A Princess of Thule. Black William
bit of honeysuckle was turned up one side of the porch, and at the small wooden gate there were two bushes of sweetbrier that filled the warm air with fragrance.
Just before entering the house the two strangers turned to have a look at the spacious landscape lying all around in the perfect calm of a Summer day. And lo! before them there was but a blinding mass of white that glared upon their eyes, and caused them to see the far sea and the shores and hills as but faint shadows appearing through a silvery haze. A thin fleece of cloud lay across the sun, but the light was nevertheless so intense that the objects near at hand – a disused boat lying bottom upward, an immense anchor of foreign make, and some such things – seemed to be as black as night as they lay on the warm road. But when the eye got beyond the house and the garden, and the rough hillside leading down to Loch Roag, all the world appeared to be a blaze of calm, silent and luminous heat. Suainabhal and its brother mountains were only as clouds in the south. Along the western horizon the portion of the Atlantic that could be seen lay like a silent lake under a white sky. To get any touch of color they had to turn eastward, and there the sunlight faintly fell on the green shores of Borva, on the narrows of Loch Roag, and the loose red sail of a solitary smack that was slowly coming round a headland. They could hear the sound of the long oars. A pale line of shadow lay in the wake of the boat, but otherwise the black hull and the red sail seemed to be coming through a plain of molten silver. When the young men turned to go into the house the hall seemed a cavern of impenetrable darkness, and there was a flush of crimson light dancing before their eyes.
When Ingram had his room pointed out Lavender followed him into it and shut the door.
“By Jove, Ingram,” he said, with a singular light of enthusiasm on his handsome face, “what a beautiful voice that girl has! I have never heard anything so soft and musical in all my life, and then when she smiles what perfect teeth she has! And then, you know, there is an appearance, a style, a grace about her figure – but, I say, do you seriously mean to tell me you are not in love with her?”
“Of course I am not,” said the other, impatiently, as he was busily engaged with his portmanteau.
“Then let me give you a word of information,” said the young man, with an air of profound shrewdness; “she is in love with you.”
Ingram rose with some little touch of vexation on his face; “Look here, Lavender, I am going to talk to you seriously. I wish you wouldn’t fancy that every one is in that condition of simmering love-making you delight in. You never were in love, I believe – I doubt whether you ever will be – but you are always fancying yourself in love, and writing very pretty verses about it and painting very pretty heads. I like the verses and the paintings well enough, however they are come by; but don’t mislead yourself into believing that you know anything whatever of a real or serious passion by having engaged in all sorts of imaginative and semi-poetical dreams. It is a much more serious thing than that, mind you, when it comes to a man. And, for Heaven’s sake, don’t attribute any of that sort of sentimental make-believe to either Sheila Mackenzie or myself. We are not romantic folks. We have no imaginative gifts whatever, but we are very glad, you know, to be attentive and grateful to those who have. The fact is, I don’t think it quite fair – ”
“Let us suppose I am lectured enough,” said the other, somewhat stiffly. “I suppose I am as good a judge of the character of women as most other men, although I am no great student, and have no hard and dried rules of philosophy at my fingers’ ends. Perhaps, however, one may learn more by mixing with other people and going out into the world, than by sitting in a room with a dozen of books, and persuading one’s self that men and women are to be studied in that fashion.”
“Go away, you stupid boy, and unpack your portmanteau, and don’t quarrel with me,” said Ingram, putting out on the table some things he had brought for Sheila; “and if you are friendly with Sheila and treat her like a human being, instead of trying to put a lot of romance and sentiment about her, she will teach you more than you could learn in a hundred drawing-rooms in a thousand years.”
CHAPTER III.
THERE WAS A KING IN THULE
HE never took that advice. He had already transformed Sheila into a heroine during the half hour of their stroll from the beach and around the house. Not that he fell in love with her at first sight, or anything even approaching to that. He merely made her the central figure of a little speculative romance, as he had made many another woman before. Of course, in these little fanciful dramas, written along the sky-line, as it were, of his life, he invariably pictured himself as the fitting companion of the fair creatures he saw there. Who but himself could understand the sentiment of her eyes, and teach her little love-ways, and express unbounded admiration of her? More than one practical young woman, indeed, in certain circles of London society, had been informed by her friends that Mr. Lavender was dreadfully in love with her; and had been much surprised, after this confirmation of her suspicions, that he sought no means of bringing the affair to a reasonable and sensible issue. He did not even amuse himself by flirting with her, as men would willingly do who could not be charged with any serious purpose whatever.
His devotion was more mysterious and remote. A rumor would get about that Mr. Lavender had finished another of those charming heads in pastel, which, at a distance, reminded one of Greuze, and that Lady So-and-so, who had bought it forthwith, had declared that it was the image of this young lady, who was partly puzzled and partly vexed by the incomprehensible conduct of her reputed admirer. It was the fashion, in these social circles, to buy those heads of Lavender when he chose to paint them. He had achieved a great reputation by them. The good people liked to have genius in their own set whom they had discovered, and who was only to be appreciated by persons of exceptional taste and penetration. Lavender, the uninitiated were assured, was a most brilliant and cultivated young man. He had composed some charming songs, he had written, from time to time, some quite delightful little poems, over which fair eyes had grown full and liquid. Who had not heard of the face that he painted for a certain young lady whom every one expected him to marry?
The young man escaped a great deal of the ordinary consequences of this petting, but not all. He was at bottom really true-hearted, frank and generous – generous even to an extreme – but he had a habit of producing striking impressions which dogged and perverted his every action and speech. He disliked losing a few shillings at billiards, but he did not mind losing a few pounds; the latter was good for a story. Had he possessed any money to invest in shares, he would have been irritated by small rises or small falls; but he would have been vain of a big rise, and he would have regarded a big fall with equanimity, as placing him in a dramatic light. The exaggerations produced by this habit of his fostered strange delusions in the minds of people who did not know him very well: and sometimes the practical results, in the way of expected charities or what not, amazed him. He could not understand why people should have made such mistakes, and resented them as an injustice.
And as they sat at dinner on this still, brilliant evening in Summer, it was Sheila’s turn to be clothed in the garments of romance. Her father, with his great gray beard and heavy brow, became the King of Thule, living in this solitary house overlooking the sea, and having memories of a dead sweetheart. His daughter, the princess, had the glamor of a thousand legends dwelling in her beautiful eyes; and when she walked by the shores of the Atlantic, that were now getting yellow under the sunset, what strange and unutterable thoughts must appear in the wonder of her face! He remembered no more how he had pulled to pieces Ingram’s praises of Sheila. What had become of the “ordinary young lady, who would be a little interesting, if a little stupid, before marriage, and after marriage sink into the dull, domestic hind?” There could be no doubt that Sheila often sat silent for a considerable time, with her eyes fixed on her father’s face when he spoke, or turning to look at some other speaker. Had Lavender now been asked if this silence had not a trifle of dullness in it, he would have replied by asking if there were dullness in the stillness and the silence of the sea. He grew to regard her calm and thoughtful look as a sort of spell; and if you had asked him what Sheila was like, he would have answered by saying that there was moonlight in her face.
The room, too, in which this mystic princess sat, was strange and wonderful. There were no doors visible, for the four walls were throughout covered by paper of foreign manufacture, representing spacious Tyrolese