Ruins of Ancient Cities (Vol. 1 of 2). Charles Bucke
adorned with a multitude of edifices. The flat space on the rock of the Acropolis is not more than eight hundred feet in length, and about four hundred feet in breadth, – a small extent for the site of the primitive city of the Athenians; but an area of great size, when considered as the base only of temples and marble palaces, containing not a single structure which might not be denominated a masterpiece of art57. The most remarkable of these were a magnificent temple of Minerva, styled Parthenon, because that goddess was a virgin – this the Persians destroyed, out it was rebuilt with still greater splendour by Pericles – the temple of Neptune and Minerva jointly; a temple dedicated to Victory, adorned with paintings, principally the work of Polygnotus, and constructed of white marble. Within the citadel, also, was an immense number of statues, erected by religion and gratitude, on which the chisels of Myron, Phidias, Alcamenes, and other artists of renown, seemed to have bestowed animation. Of these statues, some were those of famous Athenian generals; such as Pericles, Phormio, Iphicrates, and Timotheus; and others, those of the gods.
It appears surprising that so many temples should have been crowded together within the narrow compass of the Athenian Acropolis; but the Roman Capitol, though not much more spacious, contained at least thirty temples58.
"In its pride and glory," says Chandler, "the Acropolis appeared as one entire offering to the deity, surpassing in excellence, and astonishing in richness. Heliodorus employed on it fifteen books. The curiosities of various kinds, with the pictures, statues, and pieces of sculpture, were so many and so remarkable, as to supply Polemo Periegetes with matter for four volumes; and Strabo affirms, that as many more would be required in treating of Athens and of Attica.
As the stranger draws near to the present entrance of the citadel, he passes before the façade of the Propylea; the old entrance to the Acropolis, between its Doric pillars, being walled up. Pausanias says, "There is only one entrance to the Acropolis of Athens; it being in every remaining part of its circuit a precipice, and fortified by strong walls. This entrance was fronted by a magnificent building, called the Propylea, covered with roofs of white marble, which surpassed, for beauty and the dimensions of the marble, all that I have seen." This is now in ruins.
This was the most expensive work undertaken by Pericles, and is said to have cost 2,500 talents (£452,700). It took five years in building, and was completed B. C. 437.
"To a person who has seen the ruins of Rome," says Dr. Clarke, "the first suggestion, made by a sight of the buildings in the Acropolis, is that of the infinite superiority of the Athenian architecture. It possesses the greatness and majesty of the Egyptian or of the ancient Etruscan style, with all the elegant proportion, the rich ornaments, and the discriminating taste of the most splendid era of the arts." Its present condition is thus described by Mr. Williams. "The scene of desolation in the Acropolis is complete; the heaps of ruins of wretched houses, and various buildings, are constructed part with clay and marble, the marble looking doleful through the mud. On entering the temple one is struck by the worn steps, and curved or circular marks of the great doors of old; the pavement, too, that had been trodden by the luminaries of Greece."
The walls of the Acropolis59 exhibit three distinct periods of construction; that is to say, the masonry of modern times in the repairs, – a style of building which can only be referred to the age of Cimon, or of Pericles; – and the ancient Pelasgic work, as mentioned by Lucian. The modern walls of the city are about ten feet high, and not two in thickness. They were constructed about the year 1780, as a defence against pirates and hordes of Arnauts, who sometimes entered the town at night, and threatened to pillage it. The walls embrace a circuit of nearly three miles, and enclose not only the town and citadel, but also some open spaces for cattle. They were built in seventy-five days, all hands being employed night and day. All kinds of materials which were at hand were employed in their construction, and in some places they exhibit large blocks of stone and marble, and several fragmental inscriptions60.
The lower city had thirteen gates, and among the principal edifices which adorned it were, 1. The Olympian temple, erected in honour of Athens and all Greece. 2. The Pantheon, dedicated to all the gods; a noble structure, supported by one hundred and twenty marble pillars, and having over its great gateway two horses, carved by Praxiteles. 3. The temple of Theseus; a noble structure, of Pentelic marble.
