly gone, and is uncertain whether they are those of herself or of her friend.
"Coming here?" she repeated helplessly. "When?"
"This afternoon. I am really going to meet him!" May ran on, flashing instantly from depression into smiles and animation. "Oh, I am so excited!"
Mrs. Harbinger seized the girl again by the shoulder, and this time with an indignation evidently personal as well as moral.
"Have you dared to ask a strange man to meet you at my house, May Calthorpe?"
The other cringed, and writhed her shoulder out of the clutch of her hostess.
"Of course not," she responded, taking in her turn with instant readiness the tone of just resentment. "He wrote me that he would be here."
The other regarded May in silence a moment, apparently studying her in the light of these new revelations of character. Then she turned and walked thoughtfully to a chair, leaving May to sit down again on the sofa by which they had been standing. Mrs. Harbinger was evidently going over in her mind the list of possible authors who might be at her afternoon tea that day.
"Then 'Love in a Cloud' was written by some one we know," she observed reflectively. "When did you write to him last?"
"When I was here yesterday, waiting for you to go to the matinée."
"Do you expect to recognize this unknown paragon?" asked Mrs. Harbinger with an air perhaps a thought too dispassionate.
A charming blush came over May's face, but she answered with perfect readiness: —
"He asked me to give him a sign."
"What kind of a sign?"
"He said he would wear any flower I named if I would – "
"Would wear one, too, you minx! That's why you have a red carnation at your throat, is it? Oh, you ought to be shut up on bread and water for a month!"
May showed signs of relapsing again into tears.
"I declare, I think you are just as horrid as you can be," she protested. "I wish I hadn't told you a word. I'm sure there was no need that I should. I – "
The lordly form of Graham the butler appeared at the drawing-room door.
"Mrs. Croydon," he announced.
II
THE MADNESS OF A MAN
While Mrs. Harbinger was receiving from May Calthorpe the disjointed confession of that young woman's rashness, her husband, Tom Harbinger, was having a rather confused interview with a client in his down-town office. The client was a middle-aged man, with bushy, sandy hair, and an expression of invincible simplicity not unmixed with obstinacy. Tom was evidently puzzled how to take his client or what to do with him. He had, as they talked, the air of being uncertain whether Mr. Barnstable was in earnest, and of not knowing how far to treat him seriously.
"But why do you come to me?" he asked at length, looking at his client as one regards a prize rebus. "Of course 'Love in a Cloud,' like any other book, has a publisher. Why don't you go there to find out who wrote it?"
The other shook his head wearily. He was a chunky man, seeming to be made largely of oleaginous material, and appearing to be always over-worn with the effort of doing anything with muscles and determination hopelessly flabby despite his continual persistence.
"I've been to them," he returned; "but they won't tell."
"Then why not let the matter pass? It seems to me – "
The other set his square jaw the more firmly amid its abundant folds of flabby flesh.
"Let it pass?" he interrupted with heavy excitement. "If something isn't done to stop the infernal impudence of these literary scribblers there will be no peace in life. There is nothing sacred! They ought to be punished, and I'll follow this rascal if it costs me every dollar I'm worth. I came to you because I thought you'd sympathize with me."
Mr. Harbinger moved uneasily in his chair like a worm on a hook.
"Why, really, Barnstable," he said, "I feel as you do about the impudence of writers nowadays, and I'd like to help you if I could; but – "
The other broke in with a solemn doggedness which might well discourage any hope of his being turned from his purpose by argument.
"I mean to bring suit for libel, and that's the whole of it."
"Perhaps then," the lawyer responded with ill concealed irritation, "you will be good enough to tell me whom the suit is to be against."
"Who should it be against? The author of 'Love in a Cloud,' of course."
"But we don't know who the author of that cursed book is."
"I know we don't know; but, damme, we must find out. Get detectives; use decoy advertisements; do anything you like. I'll pay for it."
Mr. Harbinger shrugged his shoulders, and regarded his client with an expression of entire hopelessness.
"But I'm not in the detective business."
The other gave no evidence of being in the least affected by the statement.
"Of course a lawyer expects to find out whatever is necessary in conducting his clients' business," he remarked, with the air of having disposed of that point. "There must be a hundred ways of finding out who wrote the book. An author ought not to be harder to catch than a horse-thief, and they get those every day. When you've caught him, you just have him punished to the extent of the law."
Harbinger rose from his chair and began to walk up and down with his hands in his pockets. The other watched him in silence, and for some moments nothing was said. At length the lawyer stopped before his client, and evidently collected himself for a final effort.
"But consider,"