Love in a Cloud: A Comedy in Filigree. Bates Arlo

Love in a Cloud: A Comedy in Filigree - Bates Arlo


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older than the son she lightly talked of disowning. The youthfulness of Mrs. Neligage was a constant source of irritation to her enemies, and with her tripping tongue and defiant independence she made enemies in plenty. Her gypsyish beauty and clear skin were offenses serious enough; but for a woman with a son of five and twenty to look no more than that age herself was a vexation which was not to be forgiven. Some had been spiteful enough to declare that she preserved her youth by being entirely free from feeling; but since in the same breath they were ready to charge the charming widow with having been by her emotions carried into all sorts of improprieties, the accusation was certainly to be received with some reservations. Certainly she was the fortunate possessor of unfailing spirits, of constant cleverness, and delightful originality. She had the courage, moreover, of daring to do what she wished with the smallest possible regard for conventions; and it has never been clearly shown how much independence of conventionality and freedom of life may effect toward the preservation of a woman's youth.

      She evidently understood the art of entering a room well. She came forward swiftly, yet without ungraceful hurry. She nodded brightly to the ladies, gave Bradish the momentary pleasure of brushing her finger-tips with his own as she passed him, then went forward to shake hands with Mrs. Harbinger. Without having done anything in particular she was evidently entire mistress of the situation, and the rest of the company became instantly her subordinates. Mrs. Croydon, almost twice her size and so elaborately overdressed, appeared suddenly to have become dowdy and ill at ease; yet nothing could have been more unconscious or friendly than the air with which the new-comer turned from the hostess to greet the other lady. There are women to whom superiority so evidently belongs by nature that they are not even at the trouble of asserting it.

      "Oh, Mrs. Neligage," Mrs. Croydon said, as she grasped at the little glove which glanced over hers as a bird dips above the water, "you have lived so much abroad that you should be an authority on foreign marriages."

      "Just as you, having lived in Chicago, should be an authority on un-marriages, I suppose. Well, I've had the fun of disturbing a lot of foreign marriages in my day. What marriage is this?"

      "We were speaking of Miss Wentstile's proposing to marry Alice to Count Shimbowski," explained Mrs. Harbinger.

      "Then," returned Mrs. Neligage lightly, "you had better speak of something else as quickly as possible, for Alice and her aunt are just behind me. Let us talk of Mrs. Croydon's anonymous novel that's made such a stir while I've been in Washington. What is it? 'Cloudy Love'! That sounds tremendously improper. My dear, if you don't wish to see me fall in a dead faint at your feet, do give me some tea. I'm positively worn out."

      She seated herself near Mrs. Croydon, over whose face during her remarks had flitted several expressions, none of them over-amiable, and watched the hostess fill her cup.

      "Come, Mrs. Neligage," protested Bradish with an air of mild solicitation. "You are really too bad, you know. It isn't 'Cloudy Love,' but 'Love in a Cloud.' I didn't know that you confessed to writing it, Mrs. Croydon."

      "Oh, I don't. I only refuse to deny it."

      "Oh, well, now; not to deny is equivalent to a confession," he returned.

      "Not in the least," Mrs. Neligage struck in. "When you are dealing with a woman, Mr. Bradish, it isn't safe even to take things by contraries."

      IV

      THE TICKLING OF AN AUTHOR

      The entrance of Miss Wentstile and her niece Alice Endicott made the company so numerous that it naturally broke up into groups, and the general conversation was suspended.

      Miss Wentstile was a lady of commanding presence, whose youth was with the snows of yester year. She had the eye of a hawk and the jaw of a bulldog; nor was the effect of these rather formidable features softened by the strong aquiline nose. Her hair was touched with gray, but her color was still fresh and too clear not to be natural. She was richly dressed in dark green and fur, her complexion making the color possible in spite of her years. She was a woman to arouse attention, and one, too, who was evidently accustomed to dominate. She cast a keen glance about her as she crossed the room to her hostess, sweeping her niece along with her not without a suggestion that she dragged the girl as a captive at her chariot-wheel.

      Jack Neligage stepped forward as she passed him, evidently with the intention of intercepting the pair, or perhaps of gaining a word with Alice Endicott.

      "How do you do, Miss Wentstile," he said. "I am happy to see you looking so well."

      "There is no reason why I should not look well, Mr. Neligage," she responded severely. "I never sit up all night to smoke and drink and play cards."

      Neligage smiled his brightest, and made her a bow of mock deference.

      "Indeed, Miss Wentstile," he responded, "I am delighted to know that your habits have become so correct."

      She retorted with a contemptuous sniff, and by so effectually interposing between him and her niece that Miss Endicott could only nod to him over her aunt's shoulder. Jack made a grimace more impertinent than courtly, and for the time turned away, while the two ladies went on to Mrs. Harbinger.

      "Well, Alice," Mrs. Harbinger said, "I am glad you have come at last. I began to think that I must appoint a substitute to pour in your place."

      "I am sorry to be so late," Miss Endicott responded, as she and her hostess exchanged places. "I was detained unexpectedly."

      "I kept her," Miss Wentstile announced with grim suddenness. "I have been talking to her about – "

      "Aunt Sarah," interposed Alice hurriedly, "may I give you some tea?"

      "Don't interrupt me, Alice. I was talking to her about – "

      Mrs. Harbinger looked at the crimsoning cheeks of Alice, and meeting the girl's imploring glance, gave her a slight but reassuring nod.

      "My dear Miss Wentstile," she said, "I know you will excuse me; but here are more people coming."

      Miss Wentstile could hardly finish her remarks to the air, and as Mrs. Harbinger left her to greet a new arrival the spinster turned sharply to May Calthorpe, who had snuggled up to Alice in true school-girl fashion.

      "Ah, May," Miss Wentstile observed, "what do you settle down there for? Don't you know that now you have been brought out in society you are expected to make your market?"

      "No, Miss Wentstile," May responded; "if my market can't make itself, then it may go unmade."

      The elder turned away with another characteristic sniff, and Alice and May were left to themselves. People were never tired of condemning Miss Wentstile for her brusque and naked remarks; but after all society is always secretly grateful for any mortal who has the courage to be individual. The lady was often frank to the verge of rudeness; she was so accustomed to having her own way that one felt sure she would insist upon it at the very Judgment Seat; she said what she pleased, and exacted a deference to her opinions and to her wishes such as could hardly under existing human conditions be accorded to any mortal. Miss Wentstile must have been too shrewd not to estimate reasonably well the effect of her peculiarities, and no human being can be persistently eccentric without being theatrical. It was evident enough that she played in some degree to the gallery; and undoubtedly from this it is to be argued that she was not without some petty enjoyment in the notoriety which her manners produced. Should mankind be destroyed, the last thing to disappear would probably be human vanity, which, like the grin of the Cheshire cat in "Alice," would linger after the race was gone. Vanity in the individual is nourished by the notice of others; and if Miss Wentstile became more and more confirmed in her impertinences, it is hardly to be doubted that increase of vanity was the cause most active. She outwardly resented the implication that she was eccentric; but as she contrived continually and even complacently to become steadily more so, society might be excused for not thinking her resentment particularly deep. Dislike for notoriety perhaps never cured any woman of a fault; and certainly in the case of Miss Wentstile it was not in the least corrective.

      The relations between Miss Wentstile and Alice Endicott were well known. Alice was the doubly orphaned daughter of a gallant young officer killed in a plucky skirmish against superior force in the Indian troubles, and of the wife whose heart broke at his


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