The Gymnasia of Athens were many, but the most remarkable were the Lyceum, Academia, and Cynosarges. The Lyceum stood on the banks of the Ilissus; some say it was built by Pisistratus; others by Pericles; others by Lycurgus.
The Academy was so called from Academus. The Cynosarges was a place in the suburbs, not far from the Lyceum.
The Areopagus is situated a few hundred feet west of the Acropolis. It consists of an insulated rock, precipitous, and broken towards the south; on the north side it slopes gently down towards the temple of Theseus, and is rather lower than the Acropolis. "Higher up, ascending a hill covered with thistles and red pebbles, you arrive," says M. La Martine, "at the Pnyx; the scene of the stormy assemblies of the people of Athens, and of the fluctuating triumphs of its orators or its favourites; enormous masses of black stone, some of which measure twelve or thirteen cubic feet, lie upon one another, and support the terrace, upon which the people collected. Still higher up, at the distance of about fifty paces, we perceive a huge square block, wherein steps have been cut, which probably served for the orator to mount his tribunal, which thus overlooked the people, the city, and the sea. This possesses not the character of the people of Pericles, but seems Roman. The recollections it inspires are, however, delightful. Demosthenes spoke from thence, and roused or calmed that popular sea, more stormy than the Ægean, which he could also hear roll behind him."
"From the odeum of Regilla," says Dr. Clarke, "we went to the Areopagus, wishing to place our feet upon a spot where it is so decidedly known that St. Paul had himself stood; and to view with our own eyes the same scene which he beheld, when he declared unto the Athenians the nature of the unknown god, whom they so ignorantly worshipped. * * * We ascended to the top by means of steps cut within the natural stone, which is of breccia. The sublime scene here exhibited is so striking, that a brief description of it may prove how truly it offers to us a commentary upon St. Paul's words, as they were delivered upon the spot. Before him there was spread a glorious prospect of mountains, islands, seas, and skies; behind him towered the lofty Acropolis, crowned with all its marble temples. This very object, whether in the face of nature, or among the works of art, conspired to elevate the mind, and to fill it with reverence towards that Being, 'who made and governs the world;' who sitteth in that light which no mortal eye can approach, and yet is nigh unto the meanest of his creatures; 'in whom we live, and move, and have our being.'"
Near the Piræan gate is still to be seen, in a state of admirable preservation, the ground-plot and entire town of the Pnyx, or place of parliament of the Athenians, as it was appropriated by Solon to the use of the citizens. Nearly the whole of it is an excavation of the rock, and the several parts of it were carved in stone of one solid mass, with the exception only of the semi-circular area, the farthest part of which consists of masonry. "To approach the spot," says Dr. Clarke, "once dignified by the presence of the greatest Grecian orators, to set our feet where they stood, and actually to behold the place where Demosthenes addressed 'the men of Athens,' calling to mind the most memorable examples of his eloquence, is a gratification of an exalted nature. But the feelings excited in viewing the Pnyx, peculiarly affect Englishmen: that holy fire, so much dreaded by the Athenian tyrants, and which this place had such a remarkable tendency to agitate, burns yet in Britain; it is the very soul of her liberties, and it strengthens the security of her laws; giving eloquence to her senate, heroism to her armies, extension to her commerce, and freedom to her people: although annihilated in almost every country of the earth, it lives in England, and its extinction there, like the going out of the sacred flame in the temple of Delphi, would be felt as a national calamity."
Among the loose fragments, dispersed in the Acropolis, has been found a small piece of marble, with an inscription, but in so imperfect a state, that Dr. Clarke considered it only worth notice as a memorial of the place where it was found, and in its allusion to the Prytaneum, which is the only legible
Hobhouse.
Dodwell.
Clarke.
Dodwell.