The Secret Life. Elizabeth Bisland

The Secret Life - Elizabeth Bisland


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great interest, feeling, as I always do when I hear birds talk, that if I only paid a little closer attention it would be possible to understand all they say. It is somewhat the same sensation one has in overhearing a rapid dialogue in French which one is too lazy to try to follow. When I came through I think I left some of the doors ajar behind me, and I remember my bird avatar especially clearly. Even yet, when autumn comes, I am pursued by a fluttering longing to arise and go southward. I feel that something beautiful – some wide splendid ecstasy is calling me if I will only go to meet it. I can remember having that sensation in my earliest childhood. In my dreams I often fly, with beautiful swoopings and balancings, with sudden confident droppings, through the elastic air, and sometimes I am in an enclosed place, beating my wings against the bounds, knowing no other way to get out…

      When I look at birds they seem to know me. Not in the way of a mere creature who puts out crumbs in convenient breakfasting places, or who brings strawberries to one's cage, but they meet my eye with that familiarity one sees in the glance of brothers – a look of mutual understanding. My own sense is of kinship of the closest character. I understand how they regard things – what they think and feel. I wish I could so concentrate my attention as to catch what this grimy little citizen is saying to his fellow on the nearby ledge. If I could, what a flood of other memories it would restore that are now dim and confused.

      November 1.

      John-a'-Dreams

      I dreamed last night that I wore upon my breast a great necklace of flat golden plates cut in the shape of winged things, and these were linked together with other flat plates of turquoise. My garments were of white semi-transparent stuff, and my limbs and body showed through it. Before me stood a building of some sort, creamy yellow in colour and of a style of architecture with which I am not familiar – though it seemed familiar enough to me in my dreams. Now I have only a confused sense of low domes set upon massive cubes. I was waiting for the sun to rise. The air was warm and dry and that white glamour of the dawning light lay upon the surrounding country, which seemed flat and not very verdant. Suddenly the rays of the sun, which rose apparently immediately behind this dome, spread out about it like an aureole (Gavin Douglas's "Golden fanys") – and this seemed a signal for me to lift my arms above my head and recite a sort of litany – and then – it all passed away…

      Most of one's dreams are confused and blurred by a sense of conflicting personalities. There is generally a sort of impression that while the incidents are apparently happening to one's self, they are happening in reality to some other being, not quite one's self; but this one was very clear, with no arrière pensée. I have worked out a theory which seems to me to quite solve the mystery of dreams.

      Lifelong familiarity with the phenomena of sleep – with the trooping phantoms that inhabit slumber's dusk realm – has so dulled our wonder at the mystery of our double existence of the dark that night after night we open with calm incuriousness the door into that ghostly underworld, where we hold insane revels with fantastic spectres, babble with foolish laughter at witless jests, stain our souls with useless crime, or fly with freezing blood from the grasp of unnamable horrors, and with the morning we saunter serenely back from these adventures into the warm precincts of the cheerful day, unmoved, unstartled, and forgetting.

      The hypnotists, because they can make a man feel pain or pleasure without material cause, are gaped upon with awed surprise by the same man who once every twenty-four hours of his life, with no more magic potion than healthy fatigue, with no greater weapon for wonder working than a pillow, may create for himself phantasmal illusions beside which all mesmeric suggestions are but the flattest of commonplace.

      The naive egotism of superstition saw in the movements of the solar system only prognostications concerning its own bean crop, and could discern nothing in the dream-world but the efforts of the supernatural powers to communicate, in their usual shuffling and incompetent fashion, with man. The modern revolt from this childishness has swung the pendulum of interest in dreams so far up the other curve of the arc that there seems now to be a foolish fear of attaching any importance whatever to the strange experiences of sleep, and as a result an unscientific avoidance of the whole subject. The consequence of this absurd revulsion is that in a period of universal investigation one of the most curious functions of the brain is left unexamined and unexplained.

      Some dabbling there has been, with results of little more value than were the contents of the greasy, bethumbed dream-books of the eighteenth-century milkmaid or apprentice. The labour bestowed upon the matter has been mainly directed to efforts to prove the extreme rapidity with which dreams pass through the mind, and that it is some trivial outward cause at the very instant of awakening – such as a noise, a light, or a blow – which rouses the brain to this miraculous celerity of imaginative creation.

      The persistent assertion that a dream occurs only at the moment of awakening shows how little real attention has been given to the matter, since the most casual observation of "the dog that hunts in dreams" would have shown that he may be "chasing the wild deer and following the roe" in the grey Kingdom of Seeming without breaking his slumbers. He will start and twitch, and give tongue after the phantom quarry he dreams he is pursuing, and yet continue his sleep without an interval. But have it whichever way one likes, the heart of the mystery is not yet discovered. How do they explain why a noise or a gleam of light – such as the waking senses know familiarly – should at this magical moment of rousing cause the brain to create with inconceivable rapidity a crowd of phantasmagoria in order to explain to itself the familiar phenomena of light and sound?

      Dr. Friederich Scholz, in his recent volume upon "Sleep and Dreams," gives an example of rapid effort of the mind to explain the sensations felt by the sleeping body:

      "I dreamed of the Reign of Terror, saw scenes of blood and murder, appealed before the Revolutionary Tribunal, saw Robespierre, Marat, Fouquier-Tinville, all the personages of that time of horrors, argued with them, was finally, after a number of occurrences, condemned to death, was carried to the place of execution on a cart through enormous masses of people, was bound by the executioner to the board. The knife fell and I felt my head severed from my body. Thereupon I awoke and found that a loosened rod of the bed had fallen on my neck like the knife of the guillotine, and this had happened, my mother assured me, at the very moment when I awoke."…

      That the mind should, merely because of the body's sleep, be able to create a whole scene of a terrible drama with a rapidity impossible when all the functions are awake and active is incredible. The only function of the brain capable of this lightning-like swiftness of vision is memory. To create requires a certain effort, consumes a certain period of time, but a scene once beheld, an adventure once experienced and vividly impressed upon the memory, can be recalled in its minutest details in a period of time too short to be reckonable.

      That the sensitive plate of the brain never loses any clear picture once received, has been demonstrated beyond doubt. The picture, the sensation, may be overlaid and hidden for a long time beneath the heaps of useless lumber that the days and years accumulate in the mind's storehouse, but need or accident, or a similarity of circumstance, will bring the forgotten belonging to light – sometimes with startling effect. There is the well-known instance of a girl who, during an attack of fever delirium, spoke in a language that no one about her could understand. Investigation proved it to be Welsh – a language of which, both before and after her illness, she was totally ignorant. Further investigation showed that being born in Wales she had understood the tongue as a very little child, but had afterwards completely forgotten it.

      It is commonly known that in the struggle of the body against death by water, the memory, stirred to furious effort, produces all her stores at once – probably in the frantic endeavour to find some experience which may be of use in this crisis.

      It is often broadly asserted that the memory retains each and every experience which life has presented for its contemplation, but this is hardly true. The memory makes to a certain extent a choice, and chooses oftentimes with apparent caprice. To demonstrate the truth of this, let one endeavour to recall the first impression retained by his childish mind and it usually proves to be something extremely trivial. My own first clear memory is a sense of the comfort to my tired little two-year-old body of the clean linen sheets of the bed at the end of a perilous and adventurous journey, of whose startling incidents my


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